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Eric Alterman | The Nation

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Eric Alterman

Eric Alterman

Well-chosen words on music, movies and politics, with the occasional special guest.

We Take Care of Right-Wing Nonsense about Bruce...

My new "Think Again" column is called “Labor and the 'Civil Right' to Organize.” 

Tuesday night I went to an extremely well produced benefit for the Blues Foundation in Memphis designed to celebrate (just one year late) the centennial birthday of the (literally) legendary Robert Johnson. Assembled by the actor Joe Morton, the house band was insanely great. Keb Mo, Colin Linden and James Blood Ulmer on guitar; Sugar Blue on harmonica; Willie Weeks on bass; and Steve Jordan on drums. And the lineup: Sam Moore, Taj Mahal, Todd Rundgren, Elvis Costello, Chuck D., Bettye Lavette, Macy Gray, Sarah Dash, the Roots, the Dough Rollers, Shameika Copeland, Living Colour and Geoffrey Wright.

The peformances were, inevitably, hit or miss. Rundgren was a treat. Sam Moore did a quiet, haunting “Sweet Home Chicago.” Elvis sang “From Four Till Late” also rather quietly explaining, “They don’t allow hellhounds on our trail in England..They worst we get is bloodhounds.” The real revelation of the show, however were the songs played by Keb Mo, who, grown up and gray, gives the impression of carrying Johnson’s ghost inside him. His solo versions “Crossroads Blues” and “Love in Vain” were show highlights sent shivers down my old bones. Show was kinda long, but not at all haphazard, and held together, as I said earlier, by the amazing house band. Give some money to the Blues Foundation here

You Are Only Coming Through in Waves

My new "Think Again" column is called “Cracks in the Worldwide Murdoch Empire” and it tracks the happy events reported here.

My Nation column is here.

I believe my review of a wonderful show by John Hammond and John Mayall at the Jazz@Lincoln Center’s Allen Room a couple of weeks ago got lost somehow, due to my own personal screwups. I managed to stay up late enough to see the final of four separate sets.

Rubin Agonistes

My new "Think Again" column is called "The Long March of Patrick J. Buchanan" and it’s here.

And I did a column on Obama’s tax plan, (and Romney’s) for The Daily Beast here.

I don’t know why I’ve become obsessed with the issue of phony anti-Semitism claims, but I have. I wrote my last two Nation columns on it, so I probably should lay off there for a while. And if I hadn’t quit my column in The Forward, I would probably find a way to note the following developments which, according to the anti-Semitism lobby, ought to be impossble or at the very least evidence of alleged anti-Semitic feelings on the part of their authors (or perhaps the absurdity of the argument). They are:

Poll Dancing

My new “Think Again” column is called “Is America Getting More Conservative?” and it's here.

Richard Thompson live, in person and on bluray:
I saw Richard Thompson do one of three “all request” shows at City Winery. It was a particularly engaging affair. Thompson sort of did the requests that had been deposited in a bowl beforehand, and sort of didn’t depending on whether he felt like it. Some of them he did even though they were pretty silly, including McCartney’s “Blackbird” and Warren Zevon’s “Werewolves of London.” He was playing solo and not all the sightlines were great, but it’s ok, because Thompson is not so pretty to look at, and the sound was crisp and clear particularly on his guitar. The song selection turned out to be pretty excellent too. There’s a new Eagle Rock Entertainment's release both on DVD and bluray of Thompson’s band called Live At Celtic Connections.” It’s got twenty songs on it and comes in at nearly two and a half hours. The sound on bluray is killer. The song selection leans heavily on Dream Attic, his last album, which was recorded live, and the second set does the catalogue back to 1972, and is, I suppose, a matter of taste. You get “Wall of Death” and “Tear Stained Letter” but I could have used “The Dimming of the Day” in either place but nobody asked me. The bonus features include two extra songs filmed at the 2011 Cambridge Folk Festival: "Uninhabited Man" and "Johnny's Far Away."

The Protocols of the Elders of Sheldon

My new “Think Again” column is called “Charles Murray and the Power of Mainstream Media Amnesia” and it’s here.

My new Nation column is called “Sheldon Adelson and the End of American Anti-Semitism” and it’s here.

And I did a Daily Beast column called “The Election Ain’t Over Till It’s Over” here. 

Sparks Fly on Spring Street…

My new Think Again column is called "When Books Disappear" and it's here.

And I appear to be in the news: (From the NY Daily News, at a luncheon for The Giants on Wednesday):

While the luncheon brought out a bipartisan crowd, there was a little Republican-Democrat friction when the Nation columnist Eric Alterman approached Bill O’Reilly to thank him for apologizing on-air in 2004 for calling Alterman a “Fidel Castro confidant.” (On a later show, O’Reilly sarcastically claimed he was “foolin’ around.”) Alterman says “O’Reilly responded by twice saying, “Get away from me,” and eventually summoning a handler to intervene. O’Reilly told us there was “no run-in,” but Alterman said, “I’m beginning to think that maybe he wasn’t all that sorry.”

The Winter of Our Discontent

My new “Think Again” column is called “As Ronald Reagan Said... Oh Never Mind” and it’s here.

My new Nation column is called “Of Semites and 'Anti-Semites’" and it’s here.

Alter-reviews:

So Long, It's Been Bad to Know Ya…

My new Think Again column is called  “The Tea Party: Struggling for Political Relevance” and it’s here.

The tsoris that forced me to write last week’s Forward column continues in lots of places, most of them foolish. What I found craziest about the Josh Block/Ben Smith accusations was the notion that there is any relationship whatever between alleged anti-Semitism and the desire to resist a potentially disastrous attack on Iran. Block was quite explicit about his desire to shut down all debate about Iran’s nuclear program with his McCarthyite accusations, even though nobody really knows, including the IAEA and the US Director of Central Intelligence.  But that’s not my point: My point is that both nations are going to be competing for the “Best Foreign Film” Oscar this year, Israel with the truly excellent Footnote, and Iran with the truly great A Separation. And the latter is going to win, despite the fact that Hollywood is approximately a billion times more Jewish than it is Iranian. So Josh Block and his friends might wish to start planning to call all of Hollywood anti-Semitic in preparation.

Now here’s Reed:

The Uses and Abuses of 'Anti-Semitism'

My new “Think Again” column is called “Is Defense R&D Spending Effective?” and it’s here.

My new Nation column is called “The (Adam) Bellow Curve” and it’s here.

My Forward column, which I wrote quite a while ago, but is only appearing today, is here. It’s a reply to Josh Block, Politico, etc, re alleged anti-Semitism at CAP and elsewhere.

Iowa and the High Cost of Low Living

My new Think Again column is called “Conservatives Prefer Reagan Fantasies to Reality (And So Did Reagan)” and it’s here.

I did a piece for the Columbia Journalism Review called “The Girl Who Loved Journalists” about the Stieg Larsson trilogy, which I very much enjoyed, and that’s here.

I did an interview with a German newspaper on the future of media and it’s called “Blood on the Newsroom Floor: The video” here.

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