Well-chosen words on music, movies and politics, with the occasional special guest.
Just to recap: My new Think Again column is Tax Cuts: The Faith and the Facts.
My Nation column is Rupert Murdoch and the 'Jewish Owned Press.'
Gift-Giving, Part III
It’s taken five years, but we finally have a decent account of the the 2007 Led Zeppelin reunion (with John Bonham replaced by his son Jason, a decision I find pretty weird), that took place on December 10, 2007 at London’s O2 Arena in tribute to Ahmet Ertegun (who fell backstage before the Stones played the Beacon). And man were the levees breakin’. They did 17 songs but not, criminally, “Immigrant Song,” or “Dancing Days.” But they look and sound pretty great, particularly in the Blu-ray (which also comes with a DVD, something else I don’t understand), and two CDs. The sound is really clean and powerful. And Plant does not preen so much so as to make one squirm while watching. All in all, Zep enthusiasts will be thrilled by its total predictability. And congratulations, once again, to 19 year old Danny Goldberg for the fine job he did as the band’s PR rep, in staying out of (real) trouble and growing up to be such an outstanding citizen. It’s called Celebration Day and you can read more about it here.
Another release that will get a lot of people excited under the Hannukah bush this season is the release of Elvis Presley’s only Madison Square Garden shows—and, for some reason, the only time he’d play the city since he appeared on Ed Sullivan in the fifties—recorded in June 1972. Both have been put together in this handsome package from Sony Legacy called Prince From Another Planet: 40th Anniversary Edition. You get two of the four shows he did that weekend, June 9-11, 1972, plus a bonus DVD filled with previously unseen footage of the Saturday afternoon show, captured on hand-held camera by a fan, purchased by Legacy forty years later for this package. The DVD also includes footage from the June 9th press conference, the June 9th evening show, the June 10th afternoon show plus a documentary with interviews with Lenny Kaye, James Burton and Glenn D. Hardin, Joe Guercio, and Jerry Schilling. What’s more, the packaging is excellent—adding vastly to one’s enjoyment of the material—and the price is prettydecent. More here.
The old-timey concert video market is also a rich one this seasons. One of the biggest finds is a show the Doors did at the Hollywood Bowl in 1968, which looks terrific on Blu-ray. This was the band at its peak and Morrison at his most self-loving. Personally, the Doors to me are a greatest hits band, but if they are more than that to you, you will want this peformance for certain. Bonus material includeds Echoes From The Bowl, The Doors route to the Hollywood Bowl, You Had To Be There, memories of The Doors performance at the Bowl, Reworking The Doors, an in-depth look at how the film was restored, and three bonus performances: Wild Child from The Smothers Brothers Show in 1968, Light My Fire from The Jonathan Winters Show in Dec 1967 and a version of Van Morrison's Gloria with specially created visuals.
We’ve also got a nice Patti Smith show live from Montreux in 2005 on Blu-ray in support of the Trampin CD with Lenny Kaye in the band and a combination of songs from that album and the old-timey anthems like Dancing Barefoot, Because The Night and People Have The Power. Nice to have.
Also, if you are my age you will have decidedly mixed feelings, but proabably want to give into the double DVD release of Peter Frampton Fca 35 Tour: An Evening With Peter Frampton, in which he does the entire Frampton Comes Alive album at the Beacon and somwhere in Milwaukee last year. The second disc focuses on tracks from Peter Frampton's more recent albums such as Fingerprints, Now and Thank You Mr. Churchill along with a really fun version of “I Don't Need No Doctor,” sung, I think by his son, and which, you may mistily recall, “rocked” the Fillmore on that great Humble Pie album. The kid’s pretty good. I listened to Alec Baldwin’s podcast interview with Frampton recently and he’s pretty happy (and lucky fellow) and this DVD is a guilty pleasure. (And yes, “Do You Feel Like We Do” remains one of the best songs… ever.) More to some people’s old-farty tastes is the dvd of a full length concert from Gregg Allman and his band at The Cannery, Nashville, USA in November 1988.called "I'm No Angel: Live On Stage" on MVD Entertainment Group. Oh and if you've read this far into this seventies sojourn, you might also enjoy the new cd release of Emerson Lake & Palmer’s Live In California 1974. Recorded live on April 6, 1974, the California Jam took place at the Ontario Motor Speedway, in Ontario, CA. Live In California 1974 is the first official release of a much bootlegged show. So where, finally, one may ask, is the cleaned up official release of the Dead at Barton Hall?
And if you’re looking for a gift for somone who’s hard to buy for, then Oxford's Atlas of the World—updated again, for the 19th edition, is always a good choice, and not nearly as expensive as you’d expect it to be. As in years past, they tell me, “this edition has been revised to reflect the latest geographic information. The popular satellite image section has been refreshed with stunning new images of different regions and urban areas around the world. A completely updated Gazetteer of Nations provides an invaluable A-Z reference source of concise country profiles, including important historical events and statistics on economies and politics. Recent events in Africa and the Middle East—and their profound consequences—are incorporated into various country profiles.” Actually, the price is pretty amazing, here. Hurry up.
As for books, I’ve read three very fine biographies of late: David Nasaw’s book on Joe Kennedy, The Patriarch is really first rate in every way: the research, the writing and the quality of his judgments. The reader on the audio is also pretty great in imitating the voices of the different actors without being annoying. Kennedy is a truly fascinating character in more ways than I care to enumerate. One lesson of this book, however, is that nothing is as powerful in this world as people’s ability to convince themselves that they were right in the first place. Nobody has ever been wronger about anything more important than Kennedy was about appeasing Hitler (to say nothing of his willingness to blame the Jews for ginning up opposition) and yet all he could think about, every time he was proven wrong, was how right he was.
Peter Ames Carlin’s Springsteen book, Bruce, is also wonderful, albeit in a far different way. When I read the galleys this summer I gave Peter this blurb. (Actually, I just checked the Amazon page and they’ve taken it down in favor of Brian Williams and Jon Stewart, so I no longer know what I said. But the book is fascinating and well-written, smart and tough-minded. And of course, the cooperation is unprecedented and the revealations, never-ending).
I was also impressed enough with Sylvie Simmon’s biography of Leonard Cohen, I’m Your Man, to make it all the way through. Her writing style is engaging if chatty and Cohen’s life is incredibly interesting, if he remains, at least to me, ultimately enigmatic.
I did not make it all the way through Salman Rushdie’s book, not because it was not well-written but just because I got tired of hearing how he felt about everyone and everything. That book should have been half as long as it was.
And while I enjoyed Neil Young’s book, Waging Heavy Peace, which is only sort of about Neil himself because of its charm and good humor, I skipped most of it because he’s interested in a lot of things that I’m not and not interested in writing (much) about the things that I am.
Novel-wise, I really, really liked Jonathan Tropper’s One Last Thing Before I Go, even though most reviewers didn’t. I shared the rest of the world’s disappointment with Tom Wolfe’s Back to Blood, A Novel. I loved some of Jeffrey Eugennides’ The Marriage Plot and hated some of it, but loved more than I hated, much more. And I really, really enjoyed Michael Chabon’s Telegraph Avenue, though not nearly as much as I did Jonathan Lethem’s Fortress of Solitude, which I know is old already, but it’s the best book I’ve read since Jonathan Franzen’s The Corrections and Freedom. I am not nearly as big a fan of the third Jonathan, but that is, of course, just me. Junot Diaz’s This is How You Lose Her was fun but not, as far as I could tell, profound or even that memorable in any way. It was kind of like a Latino Nick Hornby book, which actually, is pretty high praise. Paul Auster’s memoir, Winter Journal, will be of interest to Paul Auster fans, of which I am one, but does not stand too strongly on its own. I still can’t make up my mind about what I thought about Benjamin Anastas, Too Good to Be True: A Memoir. I found it compelling, but so painful to read I could barely continue. (Also a little bit creepy, in its shared intimacy.) Still, I do think all aspiring serious writers should read it, though as well as all aspiring adulterers. But especially writers.
(Oh and by the way, when I say “read,” in many of the cases above, I mean “listened to.” I did audio versions of The Patriarch, the Rushdie memoir, Tropper, Wolfe, Chabon, Eugenides, and Diaz. I recommend all of them, especially Diaz, who read it himself, and who positively inhabits the character. I read part of one of my books once and it’s much harder than it looks, so hats off…) You can find a pretty dependable wrap-up of the readers of many of the above, here. Turns out Clarke Peters read Telegraph Avenue and the article reminds me that I just loved Hope Davi’s reading of Ann Patchett’s State of Wonder.
Regarding picture books, the standout for me this year was 360 Sound: The Columbia Records Story, which is filled with beautifully reproduced photos from the label’s archives that I had never seen before and hence, were kind of thrilling the first time I looked through it. The text is by Sean Wilenz, but I haven’t had a chance to read it yet. It too, is a bargain, as such books go. There are also new coffee table books on the Stones and Led Zepplin. The former is ok, but repetitive with previous efforts and not exactly filled with insights since it’s such an official undertaking; the second one does not rise to that level, alas, and is barely a book at all, since no effort is made even to integrate the interviews that were done for it, oral history-style and most of the people interviewed are people that even pretty serious fans probably never heard of. Nice picture of Danny, though. I hear the John Lennon letters are wonderful, but I’ve not had much of a chance to thumb through. But speaking of the boys, yesterday, I did not quite do justice to how smart and knowledgeable I found Andrew Grant Jackson’s Still the Greatest: The Essential Songs of the Beatles.’ It’s really both quite fun and impressive, though he does not hate the songs I hate and I find this a bit unnerving, given how on the ball he is otherwise. Do I really need to rethink “My Love?”
Nice Work If You Can Get It
by Reed Richardson
Just three weeks on, scholars and analysts are already teasing out the larger lessons of Obama’s reelection. But for all the emerging verdicts we’re starting to see on the stunning accuracy of polling aggregation or the technological advances being made in campaign outreach and persuasion, there is one unmistakable judgment I feel confident that we can render right now, knowing it will stand the test of time and scrutiny of historians for decades to come. That is, conservative pundits simply have the best job in the world.
OK, perhaps that’s a bit of an exaggeration. No doubt, there are other jobs out there that pay much better or, say, let you travel around the world for free and cavort with rock stars or beautiful supermodels. But in terms of the American media ecosystem, I literally believe there is no better job to be had than that of a right-wing opinion columnist or TV commentator. Where else can someone continue to have unseemly amounts of money shoveled at them for producing “news analysis” that’s so utterly devoid of accuracy and so patently divorced from reality?
Indeed, the indictment of the right-wing media’s awful 2012 election prognostication is so comprehensive and widespread that it reads like a multi-count charge in a federal racketeering case. A short and sweet version exists as this image, created by the now defunct fake Jennifer Rubin Twitter feed (which was probably a victim of it’s own success, since its dead-on mockery of her slavish devotion to Romney wasn’t immediately recognizable as satire). A longer Tumblr version can be seen here.
Taken one by one, each of these conservative pundits appears to have followed their own individual path to failure. The aforementioned Rubin, for example, was apparently too dazzled with Romney’s campaign to ever bother with predicting his victory; she instead simply presumed it, which is why she was already gaming out his future cabinet in mid-October, only hours after Romnye’s lackluster performance in the 2nd debate. One could say that maybe timing just ain’t her strong suit. But then right after Romney’s defeat, there she was, suddenly complaining about all his campaign’s mistakes, which, as this Media Matters post shows, shamelessly contradicted months of her own fawning columns.
John Podhoretz had a similar, Road to Damascus-like epiphany. Before Election Day, Obama’s campaign was “politically incompetent.” And after? Well, as Jonathan Chait lays bare in this brilliant takedown, Podhoretz’s new conclusion that Obama’s campaign was “a peerless political instrument, a virtual machine” was a “jarring” turnaround. Podhoretz actually responded to Chait this week in a rather blithe and cavalier New York Post column where—besides misspelling “Genghis Khan” just four lines after having spelled it correctly (true Murdochian editorial attention to detail there)—he chalks up his sunny expectations for Romney to “wildly varying polls” (Nate Silver? Never heard of him) and an unctuous, “misplaced idealism” in the American people. (So…now we’re not so exceptional maybe?)
At the Washington Examiner, Michael Barone took a more pseudo-quantitative approach to his terrible prediction. Besides giving Romney Wisconsin, a state he ultimately lost by seven points, Barone focused on the “fundamentals” in his case against Obama’s reelection. His “I was wrong” postmortem, however, explains away his “reasonable” prediction with an excuse as so polished by pundit-speak that it’s almost impenetrable, which is the point, I’d guess: “What happened? I think fundamentals were trumped by mechanics and, to a lesser extent, by demographics.” Who knew he’d get all those non-whites to vote, in other words.
And then there was Dick Morris, who, in his inimitable style of getting-every-damn-thing-wrong-all-the-time, wouldn’t settle for predicting a Romney win, he saw a “landslide.” A week after missing the actual outcome by more than 200 electoral votes and nearly 10 percentage points, Morris fessed up that he felt it was his “duty” to tout Romney’s chances, and offered up no apologies whatsoever for being so wrong. Though we probably didn’t need any more proof, his brazen lack of contrition should close the book on how much disregard he holds for the public.
That last point—this detectable sense of “eh, whaddyagunnado?”—is a startlingly common thread weaving throughout almost all of these right-wing pundits’ editorial emanations post-election. Hoping for much in the way of honest self-reflection from conservative pundits is clearly a fool’s errand. But for an ideology that waxes rhapsodically on the supposed merits of rewarding success, individual accountability, and the wisdom of the free market, it is striking that the conservative media elite is populated, with a few rare exceptions, by people who consistently get things wrong, care little that they do, and who pay little, if any, reputational or monetary price for having done so.
To be sure, liberal pundits aren’t without their own faults. No ideology is free from its share of demagogues and bloviators, after all. But it’s also not inaccurate to point out that a substantial amount of what passes as ridiculous, uncritical thinking on the part of liberals is actually perpetrated by pundits-—folks like Joe Klein, Charles Lane, and Maureen Dowd come readily to mind—who aren’t “left-wing” but who are left of the extreme rightward center of gravity of opinion journalism today. And not for nothing, but I challenge anyone to cite a single example of a respected liberal editorialist or commentator who predicted Kerry would beat Bush by more than 100 electoral votes in 2004 or who didn’t acknowledge that the Democrats would lose dozens of House seats in 2010. In other words, the difference between the left and right in terms of rank pundit ineptitude is similar, as comedian Larry Miller once joked, to the difference between throwing a bullet and shooting one.
