"I'm strong--strong like Frederick Douglass," says 12-year-old Richard early in The Boys of Baraka. His boast, of course, is more wish than description. Like the other young subjects of this documentary (opening November 30 at New York's Film Forum), Richard came before the camera as a hard-pressed kid from Baltimore's crumbling, chaotic public schools. People said he was "at risk"--a phrase that, for one boy in the film, meant he'd been suspended eight times in the past year, and for another that he had a junkie mother and a mean streak. For Richard it meant that he was reading at second-grade level, and that his father was doing thirteen and a half years in prison.
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Panoramas
Stuart Klawans: 24 City and Ashes of Time Redux, two stars of the New York Film Festival; plus Happy-Go-Lucky and Ballast reviewed.
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Burned Out
Stuart Klawans: The Coen brothers' dark comedy and Godfrey Cheshire's story of plantation life.
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Closely Watched Water
Stuart Klawans: Hurricane Katrina seen from an eye in the storm.
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The Disasterplex
Stuart Klawans: Superstars and superheroes fight and flounder through Hollywood's season of wanton destruction.
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Playing Politics for Laughs
Stuart Klawans: Reviewing a homegrown war documentary, a portrait of Native American life and a pair of spy comedies.
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Twilights
Stuart Klawans: Who are films like Speed Racer, Indiana Jones and the Kingdom of the Crystal Skull and The Edge of Heaven really aimed at?
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Photo Ops
Stuart Klawans: Errol Morris's new documentary Standard Operating Procedure lacks critical distance but produces masterful evocations of Abu Ghraib.
Up to this point, The Boys of Baraka keeps threatening to become a motivational film, or (worse still) a promotion piece for this private initiative. But Ewing and Grady are marathon-runner documentarians--the type who are committed to living with their subjects for months and years, and to discovering the film's content and shape along the way. Through perseverance and honesty, they recorded a terrible reversal in the expected story, then went on to show how the boys coped with it. Some did unexpectedly well; and some, for all their wishful boasting, did not. Either way, you ache for these kids, who'd already had enough disappointment for a lifetime.
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