Jean-Luc Godard is still brooding on the end of cinema while imaging its future incarnation.
by J. Hoberman
Clint Eastwood’s shoot ’em up is remorseless, racist fantasy.
Today, Albert Camus is still alive but changed, thanks to the art of David Oelhoffen and Kamel Daoud.
Danny Cooke’s Postcards from Pripyat, Chernobyl summons a lost history of familiar and alien dreams.
The bogus moral outrage over The Interview.
A riot is a riot because it is not simply a message.