A Metaphysical Materialist

By Richard Wolin

This article appeared in the October 16, 2006 edition of The Nation.

September 28, 2006

Who was the real Walter Benjamin? Was it the otherworldly aesthete who believed, along with the German Romantics, that literature has a redemptive purpose, and who was indifferent to whether a literary work was actually read, since it is ultimately a metaphysical end in itself?

Or was the real Benjamin the self-proclaimed "strategist in the literary struggle," the follower of Bertolt Brecht who, during the 1920s and '30s, became enamored of Soviet literature and film, with their odes to factory work and agricultural collectivization, dismissing art for art's sake as an unconscionable bourgeois indulgence in an age of class struggle?

Or was it the passionate Kabbalist, the friend of Gershom Scholem who proclaimed that his interpretive ideal was the Talmudic doctrine according to which every Torah passage contained forty-nine levels of meaning; who pronounced, without a trace of irony, that any philosophy that could not foretell the future by reading coffee grounds was worthless; who, following the fall of France in 1940, argued that Marxism could prevail only if it enlisted the help of theology; and who claimed that the goal of revolution was not so much the emancipation of future generations as the resurrection of vanquished ancestors?

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About Richard Wolin

Richard Wolin, Distinguished Professor of History and Comparative Literature at the Graduate Center, City University of New York, is the author of many books, including Walter Benjamin: An Aesthetic of Redemption (Columbia) and, most recently, The Frankfurt School Revisited (Routledge). more...
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