Double Enmity

By Noah Isenberg

This article appeared in the January 1, 2001 edition of The Nation.

December 14, 2000

In a July 1950 entry from Thomas Mann's diary, written during a summer retreat to St. Moritz while he was still living in exile in Pacific Palisades, the German Nobel laureate recalls a conversation with his son Klaus and his daughter Erika "about the situation in America and our future there... amid intensifying chauvinism and persecution of any non-conformity." He follows this observation, perhaps already anticipating his ultimate return to Switzerland a mere two years later, with a decidedly pessimistic remark: "Passport fairly certain to be revoked."

One of the great ironies of history concerning the German and Austrian migration to America in the 1930s and '40s is that the very same people who fled the Nazi dictatorship--on political as well as racial grounds--soon became suspects, or "enemy aliens" as they were called during the war years, in their newfound home. Not only were they targets of extreme criticism among reactionary politicians touting jingoistic anti-immigration slogans, but many of the German-speaking émigrés, including Mann and his extended family, Bertolt Brecht, Anna Seghers and others, were forced to endure a full-scale assault (interrogation, mail inspection, wiretaps, etc.) mounted by the FBI, the State Department, the House Un-American Activities Committee, the Immigration and Naturalization Service, the Office of Censorship and a host of other federal and local agencies.

The history of this assault, including key players in the ranks of the investigators and suspects alike, serves as the subject of Alexander Stephan's revealing new study, "Communazis": FBI Surveillance of German Emigré Writers. A scholar of German literature at Ohio State University, Stephan has waded through thousands of pages of formerly concealed documents--more than fifty dossiers from the FBI, the CIA and military intelligence services--recently made available to him through the Freedom of Information and Privacy acts. His work is organized around the three main centers of German-speaking exiles--Los Angeles, New York and Mexico City--with chapters on the intelligence operations in each city and a series of subsections on the individual files. More broadly, he treats the US political climate during the FBI watch over the émigrés, setting his discussion in motion with a chapter on what he calls "J. Edgar Hoover's America."

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About Noah Isenberg

Noah Isenberg teaches at the New School and is the author, most recently, of Detour (British Film Institute). He is a 2008-09 Alexander von Humboldt research fellow in Berlin. more...
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