"I'm strong--strong like Frederick Douglass," says 12-year-old Richard early in The Boys of Baraka. His boast, of course, is more wish than description. Like the other young subjects of this documentary (opening November 30 at New York's Film Forum), Richard came before the camera as a hard-pressed kid from Baltimore's crumbling, chaotic public schools. People said he was "at risk"--a phrase that, for one boy in the film, meant he'd been suspended eight times in the past year, and for another that he had a junkie mother and a mean streak. For Richard it meant that he was reading at second-grade level, and that his father was doing thirteen and a half years in prison.
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No Way Out
Stuart Klawans: The Red Riding trilogy; Martin Campbell's Edge of Darkness.
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Imaginariums
Stuart Klawans: James Cameron's Avatar, Terry Gilliam's The Imaginarium of Doctor Parnassus and more.
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Containing Welles
Stuart Klawans: Richard Linklater's Me and Orson Welles, Jason Reitman's Up in the Air and Pedro Almodovar's Broken Embraces.
Up to this point, The Boys of Baraka keeps threatening to become a motivational film, or (worse still) a promotion piece for this private initiative. But Ewing and Grady are marathon-runner documentarians--the type who are committed to living with their subjects for months and years, and to discovering the film's content and shape along the way. Through perseverance and honesty, they recorded a terrible reversal in the expected story, then went on to show how the boys coped with it. Some did unexpectedly well; and some, for all their wishful boasting, did not. Either way, you ache for these kids, who'd already had enough disappointment for a lifetime.
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