And as for witnessing any attempts at said accountability of these conservative pundits from their corresponding employers in the media, forget about it. Seemingly, these right-wing pundits enjoy an existence where one can almost never be fired for egregiously trespassing against things like consistent logic or moral decency. Rather than frog- marched out of newsrooms and TV studios across the country for intellectual negligence and analytical malfeasance, Jennifer Rubin, Dick Morris, and their ilk will merely continue on, snug in their sinecures. It’s something of a sorry, ironic twist that right-wing news analysts, commentators, and pundits can feel safe in knowing that they will rarely, if ever, be judged by their one and only work product—their opinions. Instead, it’s only when they make the mistake of violating one of “objective” journalism’s sins that they are in danger of being subjected to any professional scorn or suffer any hiccups in their career.
Thus, someone like RedState co-founder Ben Domenech gets ushered off the Washington Post’s op-ed page almost as soon as he is hired only because of rampant plagiarism in his past work, not because he had just weeks earlier labeled Civil Rights pioneer Coretta Scott King a “communist” in a blog post about her death. It’s also why Eric Erickson, RedState’s current editor-in-chief and Domenech’s kindred spirit in extreme, right- wing invective, still retains his comfortable roost as CNN pundit despite his having once Tweeted that Supreme Court Justice David Souter routinely engaged in pederasty and bestiality. Because, obviously, that kind of insight isn’t nearly as corrosive to CNN’s already sagging journalism brand as him stealing someone else’s sentences.
Recently, author Rick Perlstein dug into the conservative mindset that serves as foundation for and audience to these pundits in a long, insightful essay in The Baffler titled “The Long Con.” In it, he finds a link between the right-wing media’s estranged relationship with the reality and the constant barrage of fraudulent, get-rich-quick schemes and chimerical miracle cures that saturate right-wing media advertising.
This stuff is as important to understanding the conservative ascendancy as are the internecine organizational and ideological struggles that make up its official history—if not, indeed, more so. The strategic alliance of snake-oil vendors and conservative true believers points up evidence of another successful long march, of tactics designed to corral fleeceable multitudes all in one place—and the formation of a cast of mind that makes it hard for either them or us to discern where the ideological con ended and the money con began.
These conservative pundits lack even the one redeeming quality of real “money” con-artists, however, since the latter at least respect their marks enough to pack up and leave town once their grift is exposed as a lie. Conservative pundits, as the last few weeks have yet again shown, possess no similar decency. Indeed, the propensity with which they’ve shrugged off defeat and lapsed right back into spouting the same old talking points, veiled racist remarks, and conspiracy theories is akin to boldly soliciting deposits for the next voyage of the Titanic even as the icy waters of the Atlantic rise past the passenger’s ankles.
And why shouldn’t they? They know that even if they were somehow forced to leave the cozy confines of a mainstream media outlet like a Washington Post or a CNN, there’s always a lifeboat waiting for them at a Fox News or a conservative thinktank. (For example, young Domenech, after his fall from grace, could soon be found writing columns for the conservative, Moonie-owned Washington Times and was subsequently hired as an editor for the climate denialist Heartland Institute.)
That right-wing media elites choose to hermetically seal themselves off in their own alternate reality isn’t a victimless crime for our society, however. Over time, this disconnect poisons our discourse and affects even supposedly straightforward news coverage, as objective journalists struggle to position their reporting exactly in the middle of the ideological spectrum. (It’s also why, as I argued here just before the election, many in the mainstream media were likewise blind to Obama’s impending victory as well as his healthy margin.)
On the eve of the election, Jon Stewart produced a bit on The Daily Show that, as usual, struck at the heart of the conservative media’s disingenuousness more honestly than almost any media critic could (or would). In it, he parsed—what else?—a Fox News clip of none other than Dick Morris saying he and other conservative pundits would face a “big reckoning” if their bold election predictions proved to be as astoundingly wrong as they turned out to be. Stewart, of course, flayed the notion that someone like Morris will ever have to feel real consequences for the editorial malpractice that he and his ideological helpmates inflict on the public.
STEWART: No. You won't and they won't. Nobody will. Because you're pundits. You live in a reckoning free zone. One thing we learned is that punditry is like musical chairs. The only difference is, in punditry, when the music stops, nobody ever loses their f**king chair. They just keep adding more chairs.
And speaking of “adding more chairs,” it’s worth noting that, this week, Cox Media Group just announced it will be launching a new conservative website. Touting its editorial focus as “independent, anti-propaganda and rooted in the South,” the new entity’s job description for editor-in-chief seeks someone with an “established personal brand” that can “establish a strong ideological narrative and lead the editorial team to find stories that mirror or magnify it.” Seems like they’ve already got a firm handle on what conservative punditry is all about these days. Who could ask for anything more?
Contact me directly at reedfrichardson (at) gmail dot com.
Also, I’m doing the Twitter thing now—(at) reedfrich.
The Mail:
Asher Fried
New York, NY
Reed:
Remember “Move’On.Org’s “Betrayus” b/s? Anyway Mike Barnicle had a very good observation: there is a disconnect between the “brass” who have been idolized and the soldiers risking their lives at great personal sacrifice. I think we have to put some blame on the media who can’t resist the reality show aspect and the hero worship Further you cannot underestimate the deterioration of actual news coverage, in favor of “punditry” etc. No doubt cost is a factor [to have camera crews and reporters on the ground in the war zones actually covering events has to cost more than 5 bozos in a room drinking coffee]. The day to day coverage is not as entertaining; “ratings, ratings, ratings.” Yet this on-the-ground coverage educated Americans about Vietnam enough to end that war. The real tragedy of the Petraeus affair is that the war, the countries involved, the lives of the soldiers, is wholly ignored.
Henry St. Maurice
Columbus, WI
Reed,
In your article on generals with aspirations toward the presidency, you omitted Wesley Clark. See Matt Taibbi’s 2003 Nation article.
Reed replies: Mea Culpa, Henry. Can’t believe I forgot about Clark, who, as Taibbi found out, was a dreadful candidate. But mostly I’m mad I left him out because he too demonstrated some of the same willingness that Petraeus shows in dismissing/ignoring most everyone else’s judgment—including his chain of command and civilian bosses. Even in defense of Clark’s arrogant behavior back in 2003, Fred Kaplan at Slate offered up this fairly damning explanation of why he was unceremoniously removed from his job at SACEUR in 1999:
The reasons for his dismissal seem clear: Clark had pushed a [Kosovo] policy that [Defense Secretary William] Cohen and the chiefs had opposed (and, even after the war, continued to oppose); he went around them in his advocacy; he was too close, for the chiefs' taste, to Clinton (in signing Clark's release papers, Clinton was led to believe the move was a normal succession, not a dismissal); and, toward the end of the war, he pushed for a ground-invasion option that none of the Pentagon's top officials supported in the slightest.
Don Schneier
Northampton, MA
Eric,
I agree that, for the most part, stripped of Morrison's histrionics, the Doors, live, were only a little Krieger- or Manzarek-virtuosity removed from a greatest-hits band. One exception--a show at the Fillmore East, in April 1968, included a short film that accompanied the performance of Unknown Soldier. The powerful effect afforded a brief glimpse of what they might have been like if Morrison had put his passion to other than self-indulgent purposes. Perhaps the Hollywood Bowl show was equally transcendent.
Editor's note: To contact Eric Alterman, use this form.
My new Think Again column is Tax Cuts: The Faith and the Facts.
My Nation column is Rupert Murdoch and the 'Jewish Owned Press.'
A few words about “Skyfall”
Things that are too stupid about “Skyfall” to accept, though it does not make it impossible to enjoy the movie:
1) It is based on a total absurdity: No intelligence would ever (or even could) compile such a list.
2) There is never any explanation given for the existence of said list.
3) When Bond “dies” in the beginning and then ends up on that beach, well, what? How did that happen? Again, no explanation.
I don't mind absurdities within the movies. I do mind a) the plot being based on one and b) them not bothering to try to explain them.
Things that are silly but okay, because this is Bond: Everybody in the movie has hundreds of chances to kill everybody else. They prefer to describe how they are about to kill them instead. That's standard fare in all bad guy movies.
Letter to the editor of the New Yorker, which I hate to do, because I’m a professional writer and so it’s blockhead-ish of me to write anything for free, and what’s more, it wasn’t printed:
Alex Ross's fine meditation on the history of gay political liberation, but when he writes "In the nineties, talk of gay marriage sounded kooky and futuristic, like something out of a left-wing version of “The Jetsons." he should be aware of the actual left-wing version of the Jetsons and it was released, coincidentally, in 1990. I speak of the much under-rated, "Jetsons: the Movie," in which George and his family switch sides in the the battle over intergalactic capitalistic exploitation and join a group of revolutionary "Grungees" who have been forced to work under Foxconn-like conditions in their fight against the evil Spacely Sprocket corporation, for whom, all Jetsons fans, will recall, George labored. The Grungees win their fight and instead of returning to manufacturing sprockets under unsafe conditions, engineer a recycling solution which is embraced by the newly enlightened Mr. Spacely and George and his family bid their fellow revolutionaries--now in the charge of the means of production—a fond farewell. A fairy tale, I know, but you can look it up.
Sincerely,
Eric Alterman
New York, New York
Altercation Gift Giving Guide, Part II: Hitchcock “masterpieces” on Blu-ray, the complete Beatles on vinyl, the Posen Library of Jewish Culture and Charles Mingus, circa 1964-65, and some other stuff.
The Beatles on vinyl: Everyone with a turntable, disposable income (or generous friends and relatives) and any taste whatever will NEED a complete set of the Beatles albums, just out in time to empty someone’s bank account. The set is beautifully (albeit quite heavily) packaged and contains:
Please Please Me
With The Beatles
A Hard Day's Night
Beatles For Sale
Rubber Soul
Revolver
Sgt. Pepper's Lonely Hearts Club Band
Magical Mystery Tour
The Beatles (The White Album) (2LP)
Yellow Submarine
Let It Be
Abbey Road
Past Masters (2LP).
All manufactured on 180-gram, audiophile quality vinyl with replicated artwork, including the posters from The White Album and the cutouts from Sgt. Pepper. You also get a really class 252-page 12-by-12 hardbound book with a chapter dedicated to each album and lots of new (old) photos.
Like the CDs, the albums track the 12 original UK releases, plus Magical Mystery Tour, and Past Masters, Volumes One & Two, which collects everything else that was officially released but would otherwise be missing. I’ve been reading about complicated it was to do these transfers from the masters and make them sound as pristine (and punchy) as they do. It was quite a job and too complicated for me to explain it here (if in fact I even understood it) but you should read up on it—and you can do so here, and then be glad that everybody at EMI realized how important it was to human civilization to get this right. In fact, it inspired me to propose teaching a seminar on the impact of the Beatles on American culture next year, but they haven’t gotten back to me on that yet. Anyway, run, don’t walk….
Oh and while we’re on this um, fab topic, I’m happy to be able to recommend a new book by a man with the interesting name of Andrew Grant Jackson and it’s called Still the Greatest: The Essential Songs of the Beatles’ Solo Careers. Many of us were traumatized by the breakup of the Beatles and you would not believe how often it keeps coming up in my class on the culture and politics of the seventies. The fellow is pretty smart and the book is wonderfully well researched but arguable on many points. And the material, which critically reviews. (An aside: Amazingly, John Lennon was the worst seller of the Beatles in the seventies including Ringo and despite putting out one masterpiece and one album that has the worst song in history—with two possible exceptions from Mr. McCartney.) But anyway, many of the songs are great. There are about, I’d say at least four really good Beatles albums packed into the 1970s stuff alone (through “Band on the Run.”) And with the Beatles having been covered to death, this is really new territory, at least for me. Check out what I mean, here.)
The Posen Library of Jewish Culture and Civilization
I was unfamiliar with the Posen Library, but together with Yale University Press, they have undertaken a project of enormous ambition and terrific importance: an entire library of Jewish Culture and Civilization in the form of a ten volume anthology of (what the editors believe to be) the most important literary works produced primarily by Jews from the Biblical period through the end of 2005. Overseen by James E. Young, and a board that included (Robert Alter, Yehuda Bauer, Menachem Brinker, Rachel Elior, Paula Hyman, Jonathan Sarna, Anita Shapira, A.B. Yehoshua), 120 scholars contributed to the collection primary sources, documents, texts, and visual images. So far, all we have is volume ten, which is the last one. I have to say, I have enormous differences with the editors over some of the choices. But that is as it should be. After all, what are Jews without arguments. Still, I’m grateful for the resource and look forward to the coming volumes (though they tell me that the one I really need for my forthcoming (one day) book on postwar American Jewish culture, volume 9, won’t be published until after volume 8, the interwar years. Allegedly all ten volumes will be available by 2015, which feels awfully ambitious, but hey, that’s great news if true. Each volume is about a thousand pages and each, also true to the culture and spirit of the project, raises far more questions than it answers. For instance as the project’s editor, James E. Young explains in an introductory essay:
What is Jewish art, or photography, or architecture? What makes Barnett Newman, or Philip Guston, or Mark Rothko Jewish artists? Do Newman’s meditations on martyrdom constitute “Jewishness” in his work? Do Guston’s reflections on identity and catastrophe make him a “Jewish artist”?Is Rothko’s iconoclastic insistence on the abstract color field after the Holocaust a gesture toward the second commandment prohibition of images, and if so, does that give him a Jewish sensibility? And what about other art forms? Is William Klein a Jewish photographer? Or Weegee (née Arthur Feelig), or Robert Capa (née Andreas Friedmann), or Brassai (née Gyula Halasz)? Aside from its cheekiness, what are we to make of William Klein’s mischievous remark that “. . . there are two kinds of photography— Jewish photography and goyish photography”?
And architecture. Is there such a thing as “Jewish” architecture? The current generation of Jewish architects is certainly legend (think of Frank Gehry, nee Frank Owen Goldberg, Richard Meier, Peter Eisenman, Daniel Libeskind, Santiago Calatrava, James Ingo Freed, Moshe Safdie, and A.M. Stern, to name but a few of the most prominent). But what are we to make of Gehry’s suggestion that the undulating steel forms for which he is so famous are inspired by the live carp his grandmother kept in a bathtub before turning it into gefilte fish?
Read volume 10 of the Posen Library and decide for yourselves. More here.
Yale has issued a companion book with the Posen volume. It’s a little book called Jews and Words by the great Amos Oz and his daughter, Fania Oz-Salzberger, a professor of literature, and they talk about pretty much everything, since I mean, they’re Jews and the topic lends itself to that. Hard to resist if you like the title. I carry it around and read little bits at a time, since it’s a nice size for that but you can read the whole thing if you like.
