Book Reviewing, African-American Style

By Wanda Coleman

This article appeared in the September 16, 2002 edition of The Nation.

August 29, 2002

On April 14, my review of Maya Angelou's A Song Flung Up to Heaven appeared in the Los Angeles Times Book Review. I finally assessed the book thusly:

In writing that is bad to God-awful, Song is a tell-all that tells nothing in empty phrases and sweeping generalities. Dead metaphors ("sobbing embrace," "my heart fell in my chest") and clumsy similes ("like the sound of buffaloes running into each other at rutting time") are indulged. Twice-told crises (being molested, her son's auto accident) are milked for residual drama. Extravagant statements come without explication, and schmooze substitutes for action....There is too much coulda shoulda woulda. Unfortunately, the Maya Angelou of A Song Flung Up to Heaven seems small and inauthentic, without ideas, wisdom or vision. Something is being flung up to heaven all right, but it isn't a song.

The review caused an immediate furor in the African-American community. Subsequently, I was banned from participating in a reading and book signing at Eso Won Books, the leading African-American bookstore in Los Angeles, because of it. Two editors of the Book Review reported that the publication had received a flood of letters, to date unpublished. After months of taking phone calls and letters requesting a response from me on the issues raised, I offer the following:

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About Wanda Coleman

A former columnist for the Los Angeles Times Magazine, Wanda Coleman's fiction appears in Crab Orchard Review, Fiction International, Obsidian III and Zyzzyva. Her books include Bathwater Wine (1999 Lenore Marshall Poetry Prize winner), Mambo Hips & Make Believe and Mercurochrome: New Poems, a 2001 National Book Awards finalist.

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