Since Spike Lee begins his new picture, Bamboozled, by giving a dictionary definition of satire, the least a reviewer can do is to open with a proper critical definition. Strictly speaking, Bamboozled is a Menippean satire; and because I'm unqualified to describe that form, I will defer to Northrop Frye. A few lines from his Anatomy of Criticism:

The Menippean satire deals less with people as such than with mental attitudes. Pedants, bigots, cranks, parvenus, virtuosi, enthusiasts, rapacious and incompetent professional men of all kinds, are handled in terms of their occupational approach to life as distinct from their social behavior. The Menippean satire thus...differs from the novel in its characterization, which is stylized rather than naturalistic, and presents people as mouthpieces of the ideas they represent.

Frye's catalogue of Menippean personages will serve nicely as a roll call for the characters in Bamboozled. "Rapacious and incompetent professional men"--those would be Dunwitty (Michael Rapaport), a full-throatedly boorish program executive at the CNS television network, and his underling Pierre Delacroix (Damon Wayans), the network's only African-American staff writer. The story's "virtuosi" are a pair of starving, scuffling street performers, Manray (Savion Glover) and Womack (Tommy Davidson), who at first want nothing more than a chance to do their act and get paid. In them, Delacroix sees a vehicle for escaping his job, while at the same time exacting revenge on Dunwitty for endless slights and slurs.

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