And speaking of Jews, and we are almost always doing that here, I strongly recommend the new play by Nathan Englander at the Public Theater called “The 27 th Man.” The idea to turn this old story by Englander into a play was Nora Ephron’s and it has been beautifully realized by the Public’s production: The plot is this: 27 writers are rounded up and imprisoned in Stalinist Russia. 26 of these writers are great intellectuals with minds and public reputations to be reckoned with. The 27th writer, Pinchas Pelovits, is a clerical slip: he’s an unpublished writer, a mere enthusiast of books.
However, as the published writers face down their impending executions by bickering over their respective achievements, Pinchas is hard at work writing a story that floors them all. Pinchas’s story ends with the question “Which one of us is to say the prayer [for the dead]?” It stars Ron Rifkin, among others and is both deeply moving and simultaneously thought provoking. More here.
And for jazz enthusiasts, my big discovery this week is a seven CD collection from Mosaic of a series of previous unreleased concerts from Charles Mingus done in 1964 and 1965. Called The Jazz Workshop Concerts, 1964-65.
Nobody packages their box sets with more useful information about their contents than the folks at Mosaic, who were doing this kind of thing decades before major labels realized what they had. And after contacting Sue Mingus following a remastered 1964 Town Hall concert, they discovered these shows in the archives as well. Mingus would have been 90 this year and so the scouring was particularly energetic, and what a find these shows are. Of the seven discs in the collection, only one of them has even been available on an authorized CD and much of it has never been on cd at all. The band is stellar: Eric Dolphy, Charles McPherson, Jaki Byard, Johnny Coles, Clifford
Jordan, Dannie Richmond. The repertoire includes some Mingus’ best known compositions, along with three never-before-issued songs recorded at time when Mingus had left the world of major labels and was both at the top of his form, but still undertaking radical experiments. Among the highlights are a previously Unreleased "Sophisticated Lady," a 20-minute version of "Peggy's Blue Skylight," and an incomplete performance of his Charlie Parker tribute "Parkeriana" before the tape ran out. I could go on and on about this but the fact is either you’re hooked or your not. And if you are, you’ll be spending a lot of time reading up on the recordings as you listen, I’m
guessing. It’s a limited run of just 7500 copies and again, the packaging, notes, photos,
etc are all you’d expect from Mosaic. Read all about it here.
Alfred Hitchcock: The Masterpiece Collection
I was watching The Man Who Knew Too Much on Blu-ray and the murder scene in the classical music hall, struck me as the obvious inspiration for the final scene inGodfather III with the murder in the opera house—right down to the opening of the wrong doors in the boxes up top. Watching Hitchcock on lovingly restored bluray in the Masterpiece Collection of fifteen films, one sees all kinds of things one missed the first time around. (Well, I like the restorations. There have been complaints about some of the transfers, though I’ve not yet come across any problems.)
One can argue with the choice of the fifteen. I certainly do. Some of these films are not “masterpieces” by any stretch of anyone’s imagination and quite a few that are, are not here. But without exception, each film is done justice and the box itself is a handsome (and in some respects) beautiful thing. It comes with 13 films previously unavailable on Blu-ray, a 50-page book featuring storyboards, costume sketches, correspondence, photographs, and more. There are also more than 15 hours of documentaries, filmmaker commentaries, interviews, screen tests, trailers and a new documentary about “The Birds, I’ve been watching them after watching the films. There is a certain sameness to them as many feature the same interviewees in the same places. (Hitchcock’s daughter is particularly prevalent.) The makers did go to all the people they could find who were involved in each of the films and did a decent job of getting the most pressing questions answered. Nobody says anythin nasty about the guy though, which, (if you’ve seen the recent HBO film about Hitchcock and Tippi Hedren, will strike you as leaving out a significant part of the story.
Like this article? Support this journalism with a $5 donation now.
The collection demonstrates the artistry of roughly 35 years of film-making that we’ve not seen before or since, along with an occasional clunker. The films here are: Psycho, The Birds, Vertigo, Rear Window, North by Northwest, The Man Who Knew Too Much, Marnie, Saboteur, Shadow of a Doubt, Rope, The Trouble with Harry, Torn Curtain, Topaz, Frenzy and Family Plot. The degree of mastery of so many aspects of film-making can sometimes be jaw-dropping, whether in technical terms—Rear Window is a standout in this category, as are of course, Psycho, Vertigo, The Birds, and Northy by Northwest. But the dialogue and the story-telling are also remarkable and refreshing, especially when compared with the kinds of thrillers Hollywood turns out today. This is true in many of the films that are rarely according much respect today. (Take a look at Shadow of a Doubt” if you want to see what I mean.)
The bonus features include:
For Saboteur (1942):
Saboteur: A Closer Look
Storyboards: The Statue of Liberty Sequence
Alfred Hitchcock’s Sketches
Production Photographs
Theatrical Trailer
For Shadow of a Doubt (1943):
Beyond Doubt: The Making of Hitchcock’s Favorite Film
Production Drawings by Art Director Robert Boyle
Production Photographs
Theatrical Trailer
For Rope (1948):
Rope Unleashed
Production Photographs
Theatrical Trailer
For Rear Window (1954):
Rear Window Ethics: An Original Documentary
A Conversation with Screenwriter John Michael Hayes
Pure Cinema: Through the Eyes of The Master
Breaking Barriers: The Sound of Hitchcock
Hitchcock-Truffaut Interview Excerpts
Masters of Cinema
Feature Commentary with John Fawell, author of Hitchcock’s Rear Window: The Well-Made Film
Production Photographs
Theatrical Trailer
Re-Release Trailer Narrated by James Stewart
Blu-ray exclusives: BD Live, Pocket Blu
For The Trouble with Harry (1955):
The Trouble with Harry Isn’t Over
Production Photographs
Theatrical Trailer
For The Man Who Knew Too Much (1956):
The Making of The Man Who Knew Too Much
Production Photographs
Trailers
For Vertigo (1958):
Obsessed with Vertigo: New Life for Hitchcock’s Masterpiece
Partners in Crime: Hitchcock’s Collaborators
Hitchcock / Truffaut Interview Excerpts
Foreign Censorship Ending
The Vertigo Archives
Feature Commentary with Associate Producer Herbert Coleman, Restoration
Team Robert A. Harris and James C. Katz, and Other Vertigo Participants
Feature Commentary with Director William Friedkin
100 Years of Universal: The Lew Wasserman Era
Theatrical Trailer
Restoration Theatrical Trailer
BD Live, Pocket Blu (Blu-ray Exclusive)
For North by Northwest (1959)
Feature Commentary by screenwriter Ernest Lehman
The Master’s Touch: Hitchcock’s Signature Style
Cary Grant: A Class Apart
North by Northwest: One for the Ages
Destination Hitchcock: The Making of North by Northwest
Music-only audio track
Stills gallery
Theatrical trailers and TV spot
For Psycho (1960)
The Making of Psycho
Psycho Sound
In The Master’s Shadow: Hitchcock’s Legacy
Hitchcock-Truffaut Interview Excerpts
Newsreel Footage: The Release of Psycho
The Shower Scene: With and Without Music
The Shower Scene: Storyboards by Saul Bass
The Psycho Archives
Posters and Psycho Ads
Lobby Cards
Behind-the-Scenes Photographs
Production Photographs
Theatrical Trailer
Re-release Trailers
Feature Commentary with Stephen Rebello (author of Alfred Hitchcock and the Making of Psycho)
For The Birds (1963):
Deleted Scene
Original Ending
The Birds: Hitchcock’s Monster Movie – New! (Blu-ray Exclusive)
All About The Birds
Storyboards
Tippi Hedren’s Screen Test
Hitchcock-Truffaut Interview Excerpts
The Birds Is Coming (Universal International Newsreel)
Suspense Story: National Press Club Hears Hitchcock (Universal International Newsreel)
Production Photographs
100 Years of Universal: Restoring the Classics
100 Years of Universal: The Lot
Theatrical Trailer
BD Live, Pocket Blu (Blu-ray Exclusive)
For Marnie (1964):
The Trouble with Marnie
The Marnie Archives
Theatrical Trailer
For Torn Curtain (1966):
Torn Curtain Rising
Scenes Scored by Bernard Herrmann
Production Photographs
Theatrical Trailer
For Topaz (1969):
Alternate Endings
Topaz: An Appreciation by Film Historian and Critic Leonard Maltin
Storyboards: The Mendozas
Production Photographs
Theatrical Trailer
For Frenzy (1972)
The Story of Frenzy
Production Photographs
Theatrical Trailer
For Family Plot (1976):
Plotting Family Plot
Storyboards: The Chase Scene
Production Photographs
Theatrical Trailer
It ain’t cheap, but it should last forever.
Ok, that’s enough for today. But I have lots of other (and much cheaper) stuff to recommend, so I will return with Part III tomorrow, in case people want to get their shopping in sooner rather than later. And Reed should be here too.
More in benefit news:
Hot Tuna’s Beacon shows are here this weekend. Alongside Jorma Kaukonen and Jack Casady the great Barry Mitterhoff will be lots of special guests both Friday and Saturday. (I’m going Friday because Graham Parker and the Rumor are reuniting at the Ethical Culture Society on Saturday.) Proceeds for special tickets purchased for the Hot Tuna Concert on Dec. 1 will go to support local NYC area non-profits including those assisting in storm relief efforts. If you already have your concert ticket, you can contribute $50 or more to receive the poster. (Your total amount contributed is tax deductible)
TICKET PRICING FOR BENEFIT CONCERT
(Includes t-shirt with graphic designed by David Isaacs for this special fundraiser.)
$150.00 or more – Great Orchestra or Loge Seats for the Concert (All but $60 is tax deductible)
$250 or more – Front Orchestra Seats for the Concert (All but $70 is tax deductible)
For this Virtual Benefit, tickets can be purchased only through here.
Also this, which I can’t make because I’ll be on The Nation cruise:
SUZZY & MAGGIE ROCHE - A HOLIDAY-ISH SHOW
with Lucy Wainwright Roche
& Special Guest Julie Gold
A BENEFIT CONCERT for the Church of St Paul & St Andrew
Thursday, December 13, 2012
7:30 PM
at the Church of St Paul & St Andrew
263 West 86th St @ West End Ave
New York, NY 10024
spsaconcertinfo@gmail.com
The Church of St. Paul and St. Andrew (SPSA) has been a progressive force on Manhattan's Upper West Side for decades. SPSA houses New York's largest emergency food program, the West Side Campaign Against Hunger (WSCAH), which distributes food for more than a million meals each year; a shelter for homeless women; and Homework Help, an all-volunteer tutoring project for children grades K-12. Through a partnership with Goddard-Riverside Community Center, SPSA helps to provide meals- on-wheels for 400 seniors on the West Side. For ore than twenty years, SPSA has been on the cutting edge of interfaith work, partnering with B'nai Jeshurun (which shares SPSA's building) and Muslim groups including the American Society for Muslim Advancement and the Mosque of the Islamic Brotherhood. SPSA has also played a leadership role in challenging the United Methodist denomination to become fully inclusive of our LGBT members.
The mail:
Rich Gallagher
Fishkill, NY
Dear Eric,
On the subject of box sets, be sure to pick up Sony's outstanding restoration of Lawrence of Arabia. Two discs of extras, a nice coffee table book and an actual 70mm frame from the film.
Editor’s Note: To contact Eric Alterman, use this form.
My Think Again column is called “Why Were Pundits All In on ‘All In’?” and it’s here. My Nation column is called “Don’t Stop Believin’. It’s about the MSM coverage of the election and it’s here.
Alter-reviews: The Altercation Gift-giving guide, part I.
There’s a lot of great stuff this season, so I’m getting started early. City of Promises: A History of the Jews of New York, 3-volumes I’m surprised not to have read more of this ambitious three-volume history of New York Jews. Its editorial pedigree is appropriate—not many would argue with the choice of Deborah Dash More as the series editor--and the historians recruited for each volumes strike one as appropriate to each topic. I attended a session of the American Jewish Historical Society conference last Spring in which each explained their ambitions and methods and have been looking forward to sitting down and spending some time with it ever since. (And I will, I swear, but not until it’s too late to recommend it in time for the holidays.) I even tried to design one of my courses around it—but that idea got the kibosh above my paygrade.
Vol. I. is called Haven of Liberty. It’s by Howard Rock and takes us from the landing in New Amsterdam in 1654 up through the end of the Civil War (during which time, by the way, the only anti-Jewish piece of legislation was ever passed in this country.) Given the history of the way Jews were, and could expected to be treated in Europe and the Middle East it’s an amazing story; a fact that gets lost in the fact that the stories that followed it are, in significant respects, even more amazing
Volume II, Emerging Metropolis, was written by Annie Polland and Daniel Soyer, pickus up where Rock leaves off and shows us how New York became the Jewish city we know and (if we are halfway decent people) we love as it takes us through the period of the great immigration.
Volume III, Jews in Gotham, by Jeffrey S.Gurock, chronicles the 20th century neighborhood life of New York Jews. Each volume also includes a “visual essay” by art historian Diana Linden which seek to illuminate Jewish culture through portraits, art, and architecture.
You can buy each volume individually or in an aggressively priced box-set which would, you know, make a nice gift. More here.
I am really enjoying all the fun stuff that comes with the deluxe version of the long-lost Stones documentary “Charlie is My Darling.” Shot in Ireland just weeks after the release of (I Can t Get No) Satisfaction, it’s a combination of wonderful behinds the scenes stuff—where the Stones sing the Beatles—and terrific live performances. The Super Deluxe Box Set (no, that’s really what it’s called) includes both DVD and Blu-ray discs (for some reason) plus a director s cut and producer s cut, and all the interviews, a couple of awesome audio CDs, one of which is the film s soundtrack album and the other a compilation of 13 live recordings the band made during the 1965 UK tour. There’s also a 10 inch vinyl record of the live material and a replica poster heralding the September 4, 1965 date they played in Belfast, one of over 200 Limited Edition numbered and enlarged cells randomly inserted from the film. I also really like the 42 page hardcover book heavy on photos, many of which are newly available, and color photos taken by Marc Sharatt, the Stones tour photographer. Finally we get reprints of vintage newspaper and magazine articles from the UK and Irish press covering the show and essays by David Fricke and Glen Hansard. More here.
I’ll admit I was pretty nervous on Election Day. Sure, I care about the country and all but I was most worried about having to wake up every morning and read or listen to some pompous pundit tell me what a wise brave man Mitt Romney (or Paul Ryan, or God forbid, John Bolton…) and then have to point out, for the millionth time, that this was not the case. In fact it was dangerous even to imagine such a thing….
So how did I manage to get through the day, you ask?
