Mahmoud Darwish burst on the Arab poetic scene in the mid-1960s with the publication in Beirut of poems written while he was living in Haifa, Israel, and working as a translator and editor for the Israeli Communist Party, Rakah. As Munir Akash points out in his introduction to this volume of selections from Darwish's recent work, with their fiery intensity and assuredness, the early poems touched a raw nerve in Arab readers. In a matter of a few years Darwish had become the most vocal and eloquent poetic spokesman of the Palestinians, and the foremost practitioner of what had come to be known as "the poetry of resistance."
Among poets writing in Arabic today, in fact, Darwish is the most widely translated. His work has made a home for itself in more than twenty-two languages, the bulk of it in some twenty books in French, which are bestsellers. By contrast, English has so far been less receptive to Darwish's poetry, except for a handful of volumes mostly out of print and a number of individual poems published in English-language literary magazines and anthologies. The Adam of Two Edens is only the second book-length volume of translations into English currently available to readers in the United States. Adam invites into our midst a deeply lyrical, sorrowful and unforgettable poetic voice.
The selections in The Adam of Two Edens are from Darwish's later works, mainly Ahad Ashar Kawkaban (Eleven Planets, 1992) and Limatha Tarakta al-Hissana Waheedan (Why Have You Left the Horse Alone?, 1995). Both collections were occasioned by a constellation of historic and personal events, at the center of which was the flawed Oslo Declaration of Principles in 1993. That year Darwish resigned from the PLO Executive Committee in protest and returned to the Middle East after an eleven-year exile in Paris. He settled first in Amman, the Jordanian capital, and then in the Palestinian town of Ramallah, where he also edits the Modernist Arabic literary journal al-Karmel, which he founded in 1981 in Beirut and continued editing in France.
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