SUNDANCE FILM FESTIVAL

The Sundance Film Festival has been dominated for so long by a circus of cell phones, models, agents and celebrity-hunting media hounds that it has become difficult to locate worthy films amid the crush of tabloidesque media coverage. Adding to the problem has been the spread of indie films aimed at

industry standards, a subset dubbed "Indiewood." This year, thanks perhaps to dotcom crashes and economic sobriety, the streets of Park City, Utah, were lined with a bit less gold, and Sundance reclaimed its birthright as the soul--not merely the platform--of independent film, delivering a full slate of entries concerned with meaning, truth and real-world issues. Over and over, films rejected formula in favor of new styles, production tools and narrative strategies. There were even political broadsides on Main Street, courtesy of the Guerrilla Girls and "Alice Locas." Agitprop messages targeted the film profession: The U.S. Senate Is More Progressive Than Hollywood, proclaimed one; Female Senators: 9%. Female Directors: 4%. The stickers were a welcome addition to the usual huckstering aimed at getting folks to a movie.

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