Well, thanks to the good folks at Columbia Legacy, Election Day coincided with the release of a bunch of box sets that could not help but put you in a good mood while you waited (though drinking helped too). Among them:
LOUIS ARMSTRONG – The Complete Columbia/Okeh & RCA Victor Recordings 1925-1933 10 CD box set features the Hot Five and Hot Seven sides of 1925 through 1928 on ten CD with liner notes by Ricky Riccardi, archivist at the Louis Armstrong House & Museum and author of What a Wonderful World: The Magic of Louis Armstrong’s Late Years (Pantheon, 2011). These have all been released before, twice in box set form regarding the Hot 5s and Hot 7s, but this is state of art, insofar as sound quality of eight-year-old recordings go.
DUKE ELLINGTON – The Complete Columbia Studio Albums Collection 1951-1958 9 CD box set. Rather like the Grateful Dead (and unlike say, the Rolling Stones) it’s impossible to pick just one period as Ellington’s best. Personally, I favor the Blanton/Webster years, but I could be talked into the mid-fifties as well. This is the beginning of the LP era, and working with Billy Strayhorn, to say nothing of Johnny Hodges, Paul Gonsalves, Clark Terry, Ray Nance, Harry Carney and Rosemary Clooney among so many others, Ellington extended the possibilities of American classical music wihout ever losing sight of the importance of the adage that it would mean a thing if it lacked “that swing.” This nine-CD box set includes an essay by the excellent Loren Schoenberg who is Artistic Director of the National Jazz Museum in Harlem and we’re grateful for that too. And given the price, well, if you are lacking a significant number of these releases, I’d say now’s the time.
BESSIE SMITH – The Complete Columbia Recordings 10 CD box set. This catalogue was recorded between 1923 and 1933, and includes over 160-plus master takes, with an essay by Ken Romanowski. They were originally released as five double CDs following the enormous success of the Robert Johnson CDs, and if that’s where the blues began, then this is where the blues began again. Overall, this is music to win elections by. More here.
Also, Shout! Factory has a 5-DVD/1 CD Box Set of Mel Brooks stuff that collects all kinds of things that are not Mel Brooks movies. It’s got a 60 page booklet and it’s got photos, program notes, and essays by Leonard Maltin, Gene Wilder, Bruce Jay Friedman and Robert Brustein. It’s called The Incredible Mel Brooks: An Irresistible Collection Of Unhinged Comedy and it’s got stuff like:
"Mel Brooks And Dick Cavett Together Again"
"I Thought I Was Taller: A Short History Of Mel Brooks"
"An Audience With...Mel Brooks"
"Excavating The 2000 Year Old Man"
"Mel And His Movies, a New Five-Part Look Back"
Vintage appearances on The Tonight Show Starring Johnny Carson and The Dick Cavett Show
Episodes of Get Smart, When Things Were Rotten and Mad About You
"In The Beginning: The Caesar Years"
Short Films, Tributes, Rarities and Much More
New Introductions by Mel
CD With Long-Lost Comedy Bits and Songs From Mel’s Movies
Lotta stuff there for a cold night (with a lot to drink…) More here.
As for yours truly, I think I’m going to Kansas City…
Now here’s Reed:
Stars in Our Eyes
by Reed Richardson
Ever since the dawn of our Republic, America has a held a strange, somewhat conflicted fascination with its military leaders. Given that our new nation was forged from a principled rejection of empire building and the excesses of standing armies, it’s not without irony that, after gaining independence we turned around and unanimously elected our foremost general, a professional soldier, as the first national executive. (And let’s be honest, we’d have little hope for the long-term democratic prospects of a country that followed a similar political arc today.)
George Washington, it turns out, was a fortuitous choice. His first two terms further cemented the Constitutional ideal of a plebian presidency and beat back the “royalist” leanings of other Founders, like John Adams, who favored a more aristocratic interpretation of the office. But it’s notable that, by 1828, the nation had essentially worked its way through the roster of potential presidents directly connected to the Revolution and, at that point, we vigorously returned to electing men who had achieved high military rank. In a still highly regionalized, provincial nation, battlefield exploits, as recounted primarily in the media, provided a rare platform from which a candidate could build nationwide support. And so, starting with Major General Andrew Jackson’s election and lasting until General Zachary Taylor’s victory 20 years later, four out of six elections were won by former generals and one—that of James K. Polk—by a former militia colonel.
When they weren’t dying in office, though, these former soldiers proved to be rather hit-or-miss as presidents. Perhaps soured on their track record, the public handed presidential defeats to high-profile generals—Winfield Scott and George McClellan, respectively—in 1852 and 1864. Civil War hero Ulysses Grant, who was lucky enough to run against perhaps the worst U.S. president in history—Andrew Johnson—in 1868, ended up serving eight years, but is generally regarded as barely an improvement over his predecessor. It then, might say something, that in the 136 years hence, only one former general—Dwight Eisenhower—has won the White House, though many—George Custer, Douglas MacArthur, William Westmoreland, Curtis LeMay, Alexander Haig, Norman Schwarzkopf, Colin Powell—have had or have been rumored to have had national political ambitions.
This past summer, General David Petraeus’s name was not so subtly added to that list. Sure, this latest rumor was thanks to a blind item on Drudge Report, but there’s been a latent Draft Petraeus for President movement around since 2009. Though the Drudge item was rank speculation, the Beltway media, as it is want to do, expended a lot of energy eagerly dismissing the rumor, which, of course, only fuels the notion within the public that there might be some truth to it. Generals don’t make the cover of Newsweek three separate times, after all, without the media thinking they matter in the national conversation. And since his first tour of duty in Iraq in 2003—as commander of the 101st Airborne Division—Petraeus has enjoyed a meteoric rise in the press, which, up until last week, had essentially anointed him the most brilliant, hyper-competent, and humble soldier of his generation.
As such, the revelation that he had an extramarital affair with his official biographer and his subsequently abrupt resignation as CIA Director holds important lessons on several fronts. For the media, Petraeus’s downfall once again revealed a groupthink culture that is easily charmed and credulous to a fault as long as it gets its emails returned. Indeed, the gnashing of the teeth and rending of the garments by the Beltway media this past week, as curated by FAIR, bordered on religious fervor: “brainy ascetic,” “water walker,” “iconic figure,” “a magician,” “he made us all feel special.” Some in the press were so devout in their belief that they just couldn’t let Petraeus go—Roger Cohen’s mash note of a column begs the general to “get back to work” while lauding the general’s personal demeanor, physique, intellect, and resumé. Curiously, it spends precious little time defending his actual accomplishments, at the CIA or elsewhere.
And that is the tell. Much like the rude awakening conservatives experienced on Election Day, the media was “shellshocked” by Petraeus’s behavior because they, too, had bought into a myth and a narrative rather than try to understand the cold, messy reality of the man. His appeal to the press is easily understandable, though. His supposedly apolitical viewpoint (he reportedly gave up voting for president in 2002), his legendary focus on results, his willingness to forge relationships with presidential administrations from both parties: all of these are the hallmark traits of that long-beloved-by-the-media, but non-existent Washington species— the centrist. That he would succumb to something so pedestrian and venal as a sex scandal was a tragedy in the media’s eyes, in part, because his failure struck a blow against the press corps own institutional worldview.
As is often the case, though, the warning signs have been around for years. Wired’s Spencer Ackerman offers up this mea culpa about buying into the “cult of Petraeus” for years. Defense correspondent Michael Hastings takes an in-depth look underneath Petraeus’s well-constructed veneer and, though I feel like he takes it a bit too far, finds a striving, ambitious, “bullshit artist.” Agree or not, these cynical viewpoints, up until two weeks ago, would have been given not a single molecule of oxygen in the mainstream media’s atmosphere.
For what it’s worth, I too noted more than two years ago that Petraeus—during an incident strangely forgotten this past week—was capable of displaying shockingly poor judgment and an inappropriate willingness to step “outside his lane” and into the political arena. At the time, I questioned his decision-making as “worrisome” and “incredibly naïve.” But now, I confess, I think I was only half-right. Worrisome? Yes. But naïve? No. There was something else at work here. Just like his willingness to boldly airdrop his assessment of the Iraq war into the middle of the 2004 presidential campaign, just like his unilateral decision to pay off Sunni tribesman, just like his penchant for rosy, Blackhawk-borne VIP tours of Iraq, just like his savvy maneuvering to justify a “surge” in Afghanistan, and, yes, just like his willingness to conduct an illicit personal affair, Petraeus has time and again demonstrated a tremendous capacity for self-satisfying arrogance.
Still, there is no doubt that our modern officer corps is the best trained and educated in not only the world, but in our own country’s history. That today’s four-star general is just as likely to have an Ivy League PhD as a Ranger tab says something about the military’s emphasis on bringing more than just materiel to bear on the battlefield. So, to bemoan arrogance amongst the U.S. military’s flag officers becomes a lot like complaining about the weight of offensive linemen in the NFL. Without it, they probably wouldn’t be where they are in the first place. But what’s supposed to keep that arrogance in check, however, are things like civilian oversight and media scrutiny.
Unfortunately, we’ve reached a unprecedented imbalance in terms of the esteem the public holds these pillars of our society. According to a Gallup poll from this past summer, the public has three times more confidence in our Armed Forces than it does the media. The presidency and Supreme Court are trusted by barely more than one in three, and confidence level in Congress is mired in the teens. And it’s not just on the topic of trust, but on familiarity that we find this growing civil-military gap. Two generations ago, three out of four members in Congress were veterans; in this past Congress, the ratio was down to one in five. In the recent presidential election, neither party had a veteran on the ticket—the first time that’s happened since 1932.
The effect of all this has been to slowly but surely cede more and more of our political discourse to the military. A media increasingly fearful of treading on the military’s esteemed image naturally becomes more susceptible to uncritically parroting a general’s viewpoint as to what’s “best for the troops.” By the same token, politicians and civilian appointees who don’t fully embrace their Constitutional authority allow themselves to be more easily co-opted by a military that doesn’t share the burden of governing. (The fact that presidential candidate Obama clearly gained more politically from this noted 2008 campaign photo op than did his future subordinate Petraeus speaks volumes.)
This article is brought to you by The Nation Builders. Find out more...
We should take advantage of this moment, then, to recognize that Petraeus’s fall from grace has exposed the greater risk we now face thanks to our polity’s collective decision to lean heavily upon the military for not just our national defense but our overall foreign policy. What does this look like? Robert Wright, writing a bracingly honest, critical assessment, explains the alarming direction Petraeus’s CIA was and still is heading:
When, in the fall of 2011, David Petraeus moved from commanding the Afghanistan war effort to commanding the CIA, it was a disturbingly natural transition. I say "natural" because the CIA conducts drone strikes in the Afghanistan-Pakistan region and is involved in other military operations there, so Petraeus, in his new role, was continuing to fight the Afghanistan war. I say "disturbingly" because this overlap of Pentagon and CIA missions is the result of a creeping militarization of the CIA that may be undermining America's national security.
This is the true lesson we should learn from David Petraeus—that for our democracy to imbue our all-too-human military leaders with the mantle of invincibility and air of infallibility is unfair to both them and us. We, as a nation, can no more afford to be blinded by stars on epaulets today than we could afford to be bound by the British yoke 236 years ago. Perhaps there’s a reason why no generals bother to run for president anymore; in a country that increasingly echoes the military’s messaging and emulates its policy prescriptions, they needn’t bother.
Contact me directly at reedfrichardson (at) gmail dot com.
The Mail:
Henry St. Maurice
Stevens Point, Wisc.
Am I the only one who noticed a resemblance between Rove on Fox and Robert Shaw's Lonergan character in The Sting? Someone who thought he had a game fixed was beaten by someone who had outfoxed him.
Frank Moraes
Santa Rosa, Calif.
Hi-
Really good column this week.
I just read Andrew Gelman's "Red State Blue State Rich State Poor State." So it may be informing my thinking more than is reasonable. The main thing I got from the book is that the poor vote for the Democrats and this is even more true in the red states than the blue states.
This has me thinking that the stunning success of the Republicans at making inequality skyrocket, has made these economic demographics very bad for them. As the rich get richer mostly at the expense of everyone else, the pool of poor people grows.
I write about it in a bit of detail here, mostly by complaining about Matt Taibbi:
Somewhere recently, I saw the numbers for the people who did NOT vote.
They were something like Obama winning 60%-30%. If Democrats could get the poor to vote in large numbers, Utah might turn blue.
Well, Mississippi anyway.
Jeremy Scahill writes, a paramilitary CIA is David Petraeus's legacy.
Editor’s Note: To contact Eric Alterman, use this form.
My Think Again column is called “Our Trivial Political Media, Continued…” and it’s here
I’ve been very lucky in the live shows I’ve seen lately.
Last night… Bruce Springsteen, Roger Waters and John Mayer, Robin Williams, Jon Stewart, Ricky Gervais, Patton Oswalt, Max Weinberg (and band) and Mike Birbiglia paid tribute to wounded warriors care of the Bob Woodruff foundation and the New York Comedy Festival. Bruce, you’ll be happy to know, was quite sweet. He played solo—I guess he didn’t have time to rehearse with Max because he’s been kinda busy travelling of late—except for one (beautiful) song with Patti. He also told one bad joke and one terrible joke. Here was his set:
We Take Care of our Own
Bad joke about a dick injury and a wedding night
Working on the Highway
Tougher than the Rest (with Patti)
Another bad joke, but not a dirty one
Hope and Dreams
Auctions off the guitar and harmonica for and a personal tour of the backstage for $110K
Mystery Train
He followed John Mayer playing “The Long and Winding Road” which was pretty interesting and a really moving—shockingly, it must be said—set by Roger Waters who, together with G.E. Smith, (whom we like and admire, but will never forgive for agreeing to be Mitt Romney’s band leader), pulled together a band from the folk at Walter Reade hospital and they did an incredible version of “Wish You Were Here.” They also did a nice “Knocking on Heaven’s Door” and a song from Levon Helm’s wonderful “Dirt Farmer” album, which replaced a Pink Floyd song we never heard, but was pretty great nevertheless. Because the audience was also filled with wounded warriors, the whole thing brought tears to lotta eyes.
The rest of the evening was all comedy. Jon Stewart was just fine and extremely respectful of the soldiers. Robin Williams was just terrific. Absolutely horrible, I am sorry to have to report, was Ricky Gervais. He was horrible last year when he did a bunch of old material from his HBO special, the balance of which was mocking overweight people (in a Republican science-denying fashion) and making fun of gay, anti-AIDS sex advice, (well, ok, but still). It was ten times as unfunny when he did the exact same material as before. I don’t have any obese people in my life but I still think it’s terrible that they are the only people whom it is socially acceptable to attack for who and what they are. Gervais insists that all of them suffer from a lack of will-power. HE is a socially regressive and ignorant jerk.
