THE WAGES OF TINSELTOWN
Los Angeles
Film critic John Anderson's review of Radical Hollywood by Paul Buhle and Dave Wagner ["Screening Our Politics," Aug. 19/26] shows a conventional disregard of Hollywood labor history. He writes that last year's threatened strike by the Writers Guild was "largely about credits," which is only partly true. And that the "secret" 1933 meeting to organize the guild was also "largely over the issue of credits." (It was secret because the studios used industrial spies to unionbust.) Anderson seems to suggest that it's all about egos and also, yes, money.
Subscribe Now!
The only way to read this article and the full contents of each week's issue of The Nation online is by subscribing to the magazine. Subscribe now and read this article -- and every article published since for the past five years -- right now.
There's no obligation -- try The Nation for four weeks free.
- Get The Nation at home (and online!) for 68 cents a week!
- If you like this article, consider making a donation to The Nation.
- Reprint this article. Click here for rights and information.

Buzzflash
del.icio.us
Digg
Facebook
Mixx it!
Reddit

RSS