The Nation.



Long Playwright's Journey

By Hal Gelb

This article appeared in the December 25, 2000 edition of The Nation.

December 7, 2000

You've got to understand what Sam Shepard meant to us.

There are those who know Shepard as a movie star and those who discovered him, earlier on, when he won the Pulitzer Prize for Buried Child; but for those of us who first watched his plays in tiny studio theaters above a bar or in converted churches when there was still a counterculture, he was our playwright.

Shepard's plays were like no others--fresh, hip, antiheroic, free from the tired old psychology of Tennessee Williams and the Actors Studio. By no means political, they nevertheless made us aware of the myths that shaped our behavior as Americans. And if you knew where playwriting had been, with all those precious attempts to repoeticize the drama, and knew what was happening with psychedelics--people beginning to listen to those half-heard perceptions passing through their heads--you knew he had created an inevitably right form of drama.

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About Hal Gelb

Hal Gelb is a San Francisco-based writer and director. He translated and staged the world premiere of Ghazi Rhabihavi's Stoning. His production of Yussef El Guindi's adaptation of Salwa Bakr's story, What a Beautiful Voice Is Sayeda's, opens August 8 (2002) at the New Langton Arts theater in San Francisco. more...

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