Though, it must be added that the audience loved it. And I’m glad the soldiers had a good time. And they did. So thanks to the Woodruff Foundation and the NY Comedy Festival for raising the money to help these guys out and doing it in such a fun and moving way.
The weekend before the hurricane, I was in a really great place: seeing each of Jazz@Lincoln Center’s two night tribute to the great John Coltrane. The first night, at the beautiful Allen Room, featured one of their short, intimate concerts by an incredible band led by the majestic McCoy Tyner with bassist Dave Holland and drummer Jack DeJohnette did up “The Gentle Side of John Coltrane,” and it was indeed a beautiful thing. The following night the big band put together a much more elaborate show of Coltrane tunes with new arrangements by members of the orchestra including Wynton Marsalis and Victor Goines, together with some pretty fancy soloing by guest Josh Redman, among others. It’s hard to find a body of work that has weathered the decades better than Coltrane’s but the combination of seeing McCoy et al, playing some of the originals as he did in the first place and reimagined versions of songs that were themselves reimagined in the first place—the highlight for yours truly being “My Favorite Things.” In any case, it’s a pretty good argument for what Jazz@LC does.
Also before the hurricane I saw a really nice show by Jane Monheit with fiddle genius Mark O’Connor at the 92nd Street Y. It was her birthday and she radiated a kind of warmth for her audience (and band, led by her husband Rick Montalbano Jr. on drums) that is impossible to fake. Monheit has released eight studio albums and one live disc since 2000 and she runs the gamut from classics to Brazilian numbers sung in Portuguese . Among the highlights was a powerful version of “Over the Rainbow” and, believe it or not, an exquisite version of “Have Yourself a Merry Little Christmas,” which she sang because, hell, it was her birthday and she had no Christmas gigs this year.
Next I was extremely happy to be a Blue Note, which had been underwater and closed for its longest period in its history, for a one five nights of shows done by the Chick Corea/Stanley Clarke group with Ravi Coltrane (sax), Marcus Gilmore (drums) and Charles Altura (guitar). You never know exactly what you are going to get with Chick. I have seen him do some of the worst shows in my life—I’m thinking of the band he put together in tribute to L. Ron Hubbard—and some of the most inspiring. I don’t think there is anyone in jazz—perhaps ever—who has mastered so many different kinds of music and proven himself a pioneer in so many as well. I was one of those people who was originally drawn to jazz via the “fusion” sound of the chick/Stanley/Al D/Lenny White version of RTF. Chick’s journeys have therefore been my journeys, whether moving backwards or forwards. (He was part of the amazing band Miles put together for Bitches’ Brew.)
At the Blue Note last he was the leader of an old fashioned jazz band. They played some Charlie Parker, some Joe Henderson, some Chick and Stanley originals, and did it by the book. It was marvelous. Though they hadn’t played together that long, the members listened to one another and built off eachother’s riffs. Chick, who looks to have lost 20/30 pounds, was in great humor and it was sweetness itself when the Mrs., Gayle Moran (Corea) came on for an encore from Crystal Silence. This kind of show at a place like the Blue Note just a few days after a hurricane is one of the many (many) reasons life, particularly life in New York, that make it worth getting through the day.
It’s still a little early for me to begin the annual box set/gift-giving guide. It’s been an incredible year for it so far whether with bluray collections, cd box sets, vinyl collections, etc. It’s also been a good year for gift books. I am in the process of doing all that hard work for you, watching, listening, reading, etc. But in the meantime, I want to strongly recommend the new cds by Neil Young, (“Psychadelic Pill”) and the guitar phenom, Gary Clark Jr., (“Blak and Blu”). Neil’s set with Crazy Horse is not exactly inspired, but it is generous and solid and deeply ingratiating. It’s his best in a long time. (Just don’t listen to it as an MP3 or that will really piss Neil off.) Clark is sort of Hendrix-like in that he as a virtuoso at the same time he writes tough-minded hooks and melodies you thought you already knew. I plan to go back to his earlier, smaller-label stuff as well.
And if you’re my age, you’ll probably enjoy the newly repackaged version of Jethro Tull’s “Thick as a Brick.” It comes with a lot of fancy mixes on a CD and DVD but also that wonderful old newspaper in much more readable form and lots of essays and photos in a nice hardback book package.
Brand Old Party: Conservative Media Fails, Decides to Shoot the “Messaging”
by Reed Richardson
A few days removed, it’s now something of an understatement to say that the 2012 election results offered plenty of bad news for conservatives. But it wasn’t just the many Republican names and causes listed on ballots across the country that had a bad night. Indeed, Tuesday’s reckoning might have saved its harshest judgment for another rarefied, right-wing constituency—the conservative media.
Certainly, this cohort’s predictions were proven to be as lacking in foresight as they were unanimous in their forecast. Some, like GOP charlatan Dick Morris, finally slunk back into the spotlight to eat their well-deserved serving of crow. Others, like Wall Street Journalcolumnist Peggy Noonan, who based her rosy Romney outlook on ridiculous intangibles like “vibrations” and “passion,” have basically gone to ground. Of course, an overwhelming amount of polling data and statistical analyses had basically foretold the Obama victory (right down to the exact Electoral College count), so much so that Tuesday night unfolded with but a few (pleasant) surprises for us liberals.
Now, whether these conservative pundits actually believed their own bullshit or whether they were just savvy enough to recognize there’s little room for competing narratives in a one-track mind, the effect was still the same. Starting even before Obama’s election in 2008, the right-wing media incubated an alternative universe—and eventually a political movement, the Tea Party—that sustained itself by eschewing facts for fiction. Stay for too long on this chimerical path, however, and one day you’re bound to collide with reality head-on. Or, as The Atlantic’s Conor Friedersdorf notes about Tuesday’s electoral trainwreck, which the conservative media never saw coming:
On the biggest political story of the year, the conservative media just got its ass handed to it by the mainstream media. And movement conservatives, who believe the MSM is more biased and less rigorous than their alternatives, have no way to explain how their trusted outlets got it wrong, while The New York Times got it right. Hint: The Times hired the most rigorous forecaster it could find.
For his part, Friedersdorf concludes with a less than sanguine expectation about the conservative media’s capability for self-reflection. And as if right on cue, from the fetid fever swamps of Fox News we see that “the mainstream media tipped the scales in favor of Obama.” So, naturally, the press would be able to predict a victory they helped engineer, I guess. But this tired rehash of the old “liberal bias” canard falls apart under the scrutiny of this recent Pew survey, which found that, when horserace coverage was removed, the Obama and Romney campaigns received nearly identical amounts of positive and negative press coverage over the last two months of the general election.
So, how did things go so spectacularly wrong for conservatives? Why did the poorest Americans, unmarried women, and young voters, who are suffering the most in this white-knuckle recovery, still turn out in droves for Obama? Why did the increasingly powerful bloc of Hispanic voters flee Romney to the tune of more than 40 percentage points? Why did a solid majority of the middle-class think the president better understood their problems?
Well, the chafing dishes at Romney Victory headquarters had barely gone cold before you began to sense the conservative media coalescing around a possible answer to these difficult demographic dilemmas. Was it more mainstream views on reproductive rights? Nope. How about less xenophobic policies regarding immigration? Hardly. Maybe stop trying to dismantle our nation’s social compact at every turn? Dream on. Instead, all that conservatives really need to succeed in the next election, according to the conservative media, is some re-branding.
To be fair, the Republican Party brand is indeed damaged goods and has been for more than a decade. But to hear someone like the Washington Post’s Jennifer Rubin tell it, changing the policies takes a backseat to changing the presentation. Rubin, who really and truly has no intellectual honesty whatsoever, has been spending the post-election period both trying to airbrush over her prolific fealty to the Romney campaign while simultaneously pushing this re-branding message:
In the future, Republicans will have to find a way to appeal to the non-married, nonwhite, non-religious parts of the electorate. They must find a messenger or a message that is more than a standard conservative laundry list. They must figure out how conservatism can be presented as more than an abstract theory of the free market and as a compelling approach to addressing complicated problems.
Is there a “compelling” way to say, “more war, less healthcare, increased taxes for the rich, decreased job security?” I’m not so sure.
Over at The Corner there was a similar fixation with marketing and messaging, as much of the site’s post-election soul-searching read like the minutes of an advertising agency’s brainstorming session. (Warning, some of the deluded understatements below might snap your head back):
Charles Donovan: Still [the GOP young guns] have a challenge—to keep their message consistent, avoid talk of truces on the issues, learn how to speak to and represent women, especially single women, rethink the foreign-policy rhetoric that implies the next war is just around the corner, and reach an accommodation on immigration that welcomes new people to our shores while maintaining social order.
Kathryn Jean Lopez: He’s a good man and would have been a good president, but in the 47 percent moment, Mitt Romney did not articulate what you might have hoped. He did succeed at times, but it wasn’t the heart of the campaign, not in any obvious and consistent way. Not in the way we heard about Friday Night Light and theChallenger flag in the governor’s stump speech. Paul Ryan gave a fantastic speech on poverty, but it was at the end of the campaign.
Mona Charen: For now, before drawing larger conclusions, I think the roots of yesterday’s loss are to be found in a few places: […] as I’ve been arguing for many years—the Republican party’s unfortunate tone regarding immigration which gave Hispanic voters the sense that we are hostile.
To be fair, there were a few legitimate attempts by Cornerites to come to grips with the demographic reality confronting the Republican Party and how its ideology has alienated vast swathes of the electorate. In what passes for, at least these days, a healthy dose of conservative candor, Heather Mac Donald had the temerity to say what should be obvious—that Hispanic voters reject Republicans in the voting booth because they dislike the party’spolicies. But hers was the exception to the rule.
Indeed, one can still hear the echoes of the November 5th mindset in this post-electionback-and-forth between The Corner’s Lopez and conservative radio talk show host Hugh Hewitt. It’s as instructive about the blinkered, stubborn nature of right-wing conventional wisdom as it is unintentionally hilarious:
KJL: Was the case against Barack Obama not strong enough?
HEWITT: The case against the president’s reelection is airtight, but just enough of the electorate voted for the hope that he could do better with experience.
“Airtight,” huh? (Mental note: Never ride out a hurricane in a storm shelter built by Hugh Hewitt.) Then again, maybe Hewitt meant for his comments on Wednesday to be taken literally, since it is technically correct to say that Obama can’t be reelected a second time, because of, you know, the 22nd Amendment. But I digress…
KJL: What message should this send to Republicans?
HEWITT: From Sesame Street: “Practice, practice, do it again. Over and over, till you get it.” The GOP has caught up on the technology front but not messaging. Its candidates need to be much more disciplined about ideas and their delivery. Mitt Romney was badly hurt by down-ticket races and controversies taking the focus off the message of freedom and faith.
Those vaguely intoned “down-ticket races and controversies” of which Hewitt speaks are no real mystery, of course. Over at the American Spectator, Robert Stacy McCain was bemoaning the electoral wounds self-inflicted upon the GOP by extreme right-wing Senate candidates Todd “legitimate rape” Akin and Richard “rape is a gift from God” Mourdock. On Tuesday, both men lost what were expected to be easy Republican pick-ups thanks to blowback from what McCain blithely calls their “ill-considered remarks.” His recommendation—massage the message so voters won’t know the truth:
Perhaps pro-life groups should sponsor a training session for political candidates, teaching them how to answer "gotcha" questions without either ceding anything to the abortion lobby or offending voters with off-the-cuff comments about rape.
As you can see from the transcripts though, in both the case of Akin and Mourdock—and contra McCain—there was no loaded, “gotcha” question. The pair’s shockingly ill-informed and condescending answers arose organically from run-of-the-mill exchanges during scheduled campaign interviews. More importantly, neither Akin nor Mourdock thought they’d said anything remotely controversial at the time. And that telling disconnect is what McCain and his ilk still can’t get their heads around—that the public’s outrage over their rape comments was never merely a superficial objection to the language they used to discuss their beliefs, it was a deeper rejection of the extreme nature of the beliefs themselves.
Good old Fred Barnes, over at The Weekly Standard, was trotting out the same “Ixnay on the aperay, you guys!” advice even before the last votes of the election had been counted. In the wee small hours of Wednesday morning, he was already chastising the GOP and blaming, in part, Akin and Mourdock as “Tea Party types who can’t talk about abortion sensibly.” Sensibly, in this context, apparently meaning in a way that obscures the fact that the Republican Party’s national campaign platform, which bans abortions even for rape victims, would offer up the same reproductive policy prescriptions as the likes of Akin and Mourdock.
Of course, there is a rich irony in all this after-the-fact tut-tutting over the Republican candidates’ mixed or missed “messaging.” That’s because the all these poisonous narratives that the conservative media now recognizes as having failed can be traced directly back to the very same conservative media. For the past four-plus years, nearly every conservative pundit, Tea Party activist, and Republican pol in this country has marinated in a toxic, right-wing media stew of mythical conspiracies, unfounded injustices, and barely disguised racial resentment.
By the time the GOP presidential primary rolled around last fall, the field of potential candidates were so saturated with invective toward the Obama administration that the only way to distinguish oneself was to run even further toward the extreme right. Hence, a formerly moderate, pro-choice Republican governor that had pioneered a model for universal healthcare surmised that, to win his party’s nomination, he had to become an almost unrecognizable, “severely conservative” candidate who talked about “personhood amendments,” “self-
Romney’s final evolution from moderate to reactionary came in mid-September, when he tromped all over the bounds of decency in order to score a cheap political point by mischaracterizing Obama’s handling of the unrest in Libya before knowing that four embassy officials had been killed there. As this Washington Post election autopsy from earlier this week reveals, even Romney understood that he had gone too far.
“We screwed up, guys,” Romney told aides on a conference call that morning, according to multiple people on the call. “This is not good.”
His advisers told him that, if he took back his statement, the neoconservative wing of the party would “take his head off.” He stood by it during an appearance in Florida. Two days later, Obama traveled to Joint Base Andrews to meet the four flag-draped coffins.
That the conservative media went on to vigorously defend what even Romney recognized at the time was a political mistake is symptomatic of their perverse ability for reflexive groupthink. (Also telling, that Romney is someone so craven and thirsty for power that he was willing to forego his own personal judgment and principles to basically appease the people who got us into the war in Iraq.) This moment, which represented the nadir of the Romney campaign, turned out to have great import not only on the 2012 presidential campaign but on its aftermath as well.
