Hard experience has taught me to beware documentaries that invite us along on the filmmaker's personal journey. (A particularly awful subset: The films my friends summarize as, "Let's drag grandma back to Poland, so she can see where her whole family was killed!") But when the filmmaker is as tactful about himself as Nathaniel Kahn, and when his journey is so odd, suggestive and important, I can only be grateful for the chance to ride along. Kahn's My Architect--another Film Forum offering, as it happens, opening November 12--strikes me as one of the most rewarding pictures of the year.
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Closely Watched Water
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The Disasterplex
Stuart Klawans: Superstars and superheroes fight and flounder through Hollywood's season of wanton destruction.
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Twilights
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Photo Ops
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Un Ballon Est un Ballon
Stuart Klawans: In Flight of the Red Balloon, filmmaker Hou Hsiao-hsien takes on an unmistakably Parisian story with unbridled creative abandon.
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The pathos of My Architect--which fortunately remains understated--lies in the tension between public and private life, but also between the monumentality of Lou's buildings, their seeming timelessness, and the shadowy, contingent existence to which he condemned his son. On the one hand, Nathaniel can take beauty shots of his father's Kimbell Art Museum, put the "Ode to Joy" on the soundtrack, and have the building actually stand up to the music. On the other hand, Nathaniel follows this sequence with a snippet of interview with architect Robert A.M. Stern. "Don't put him up on some pedestal," Stern says. "He was in the trenches."
My Architect does full justice to both truths. And if it proves that Kahn's buildings can hold up against Beethoven, it also forces Kahn the man to hold up against a moment like this: Nathaniel is in California, interviewing an architect who worked with his father on the great complex for the Salk Institute. In mid-anecdote, the man mentions, "I spent Christmas with him."
Nathaniel interrupts, in a tone that for politeness' sake I will call wondering. "You spent Christmas!" he gasps.
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