John McGreevy begins his book with an emblematic story. The year is 1859; the place, Boston. The public schools, dominated by the Protestant elite who also write the law, start each day with obligatory reading of the King James Bible and recitation of the Ten Commandments. Glorious as the King James version is, it is not taught as literature but, with the commandments, is intended to build moral fiber in the students, a great many of whom are Catholic. It disturbs twenty-first-century assumptions to imagine Catholics opposing school prayer, but the church doesn't subscribe to the Protestant Bible, or to private Bible reading in general, and was even more hostile to it in the nineteenth century. Nor are Catholic and Protestant versions of the Ten Commandments the same, the latter proscribing "graven images," an affront to the whole Catholic rococo of crucifixes and icons, Virgin shrines, reliquaries and sacred art.
CORRECTION: The Fisher family of Six Feet Under is Episcopalian, not Catholic. (10/1)
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The Shadow of His Smile
JoAnn Wypijewski: A desperately needy America warms to the hot married love of Barack and Michelle.
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Notes on a Scandal
JoAnn Wypijewski: The Spitzer affair's obvious rationality continues to elude the therapists, sexperts and pundits for whom shame is the game.
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Postcards From Ohio
JoAnn Wypijewski: The white working-class vote is on the line--so is the myth of Clinton-era good times.
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Bad Sex in the City
JoAnn Wypijewski: There's something untrustworthy about a man who can't conduct a decent affair. Rudy Giuliani never could.
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States of Disunion
JoAnn Wypijewski: In the wake of the labor split, nothing revolutionary or even progressive is discernible in this schism.
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The Party's Over
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The Rainbow's Gravity
JoAnn Wypijewski: Twenty years after Jesse Jackson's historic run for President, what does it all mean?
A neat illustration of the shifting nature of morality--today the principal would be locked up for child abuse--the story is important for the way it complicates generalized definitions of Catholic and liberal worldviews. It is McGreevy's intention to elucidate the dialectical relationship between Catholic communalism and liberal individualism in the development of standard-issue notions of freedom in America. He traces the route by which church agitation for state funding of its schools, coupled with its opposition to de facto Protestantism in public schools, led to the elimination of organized prayer in the latter. He analyzes the work of Catholic thinkers who drafted some of the first minimum-wage laws, articulated concepts of social welfarism, gave succor to early trade unionism--in effect, defined liberal reformism--and of those who made the backlash against sexual freedom, the church's latter-day mission.
Fascinating as that all is, ultimately McGreevy does something more valuable: prompting a meditation on power, and its shadow, marginality; on freedom, and its inevitable price, unfreedom; on faith, particularly the kind dressed up as secular rationalism. In the end, neither church power nor state power comes out smelling sweet, a lesson of especial import for liberals accustomed to challenging only one set of assumptions in church-state contests.
In a sense, power is Philip Jenkins's subject too, only he finds it all in the hands of gays, feminists, their supporters in the art world, the liberal media and the ranks of self-hating Catholics, proponents of what he calls "the new anti-Catholicism."
A casual peruser of the book's back jacket might see the endorsements of William Donohue of the Catholic League for Religious and Civil Rights (a kind of Catholic Anti-Defamation League) and of Michael Novak, notable recently for trying to convince the Vatican of the justice of unprovoked war, and dismiss Jenkins as a right-wing crank. That would be a mistake. The author of such insightful works as Pedophiles and Priests, written after the scandals of the early 1990s, and the masterful Moral Panic, on changing concepts of the child and of child abuse through American history, Jenkins is ordinarily a cool dissector of the cultural construction of social problems. He aims to be the same here, but his book is a muddle, alternately careful to distinguish anti-Catholicism from anticlericalism, policy disputes from prejudice, and then recklessly defining political protest--most dramatically, ACT UP's 1989 action inside St. Patrick's Cathedral--as hate crime, anti-Vatican rhetoric as hate speech, discrimination against policies as discrimination against persons.
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