Why is this? Because perhaps born out of desperation, the Romney campaign finally decided to flip the script. And coincidentally, this plan, as this New York Times post-mortem uncovered this week, involved using the first presidential debate to completely reorient the campaign’s messaging to sound less conservative:
There was, advisers decided, one last opportunity on the horizon: the presidential debate in Denver. […]
Mr. Romney began testing out one-liners on friends flying with him on his campaign plane. On issue after issue, Mr. Romney led discussions on how to frame his answers, to move away from the conservative tone of his primary contests in front of the largest audience he would have as a candidate.
That’s why, starting in Denver that night and then over the final month of the campaign, Romney lied, contradicted, and obfuscated. Why he rolled out no new centrist policy proposals, but unveiled plenty of new bipartisan talking points. Why he seemingly agreed with Obama more during the final foreign policy debate than most liberals would have.
In other words, what the conservative media now recommends the next Republican presidential candidate do to win in four years sounds exactly like what the previous Republican presidential candidate did the last four weeks to no avail. The American people saw through this charade. Simply put, shooting the “messaging” is not enough when the conservative message itself is flawed.
Contact me directly at reedfrichardson (at) gmail dot com.
Greetings Altercators, Reed here. Eric’s off this week, but here’s his latest Nation column: “The Cuban Missile Crisis: Thirteen Days…and Fifty Years,” which revisits some of the common myths of the incident that readers of his book “When Presidents Lie” will no doubt recognize.
As for me, the past few days in New Jersey weren’t without some drama as well, but I was definitely one of the lucky ones. Many more of us in the Garden State, where following the devastation from Sandy we might temporarily rename ourselves the Generator, Sump Pump and Chainsaw State, didn’t fare so well. Fortunately, we now have a president that actually gives a damn about things like disaster recovery and a governor whose facility for wielding pomposity and self-righteousness like a cudgel might finally have found a worthwhile cause to fight for. And not for nothing, but if the latter’s effusive praise of the former effectively acts as a political shiv to Mitt Romney’s plans after next Tuesday, well then I guess the old saying about every cloud having a silver lining really is true. To be sure, other less-than-pure theories abound about the reasons behind Christie’s very sudden appreciation for Obama’s competence. But in terms of ridiculously wild speculation, I submit that none will surpass The Atlantic’s Jeffrey Goldberg, who believes that, this being Jersey, maybe subconsciously, this all comes back to Bruce.
A Funny Thing Happened on the Way to the Election
by Reed Richardson
I don’t profess to know, on my own, what path our country will have chosen come next Wednesday. But as a journalist, I take some comfort in the fact that not knowing something is a professional necessity. The attempt to fill that gap is what propels you forward every day, drives your curiosity, and—in my case recently—keeps you up at night.
By the same token, however a healthy press corps does not begin each day from the stance that it knows nothing. Journalism, more so than perhaps any other pursuit, involves the steady accretion of knowledge, adding to today what one knew yesterday. It’s a never-ending process, in other words. So it is not surprising that one of the common occupational hazards among the media is when it projects precisely this same mindset onto its coverage. And nowhere is this proclivity for process-obsessed journalism more prone to occur than in the context of a political campaign, which steadily marches toward an inevitable, clear-cut conclusion.
The press’s fascination with political scorekeeping is an understandable failure then. It’s not always easy, after all, to churn out something new, day after day, about a candidate’s positions or policies—unless, ahem, they constantly change. But where a candidate stands versus their opponent is an angle that is always sitting there, waiting to be picked up, pored over, and pushed out.
During the Republican primaries, this horserace coverage dominated, with nearly two out of ever three stories focused on “strategy,” as this Pew survey shows. And since shifting to the general election mode this spring, talk of “Who’s-up? Who’s-down?” has only been magnified by the Washington press corps. Each tracking poll update or new swing state survey gets treated as divine revelation, worthy of Tweeting out to the world and parsing for hints of imagined qualitative narratives like “momentum” and “confidence.”
The sad truth is, though, the news value of these incessant horserace snapshots is dubious at best when Election Day is still months or even weeks away. Most of what these polls capture is, in fact, merely noise rather than real signals of changes in voter attitudes. Indeed, over the course of the past six months, voter sentiment has remained quite stable, shifting only occasionally but then regressing back to roughly the same mean it started at in May. There’s a big downside to all this breathless and mostly worthless poll watching, however, it crowds out more substantive comparisons of actual policy differences between candidates in favor of content that is of little informational value to voters.
What’s more, this reliance upon poll data for filling the newshole can exacerbate the press’s worst instincts. Seeking a story with broad, national appeal, the press myopically treats the race for the presidency as a single contest rather a series of 51 separate ones. In the quest to break a new news angle, the media likewise can’t resist the temptation to emphasize strange outlier polls that probably merit the least amount of attention. For example, who can forget Drudge’s infamous “GALLUP SHOCK” post in 2008, that sent the Beltway media chasing its tail for a week talking of a McCain comeback that didn’t exist. Or how about this past week’s Rasmussen poll of Ohio that spawned its predictable share of “Romney Takes Lead in Ohio” stories, even though this was that poll was the first out of the last 27 polls in that state that found Obama trailing. (And that’s not even taking into account Rasmussen’s GOP-leaning “house effect” of one to two percentage points.)
All this presents yet another crucial point—for all its practice, the press really isn’t very good at horserace coverage. On the whole, the establishment media still suffers from rudimentary, linear thinking, often lacks the statistical expertise to truly grasp the numbers behind the polling science, and has been severely outstripped when it comes to understanding how political campaigns persuade and influence voters. As Sasha Issenberg, Slate& columnist and author of “The Victory Lab,” explains in this New York Times post, which really worth reading in its entirety:
But the reality about horse-race journalism is far more embarrassing to the press and ought to be just as disappointing to the readers who consume our reporting. The truth is that we aren’t even that good at covering the horse race. If the 2012 campaign has been any indication, journalists remain unable to keep up with the machinations of modern campaigns, and things are likely only to get worse.
[…]
Over the last decade, almost entirely out of view, campaigns have modernized their techniques in such a way that nearly every member of the political press now lacks the specialized expertise to interpret what’s going on. Campaign professionals have developed a new conceptual framework for understanding what moves votes. It’s as if restaurant critics remained oblivious to a generation’s worth of new chefs’ tools and techniques and persisted in describing every dish that came out of the kitchen as either “grilled” or “broiled.”
Issenberg goes on to argue that deep-rooted analytical coverage of campaign strategy and processdoeshave an important role to play in our democracy, as it unveils the coalitions and levers that a political candidate relies upon to win. The press, he argues, remains unequipped if not downright hostile to embracing the techniques necessary to fulfill this mission. And savvy campaigns work to exploit this knowledge gap.
For instance, much has been made in the press these past few weeks about how the GOP has closed the ground game gap. RNC officials are eager to trot out impressive stats about “voter contacts” as a way to display confidence and counter any talk of Obama momentum. Even a recent Pew poll reinforced this idea that Romney has essentially erased any turnout edge held by Obama’s vast field office advantage.
But as Issenberg explains in this insightful Slate article, counting “voter contacts” is a crude, and rather vague metric at best. It, notably, doesn’t reveal much about what the contact is trying to accomplish or who is being targeted. His in-depth reporting here not only demonstrates that the Obama campaign is nearly a generation ahead of the Republicans in its voter persuasion efforts, it deftly reveals how even reporters at prominent publications like The Washington Post and The New York Times can be so thoroughly out of their depth that they writing erroneous, fawning stories like this and this.
Of course, tallying up who’s winning and who’s losing becomes a much more legitimate and compelling story once Election Day approaches, particularly since more than one out of three will have already cast their ballot before next Tuesday. And yet, now that the real news value of who’s winning the race for the presidency has finally arrived, the conventional wisdom from within much of the Beltway media—who for months have tracked and studied the polls—amounts to little more than “nobody knows.”
That the press corps and pundits’ predictive powers have abandoned them at precisely the moment they’d be most valuable to their audience is not only ironic, it’s symbolic of the overall disconnect between the press and the public. What good was all that accumulating and broadcasting of hundreds of polling data points, one might ask, if not to give us a better sense of the state or the race at this climactic moment? But this journalistic timidity, again, is rooted more in a hidebound commitment to remaining neutral than anything else. Within objective journalism, there’s just no professional upside to presenting evidence that supports the case that one candidate is winning, even if there are analytical tools readily available that might show this.
For instance, an engaged voter who seeks out several of the statistical polling aggregators that now exist online might learn that rather than a “toss up,” Obama’s chances of reelection right now actually run anywhere from roughly 80 percent all the way up to (!) 99 percent. Or that, based on an extremely high confidence level of regression analysis, the president’s estimated Electoral Vote tally based on state polling stretches from a solid 281 votes all the way to a blowout level of 332 votes. That both conservative and mainstream media outlets have reacted to these statistical models with some the same vicious and heretical disdain that the Papacy unleashed on Galileo is perhaps not a shock, as these tools upend their authority and democratize what was once its sole purview. If access to candidates—who stubbornly stick to stump speech talking points—and campaign insiders—whose veracity should never be questioned as long as they’re speaking off the record—don’t qualify as the best resources from which to accurately assess the outcome of an election than what, really, is the media adding to the discourse most of the time?
That is the fundamental, and increasingly uncomfortable, dilemma that confronts the Washington press corps as this long campaign winds to a close. But this isn’t something the media seems ready or willing to hear—that the fear of being perceived as choosing sides only ensures that the public will keep turning elsewhere to find evidence of the truth. No matter what happens next Tuesday—whether it’s all the polling data or all the campaign spin to the contrary that ultimately is proven right—the press, by failing to be candid and intellectually honest about this presidential race, will have lost the battle either way.
Contact me directly at reedfrichardson (at) gmail dot com.
The Mail:
Bill Henderson
Gibson, B.C., Canada
Hi Reed,
Just read your excellent climate silence post in The Nation and thought that you might be interested in an admitted climate alarmist trying to make the case that climate change is an emergency.
What I'm offering is a selection of science articles and commentary on what is a heretical subject because “it is the economy stupid,” especially in these very uncertain global economic times, and this makes climate change action after at least two decades of procrastination very inconvenient indeed— so inconvenient that climate silence reigns.
Since I wrote in July there has been a record Arctic ice cap melt—best article: Arctic Sea Ice: What, Why and What Next' by Ramez Naam, at the Scientific American website. In late August, two new global carbon budget science papers came out basically saying staying under 2 degrees C is now economically impossible: “Development of emissions pathways meeting a range of long-term temperature targets” [PDF] and the latest Anderson-Bows “A New Paradigm for Climate Change” as well as Bill McKibben's Rolling Stone article, “Global Warming’s Terrifying New Math” based on this very important but mostly completely ignored global carbon budget science.
In one sentence: 'Why isn't climate-change-as-emergency the main debate given the overwhelming science?' Because it's very, very inconvenient. But climate isn't going away; it's just a matter of time.
Thanks again for your strong voice and best of luck,
—Bill
My new Think Again column is George McGovern—A Lifetime of Conscience and ourage
And I did a longish article for The Nation called “The Mainstream Media's Trivial Pursuit of Campaign 2012”
Have you seen the video a fan made for Ben Harper and Charlie Musselwhite’s “I Don't Believe A Word You Say?”
Alter-reviews:
I was among the fortunate who go to see Crosby Stills and Nash do their entire first album in its entirety—the only time they have ever done so—at the Beacon on Monday night. And what a thing of beauty it was. Suite: Judy Blue Eyes was done with just Stephen’s guitar until the “dododododo” part when the full band came in and one got to relive one’s entire life for the past half century or so, depending on how one felt about it (and assuming one’s memory had not been destroyed, which in this crowd…) In any case, I saw the full show on Saturday night and it reinforced my belief that these three guys (and this crack band) have never sounded better. It’s a really strong argument for getting old. They made their own lives impossible when they were at their peak in the early seventies, and had Graham Nash not been one of the most decent men on the planet, who knows, someone might have gotten killed. Now everybody’s all grown up and been through who knows what and so how lucky they feel to be able to make these lovely sounds—and to play some real rock that flows from Stephen’s intense lead guitar—before people who appreciate them and will pay good money—good enough, at least to sell out the Beacon for five straight shows.
The guys are touring in support of the CSN 2012 CD/DVD/Blu-ray they’ve just released so conveniently, you can see if I know what I’m talking about. I can’t imagine anyone who is interested will be disappointed. (And hey, I’ve failed entirely, but perhaps you can teach your children well…)
Also in the Alterman music-to-work-to rotation is Jerry Garcia/Marle Sanders Keystone Companions: The Complete 1973 Fantasy Recordings. It’s four cds of relaxed, extended jams on songs that have since become classic but you’ll hear them differently here than anywhere else, even when you hear them more than once. Close your eyes and you’re in club, listening to music the way music should be heard, by people playing for the love of it. The harder dey come….
Oh and yes, Dave’s Picks Vol. 4 appears to be sold out already. I have it on now. It’s from my favorite period of the Dead-1976 at the College of William and Mary—before the band got so big you had to see them in hockey arenas—and sounding tight with Keith and Donna before the latter two lost it. It’s a soundboard recording and has the requisite Help/Slip/Frank that divides the good from the great in my view. All these Dave’s Picks are limited editions that appear to sell out right away so keep your eye the ball. The site says you can pre-order them, but I’m confused as it also says they’re sold out. So maybe you want to try, I dunno. Good set though.
Finally, Jazz @Lincoln Center is in the midst of a Coltrane Festival. I’m seeing McCoy Tyner’s group tonight and Josh Redman with the J@LC orchestra tomorrow night. I’ll report back on the shows but if you’re in town with nothing to do, well, now you have something to do.
Beltway Journalist Job Requirement: Deficit Hawk, Climate Change Cynic?
by Reed Richardson
For those of us obsessively watching the scoreboard of this knife-edge presidential campaign, there’s one small but illuminating metric where the numbers are an utter blowout, worse even than one of those early season, creampuff vs. powerhouse college football mismatches. This imbalance is indicative of how, on two policy issues, our supposedly liberal Washington press corps has thoroughly inculcated the right-wing’s framing. As such, here’s a final tally from the four debates I think is worth noting:
103: Number of times the national “debt” or federal budget “deficit” was directly mentioned by the moderator or candidates
0: Number of times the term “climate change” was spoken or even indirectly referenced
That, over the course of six televised hours of discussion, talk of the former was so dominant and talk of the latter was conspicuously absent is striking. All this non-talk about climate change has even spawned, as is common nowadays, an Internet meme: Climate Silence. As others have pointed out, the lack of any climate change discussion effectively rolled back the clock 28 years; 1984 being the last election the topic did not get an airing during a vice presidential or presidential debate. (Even more frightening in terms of how far our current discourse has regressed on this issue—in 1988, the Democratic and Republican VP hopefuls both acknowledged climate change and agreed it deserved action to mitigate it.)
