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Washington, DC
It is clear from his review of Olivier Todd's book on André Malraux that Stefan Collini has no doubts as to what is the major catastrophe in recent British history: the completion of the Channel Tunnel ["Grand Illusion," Feb. 28]. The review is immensely entertaining (I was carried back to High Table at an Oxbridge college at once). Still, a question will not go away. How did this French poseur manage to write Man's Fate or The Imaginary Museum?
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