The Nation.



Gangs of Shanghai

By Stuart Klawans

This article appeared in the April 18, 2005 edition of The Nation.

March 31, 2005

The scene is Shanghai, or Busby Berkeley's dream of it: a Chinese city of the 1930s, teeming on the outskirts with rickety tenement compounds, bustling in its business district with clanging streetcars and plump, humpbacked autos, groaning everywhere under the oppression of the Axe Gang, a chorus of

criminals who dance like Fred Astaire and dress like London bankers, except for the hatchets on their belts. As the gangsters jitter and jive in their Art Deco casino--while a docile police chief thumbs through his cash--a montage of well-choreographed mayhem convulses the city. I mean woman-shotgunned-in-the-face, blasted-backward-through-the-air-type mayhem.

"People live in peace," a title explains, "only in the poorest districts, which have nothing to interest the Axe Gang." The camera glides, with 1930s facility, into Pig Sty Alley: four teetering stories of low-ceilinged shops and cramped residences, gathered like a broken-sided box around a courtyard damp with laundry.

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About Stuart Klawans

The Nation's film critic Stuart Klawans is author of the books Film Follies: The Cinema Out of Order (a finalist for the 1999 National Book Critics Circle Awards) and Left in the Dark: Film Reviews and Essays, 1988-2001. His film criticism and reviews for The Nation won the 2007 National Magazine Award. When not on deadline for The Nation, he contributes articles to the New York Times and other publications. more...

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