This election season, however, an uninitiated observer might be forgiven for thinking that, based on discussions both on and off the debate stage, it was this horrific “debt” thing that was already threatening millions of Americans with rising sea levels and more wildfire outbreaks, starving our agricultural base with increasingly severe droughts, and killing our citizens in an epidemic of extreme heat waves. By the same token, the issue of “climate change,” this same clueless spectator might surmise, must be more of a long-term, structural budgetary challenge and certainly not something that must be obsessed over and painfully addressed right now at the expense of wrecking a still fragile economic recovery.
To be fair, the presidential campaigns must shoulder a portion of the burden for so skewing the talk away from climate change. During the debates—and the final one, in particular—we clearly saw that both Romney and Obama were more than willing to stray from the format to discuss their preferred issues, if they so choose.
That Romney made no effort to bring up climate change is, to put it mildly, no surprise. After all, his most notable discussion of the topic came during his GOP convention nominating speech, when he tossed some red meat to his party’s rightmost flank by snarkily dismissing the president as having promised to “slow the rise of oceans” and “heal the planet.” Obama, on the other hand, did at least declare in his corresponding speech “climate change is not a hoax.” Still, it becomes apparent the president has all but abandoned climate change as a campaign issue when the chair of the Energy and Environment Team for Obama, a voluntary group of officials advising the campaign, recently circulated a not-very-convincing memo stating that Obama had mentioned climate change—get ready for it—a whole 15 times in the last three months. Why that’s an average of more than once a week!
The Beltway media has both played along and encouraged this climate change freeze-out, however. And to get a glimpse of its cloistered, upside-down reasoning, we turn to CNN’s Candy Crowley, whose skills for debate moderation I mainly applauded last week, but this week, paraphrasing Shakespeare, I come to bury, not to praise. That’s because, when expressly asked about the absence of the topic from the town hall debate she oversaw, we got this:
“For what it's worth, Crowley did say after the debate that an audience member had wanted to ask a climate change question. ‘Climate change, I had that question,’ she said. ‘All you climate change people. We just, you know, again, we knew that the economy was still the main thing.’
First of all, it shouldn’t be overlooked here that, in her defense, she gently bats away the criticism by modifying the tried-and-true elitist rejoinder “you people.” But even setting aside the unpleasant historical connotations of her rhetorical phrasing, it’s Crowley’s parochial, hidebound viewpoint about climate change that should be setting off the real alarm bells. For a prominent member of the establishment media to myopically view climate change as merely a discrete, fringe issue, implicitly only of interest to dirty, Prius-driving, hippies is inexcusable.
Indeed, that climate change is easily pigeonholed into one of these “special interest” categories is dangerously naive. The effects of climate change are wide ranging, rippling into nearly every corner of our political debate, whether it’s economic productivity or energy policy or health care or even national security. Hmmm, if only there was a good example of how legislation that addresses climatic and environmental change can have a immensely powerful impact across the entire policy spectrum, that way the press might reawaken to its importance. Oh wait, there is.
The Clean Air Act, first passed in 1970 thanks to a Republican president and Democratic Congress and then strengthened substantially in 1990 through another bipartisan effort, has demonstrated the kind of long-lasting positive benefits that are often promised but rarely realized in our government. (To really see how regressive the modern Republican Party has become in just 20 years, read President George H.W. Bush’s Clean Air Act signing statement.) What was ostensibly an environmental and public safety bill actually turned into a landmark piece of healthcare, jobs, energy, and—yes—deficit reduction legislation. According to data compiled by the NRDC and the EPA, beside the direct successes in reducing smog, curtailing acid rain, and mending the hole in the ozone layer, the Clean Air Act can claim:
Successfully launched a cap-and-trade market to incentivize regional energy producers to modernize their facilities and decrease pollution
2 million lives saved and 1.04 million ER visits prevented since 1990
170.6 million lost work-days prevented since 1970 (roughly equivalent to the working-age population of New York City working an entire extra year)
1.6 million environmental technology jobs created
$40 billion in exports realized
$33.7 trillion in net monetized benefits over the first 40 years (a figure more than double our entire annual GDP last year)
42 to 1, the overall benefit-to-cost ratio of the legislation
Unfortunately, the climate change freeze-out in the other debates and among the campaign trail coverage demonstrates that this side of the ledger no longer merits much attention among the rest of the Washington press corps.
‘But the broader public doesn’t care about climate change!’ the press might argue. And as proof, it could offer up the latest Gallup survey, published on Monday, which lists the most important issues for voters as Election Day nears. The federal deficit, admittedly, ranks as number three in terms of priorities (12 percent), while climate change is nowhere to be found. What’s more, Gallup posed this “priorities” question as open-ended, meaning if the public doesn’t bring it up on their own, they must not care much about it. All of these are fair points, but taken in context they neglect the larger dynamic taking place within the press regarding its attitude about climate change and the debt.
Dig down into the recent history of other surveys asking this “priorities” question and you’ll find a distinct trend, year after year. More than half of these news organization polls take a different tack when it comes to this agenda-setting question, offering instead a finite list of topics for respondents to choose from when answering. And overwhelmingly, this “priming,” as its known in polling parlance, will include a mention of the deficit while omitting climate change.
A similar kind of self-fulfilling prophecy can begin to develop around media coverage of these two issues as well. Over time, a press corps that consistently ignores climate change and emphasizes the deficit begins to feel justified in doing so precisely because those topics begin to see corresponding decreases and increases in attention by the public. As a result, the establishment media’s take on these issues slowly but surely shifts the boundaries of public discourse, opening wide the Overton window on the debt while closing, if not slamming shut, the one on climate change.
This divergence in media attention has not occurred in a vacuum, however, nor is it an accident. Ever since mainstream conservatism’s recent decision to embrace climate change skepticism—if not outright denialism—and champion deficit-slashing austerity as part of its ideological ethos, the press, in its foolish pursuit of carefully-splitting-the-
Consequently, many among the highest reaches of the media firmament can now be relied upon to employ, whether self-consciously or not, these same biases. Appearing on a Sunday morning news show like “Meet the Press?” Pundits need not bother crafting some insightful talking points about the need for cap-and-trade or a compelling argument for shifting away from fossil fuels, better to bone up on how much “pain” they’re willing to inflict on American voters in order to reduce the debt and balance the budget. Think the need for more comprehensive greenhouse gas limitations can be an opportunity to pioneer a new industry for the country? First you’ll have to fight through the media’s incessant parroting of pejorative right-wing phrasing like “job-killing” regulations. Heck, even a supposedly liberal news bastion like NPR isn’t above falling victim to conservative framing and false equivalence when it comes to straightforward reporting about climate change.
In the fairly close-knit world of the Beltway media, where a pack mentality can quickly take hold and chasing narratives is seen as a way to attract more eyeballs, it’s perhaps no great shock that we’ve arrived at this point where no amount of debate about the debt is too much and no amount of debate about climate change is just fine. But ‘everybody does it’ isn’t any kind of legitimate excuse for what has turned into a tragic, institutional bias about these issues on the part of the Washington press corps.
Update: The original version of this post stated that a memo sent to Politico defending the number of times President Obama has mentioned climate change since late June came from the president's official campaign. It did not. The memo was sent out by the Energy and Environment Team for Obama, a voluntary group of officials who are only advising the campaign.
Contact me directly at reedfrichardson (at) gmail dot com.
Editor’s Note: To contact Eric Alterman, use this form.
My new Think Again column is called “Considering CNN’s Choice to Hire Piers Morgan.”
My new Nation column is “All the (Political) World's a Stage.”
I was not in Ohio this week, but I do live in the greatest city in the world where we don’t even worry about people voting for Mitt Romney—thank you very much—and in my city, you can leave a class on the theology and philosophy of Abraham Joshua Heschel, taught by my friend Rabbi Shai Held, a founder of Mechon Hadar, watch some debating in a bar, then drop by the Hammerstein Ballroom, where, in celebration of the musical career of Steve Van Zandt receiving the "Big Man of the Year" Award from littlekidsrock.org, you can see Darlene Love, singing "Among the Believers,” Tom Morello, doing an incredible “Sun City,” Elvis Costello's singing "This Time Baby's Gone For Good," Gary U.S. Bonds, “Standing in the Line of Fire,” Southside Johnny singing “She's Got Me Where She Wants Me,” Dion and Ruben Blades doing “Bitter Fruit,” and, oh yeah, Bruce and Steve doing “Until the Good is Gone,” Bruce, Steve and Southside doing an incredibly moving (if you’re me, anyway,) “It's Been a Long Time” and everybody together doing “I Don’t Want to Go Home.” Can you even imagine?
Bruce gave a nice speech about Steve, and they each accused each other of peeing on the toilet seat. But Bruce also said: “"Steve is the part of my brain that always wants it louder, harder more raucous, more, more please, a little more than that. Steve is my first audience when I write or I create something. I'm always thinking, 'What's Steve gonna think?' I may not always take his advice, but I'm always wondering what his opinion is. And whether Steve was alongside of me in the band or whether he wasn't, that part of our friendship always endured.'"
Steve laid out his hopes/plan for the survival of the music that helps the rest of us survive:
"If the old infrastructure is gone, we build a new one. If we, the few of us left, that grew up surrounded by greatness, don't build a new infrastructure, then those who have no standards will."
Steven's point-by-point plan includes establishing a radio format that supports new music and plays "the greatest music ever made" to set higher standards ("we got that done"); reestablishing a performance circuit for live performance of rock and roll (efforts underway "in spite of the occasional non-believer pulling the plug now and then"); providing a curriculum for music education via the Rock and Roll Forever Foundation; and providing musical instruments for the next generation via Little Kids Rock (saving them from becoming "computer nerds and investment bankers"). Steven thanked everyone for supporting Little Kids Rock founder David Wish's "crazy dream" and "endorsing his most sacred belief... that every kid on earth who wants one should have a guitar.”
Of course it helps to be rich. The evening, including the auction, raised $800,000. And speaking of which, there’s another chance to empty your wallet to see Bruce in this great city of ours, at the Beacon, with Max, Jon Stewart, et al for the Bob Woodruff Foundation sponsored by the New York Comedy Festival “Stand Up for Heroes,” on November 8.
Alter-reviews
I got two wonderful music collections recently that are thematically connected and extremely nicely annotated. Country Funk 1969-1975. As it says in the explanatory notes, “What in the hell is Country Funk you ask? The answer is a complicated one, in part due to the fact that Country Funk is an inherently defiant genre, escaping all efforts at easy categorization. The style encompasses the elation of gospel with the sexual thrust of the blues, country hoedown harmony with inner city grit. It is alternately playful and melancholic, slow jammin', and booty shakin'. It is both studio slick and barroom raw. And while these all may seem unlikely combinations at first glance, upon close listen, it all makes sweet sense. Country Funk 1969-1975 is a melting pot concoction of the music of Dale Hawkins, John Randolph Marr, Cherokee, Johnny Adams, Mac Davis, Bob Darin, Jim Ford, Gray Fox, Link Wray, Bobby Charles, Tony Joe White, Dennis The Fox, Larry Jon Wilson, Bobbie Gentry, Gritz and Johnny Jenkins.” Jenkins, by the way, is backed up by the Allman Brothers. I love this record.
I’m also loving how much detail on the cuts is provided in the genuinely surprising “Loving on the Flip Side” collection. It could have been written by the main characters of either Jonathan Lethem’s Fortress of Solitude or Michael Chabon's Telegraph Avenue, both of whom, coincidentally, are obsessed with seventies soul and funk. (The members of Parliament/Fundadelic make appearances in both books, weirdly). This genre is called "sweet funk," and while the liner notes appeal to your head, the music works on the rest of you, including the part that likes to dance.
I am also looking forward to spending some time with the recent releases of Agatha Christie’s Poirot: The Early Cases Collection on Bluray. It’s got the entire first six series— 45 shows in all—that appeared on the BBC. David Suchet plays Poirot, and the stories are set in the 1930s. Very promising.
On the other end of the universe we have Shout! Factory’s release of All In The Family: The Complete Series, which is a 28-DVD of you (I imagine) know what. It’s all 213 episodes as they originally appeared with a 40-page collectible book with essays, a new interview with Norman Lear, a documentary called Those Were The Days: The Birth Of All In The Family, another documentary called The Television Revolution Begins: All In The Family Is On The Air, the series pilot, "Justice For All," the second pilot "Those Were The Days," and the spin-off pilot episodes of Gloria, Archie Bunker’s Place, and 704 Hauser. Goodness.
Also fun, but in a different kind of way is the new release of Peter Gunn: The Complete Series. It’s one of the first detective series (from 1958, I believe) and it’s really cool, with lots of jazz, including Henry Mancini’s great theme, and lots of A-list directors, before they were that (including Robert Altman). It’s got all the elements that made the fifties great, especially the cars, the cigarettes and the ladies—114 episodes, plus, with a music CD too.
And finally, I can’t believe there’s anything left for Shout! Factory’s second Ernie Kovacs Collection after the last one, but here’s Volume 2, which is three CDs, a nice booklet, 8 more episodes from Kovacs’ national morning show, 18 bonus sketches featuring many of his most beloved characters, 3 complete episodes of his oddball game show, Take A Good Look, “A Pony For Chris,” the rare TV Pilot for Medicine Man costarring Buster Keaton, The Lively Arts featuring the only existing filmed solo interview with Ernie Kovacs, and the 2011 American Cinematheque Panel. Order it directly from ShoutFactory.com and you get a bonus DVD containing seven episodes of Kovacs’ game show Take A Good Look, all unseen since their original broadcast.
Finally, this is the 50th anniversary of James Bond (and not coincidentally, the Cuban Missile Crisis). I’m among the many who’s seen all the films, so I really enjoyed watching the EPIX network film, Everything or Nothing: The Untold Story of 007, which focuses on the various fighting and scheming and suing between Albert R. Broccoli, Harry Saltzman and Ian Fleming that brought them to fruition and made billions for studios and who knows how much for the lawyers. And if you want the soundtrack (and who wouldn’t?), there’s a new 2-disc anniversary compilation featuring 50 tracks from all 22 films on Capital, which includes the great Shirley Bassey and Duran Duran tracks you might know, but also Louis Armstrong, Tom Jones, Gladys Knight, etc you might not. Plus a second cd of instrumentals. It’s called “Best of Bond: 50th Anniversary.” Warning: they didn’t get Adele’s Skyfall theme.
Now here’s Reed.
Climate Change: To Function in a Post-Truth Political Environment, the Press Needs a Post-Objectivity Mindset
By Reed Richardson
There are two powerful lessons that the media should be learning from the moderation of these presidential and vice-presidential debates so far. For a press corps that fewer and fewer people claim to trust, the first of these debate lessons is quite encouraging—that is, the public actually notices and appreciates when journalists, you know, do their job. But the other takeaway from these debates is much more nuanced and complicated, as it challenges the very foundation of how the press sees itself and its duty to the public.
Over the past three weeks we’ve seen two radically different interpretations of the press’s role in debate moderation, but the subsequent results from these divergent paths both reinforce this same notion. Jim Lehrer’s detached, incurious pose at the first debate drew widespread criticism (including from yours truly) for the way it enabled both candidates to run roughshod over him, each other, and, not least of all for one aspirant for the White House, the truth. Whereas the more engaged, assertive journalistic approach taken by ABC’s Martha Raddatz and CNN’s Candy Crowley in their respective moderator turns—though far from perfect—has unquestionably produced more lively policy discussion and worthwhile context for voters, earning the pair praise from both peers and the public.
That the debate moderation has become such a prominent storyline wasn’t to be expected. So, why are we seeing such visceral reactions—first negative, then positive—to what is often thought of as a banal, thankless and mostly invisible role for the media? Are we witnessing an epiphany of sorts, where both the press and the public are beginning to grasp the vital need for a more aggressive journalism in this new, post-truth environment, one where many political candidates maintain a tenuous relationship with reality, at best, and where facts frequently drown in a cash-fueled torrent of dishonest rhetoric?
Based on the long history of our nation’s press, it pays to be skeptical. However, this open, ongoing discussion about how much or how little debate moderation we want or deserve has inarguably touched a collective nerve. In addition to being candidate showcases, these candidate forums have also become, in effect, a high-profile microcosm of a larger debate about the proper role of the press in our democracy.
Indeed, it’s easy to find parallels. Take, for instance, the rules that the Commission on Presidential Debates developed to govern the debates. Completely hidden from the public (until leaked this past Monday) and full of ridiculously stifling demands on all parties, the CPD’s memorandum of understanding exemplifies a mindset whereby the powerful view the press as little more than a necessary evil, a party to which they graciously grant access merely to give the debates a sheen of public accountability. And in fact, the memo’s dedicated lack of transparency, prescriptions for feckless evenhandedness, and not-so-subtle insistence upon trading access for deference are all uncannily familiar. In many ways, they represent the same timid, cloistered approach to objectivity that the Washington press corps imposes on itself every day.
But, as Jay Rosen notes in this Guardian essay—published before Tuesday’s town hall—in a live, one-off televised event like a presidential debate, the only real limitations a moderator faces involve what we define as in the public interest. So, he or she actually has much more flexibility than what is begrudgingly afforded by the CPD and candidates:
In reality, the rules don't describe what happens because the real limits are audience expectations, which bear down on everyone in the hall with greater force than any timekeeper. Do we expect power to reveal itself without an interlocutor? If more and more of us do, pressure will build for the Vanishing Moderator. But we aren't there yet. Lack of consensus reigns.
Well, if one were to apply the old journalism adage “three makes a trend,” then maybe a consensus is, in fact, already emerging. In the first debate, Lehrer clearly chose to honor the letter of the debate rules—as a “Vanishing Moderator,” as Rosen calls it—and thus gave 67 million TV viewers a good glimpse of journalism’s old-school conventional wisdom about maintaining objectivity. But in doing so, it became clear to many of those watching that Lehrer was prioritizing the interests of the powerful—the men onstage and the commission—over the viewers, and the result was as an unsatisfying, if not embarrassing, display of a toothless press corps.
In contrast, Raddatz and Crowley seemed to recognize in the last two debates that the moderator’s real authority was vested in the people watching, not in the candidates or the commission. Accordingly, they instead chose to honor the spirit of the debate and, thus, took a more active role in it, asking more challenging follow-ups or refining awkwardly phrased questions to provide more context to the those whom they were really there to serve—the voters.
That this rather common-sense journalistic strategy to moderation we saw in the past two debates has been viewed as either courageous or controversial speaks to the lowly depths that the traditional media has sunk. And let’s be honest. Lehrer’s sorry, ineffectual effort provided a ready-made excuse for trying a more engaged stance. Nevertheless, one shouldn’t fully underestimate the pressure to also “get out of the way” that Raddatz and Crowley no doubt had to shrug off going into the debate, knowing full well that to interrupt a candidate or—heaven forfend!—fact-check one of them in real time was to open themselves up to guaranteed charges of bias.
But a professional press corps too cowed to step into the fray or unwilling to admit when it’s made a mistake is doomed to increasingly marginalize itself in an world where it can no longer monopolize information or ideas. Or as NYU professor Clay Shirky puts it in this insightful, must-read essay on the Poynter website (which is adapted from a larger discussion of digital ethics he will deliver at a Paley Center for Media symposium next week):
For the last two generations of journalism, the emphasis has been on the question of consensus; the question of who constituted a relevant actor was largely solved by scarcity. It was easy to find mainstream voices, and hard to find marginal or heterodox ones. With that scarcity undone, all such consensus would be destroyed, unless journalists start telling the audience which voices aren’t worth listening to as well.
A world where all utterances are putatively available makes “he said, she said” journalism an increasingly irresponsible form, less a way of balancing reasonable debate and more a way of evading the responsibility for informing the public. Seeking truth and reporting it is becoming less about finding consensus, which there is simply less of in the world, and more about publicly sorting the relevant actors from the irrelevant ones.
Presidential debates represent one of the last true redoubts of the “scarcity” Shirky speaks of, since moderating these quadrennial events remains a rarefied task only afforded to a select few members of the media. (This debate structure is long overdue for an overhaul, I would add, but I digress.) Yet, even in this high-profile campaign crucible, where the “relevant actors” are clearly defined, we saw that a journalist who adheres to a hands-off, neutral approach facilitates little more than campaign talking points at best. Or, in the worst case, it emboldens politicians who are willing to misrepresent reality, undermining the public’s right to know the truth.
Admittedly, not everyone sees it this way. Among conservatives, Lehrer’s feeble performance was pitch perfect, letting the candidates speak without concern for being corrected by anyone other than their opponent. On the other hand, they saw the more empowered role taken by Raddatz and Crowley as shamelessly playing favorites and had the likes of Karl Rove, among others, pining for Lehrer’s return. Now, there’s no excusing Obama’s dreadful performance in the first debate, but it’s striking that within the ranks of the right wing, there’s a direct correlation between an assertive, active journalist moderating a debate and conservative displeasure with its outcome.
Over at Fox News, this same phenomenon was letting a thousand excuses bloom after the second Obama-Romney debate, which polls uniformly say the president won. Almost unanimously, the network’s voices started to cavil and whine that Crowley, by calling out Romney for believing a right-wing myth that the president had waited two weeks to call the attack on the Benghazi consulate an “act of terror,” clearly overstepped her proper role at the debate.
By doing so, Crowley had “joined Team Obama” cried one Fox News columnist, who breezed past the fact that she had also agreed with Romney on another point about the Libya attack immediately after that exchange. Or that the whole thing was “folly” on Crowley’s part, as another Fox News columnist wrote, since she later admitted Romney was right—except he wasn’t and she did no such thing. Then there was the laughable column co-bylined by Judith “aluminum tubes” Miller and Douglas “Obama should drop out” Schoen. Aside from saying that a “potted plant” would have been a better moderator (sorry Jim), the pair notably griped that Crowley’s mild fact-check so disrupted Romney that it completely flipped the debate in Obama’s favor. This was despite their claim that Romney had won the “first half” and only faltered after having been confronted by Crowley in the seventieth minute of a 100-minute debate. From this, we’ve learned that bad arithmetic affects right-wing candidates and columnists alike, apparently.
Of course, I get that a conservative’s rejoinder to all this is to revert back to their standard trope that all the press is liberally biased. That it’s no coincidence the Democrats did better in the two debates where the moderator took a more active role and that in the case where he or she wasn’t tipping the scales in favor of the left, Romney excelled. That, however, is simply the same old ploy the right has long used to batter the media’s sense of objectivity into a mindset that routinely mistakes treating opposing viewpoints equally with treating them fairly. But when one political party has so embraced ideologically driven narratives formed in an alternative reality, a press corps that acquiesces to merely facilitate context-free “he said, she said” dialogue, whether on the front page or on a debate stage, will fail miserably.
This new, post-truth political world in which we exist today is fundamentally different than just a generation ago. And this radical transformation hasn’t left the media climate unaffected either, as Shirky notes. As such, the press can no longer afford to gainsay these changes and cling to a model that merely seeks to “get out of the way.” Beyond influencing whom this country will choose as the next president on November 6th, let’s hope we also take away from these presidential debates another lasting idea. That the media must adapt to a more open and unflinchingly assertive role, lest it and our democracy run the risk of becoming just as extinct as the dinosaurs.
Contact me directly at reedfrichardson (at) gmail dot com.
The Mail:
Asher Fried
New York NY
Reed:
Great analysis of the destructive effect of the filibuster. Oddly, in both debates, and even in the TV battles among the talking heads, the Democrats consistently fail to counter the argument that Obama controlled Congress for two years and failed to achieve his legislative agenda. Jennifer Granholm wrote a great timeline showing that Obama had a weak filibuster-proof majority for a very short time. It has long since been forgotten that Al Franken was kept from taking his Senate seat during the stimulus package debate, requiring Obama to be overly solicitous to the two biddies from Maine. No doubt the fear of a filibuster was a factor in Obama’s crafting a stimulus package that could reach his desk for signature. The Republicans thwarted Democratic legislation and appointments with the filibuster or threat thereof for the two-year period that Obama had that “elusive” majority. Oddly, Obama and Biden could have responded to their debate foes by listing all the legislation blocked and refuting that allegation. But why didn’t they?
Do you think that Obama anticipates the likelihood of resort by his party to the filibuster to keep a President Romney and his majority in Congress from dismantling the New Deal, Obamacare, and financial regulation?
A great letter to the NY Times recently expressed the fear of the writer that if Obama were to be reelected, he could not achieve his goals; but if Romney were to be elected, he could achieve his. The Senate Democrats may soon lead a minority, which could, by filibuster, protect the majority of Americans from the legislative onslaught championed by the servants of the 1%.
Tom Crisp
New York NY via Columbus NE
There are other undemocratic practices that should make us wonder about our system.
I think the way congressional districts are defined ought to be under close, close scrutiny.
Then there is the very fact of the apportioning of seats to the Senate, where the desired effect of making sure less populous states are not overwhelmed by more populous has reached a fairly indefensible point. That his powerful body is so UN representative is unfortunate: 2 senators from North Dakota (pop under 700,000) and 2 from Florida (pop over 19,000,000) .
The factor this plays in the Electoral College is starker. North Dakota has 3 votes, each representing roughly 234K citizens. Florida has 29, each representing about 665K citizens. In other words, a North Dakotan Electoral College vote is worth roughly 2.8 times as much as a Floridian electoral vote. Again, the system was meant to help prevent effectively letting populous states ride roughshod over rural ones. But we may have reached a point where the unfairness has tipped far to the other direction.
My new “Think Again” column is called “ How to Be a Political Journalist in America” and it’s here. (Though a bit sappier than I would have preferred).
Alter-reviews.
This past week saw both the New York Film Festival and the Hamptons International Film Festival. Don’t ask me how many films I saw. It was too many and in a few cases I only made it through about a half hour of some. But you can ask me what were the standouts and why. Ok, well not “why” or at least not today. But here are a bunch of movies you should probably see if you get the chance.
Argo: This movie is almost too much fun.
Not Fade Away: This movie has, I swear, the largest budget for music rights in the history of all moviedom, curated by Steve van Zandt.
The Girl:This is an HBO movie about Alfred Hitchcock and Tippi Hedren. It’s pretty good.
Smashed: This is a really impressive little movie; thoughtful and real, about family life.
Refuge: Guess what, so is this.
Between Us: A great little domestic drama
Inch’ Allah: This movie, about a young French (or perhaps French Canadian) woman doctor working in Ramallah with Palestinian refugees, is one of the most depressing films I’ve ever seen, made by the same filmmaker who made the terrific “Incendies”
Everything or Nothing: The Untold Story of 007
Fill the Void: An amazing compendium of great movie moments.
Like Someone in Love: Abbas Kiarostami goes to Japan and makes a lovely little love story, of sorts.
I actually saw more movies than this, but I am not sending you to all of them; I suffered so you don’t have to. And I will try and write more about some of these films over the next few months.
The Preservation Hall 50th Anniversary Collection [Box Set]
Ben Jaffe, who is now creative director of the band, picked out 58 tracks recorded over a period of fifty years. It’s not chronological, which bums out the historian in, but it’s pretty great stuff nevertheless. The story begins, let us note, with Nesuhi Ertegun’s 1962 recording of the band through 2010, when in anticipation of the anniversary, they invited the like of Richie Havens, Tom Waits, Pete Seeger, Andrew Bird and Del McCoury. The set also features five previously unissued performances, though to be honest, I can’t imagine anybody on earth already had everything on this box before so that’s kind of silly. In any case, you enjoy the “old school” orthodox pre-bop New Orleans Dixieland-influenced “jazz,” there’s no place better to go. I saw them last April at a midnight show, and believe me, they still got it; four cds, and pretty cheap at that.
Oh and that Jazz For Obama Show I mentioned last week. What a lineup. I wasn’t really paying attention, but look here.
Our Democracy’s “F” Word
by Reed Richardson
As this election season nears its climax, campaigns of every stripe are staking out their positions on the host of challenges facing our country. But over the next few weeks, one of the most important structural problems facing our nation’s ability to govern itself will likely go unmentioned by the presidential candidates, unasked about in any of the debates, and all but ignored by the press. But make no mistake, the notion that anything will really change for the better in Washington next year is the very definition of crazy if we continue to allow our legislative process to be hijacked by the lazy tyranny of filibusters.
Honestly, it’s hard to imagine a concept more anti-democratic than the filibuster. Its history speaks of its capacity for evil and abuse—from its early etymological origins describing efforts to expand slavery to its later, more common definition as procedural ploy in the Senate used by segregation supporters to obstruct Civil Rights legislation. By allowing a single elected official to essentially flout the collective will of two branches of government barring a supermajority objection, filibusters are tailor made for obstructionism and preserving the status quo. Even more inexplicable, this odious tactic that haunts the hall of Congress appears nowhere in the Constitution—it is a creature born of bureaucratic banality.
Until recently, however, filibusters were considered but an occasional novelty, a kind of personality quirk of the Senate, because they were relatively rare. But the days of actually filibustering a bill—with cots in the Senate chambers and impassioned idealists nobly reading things like railroad schedules and the Holy Bible into the Congressional record—have been replaced with relaxed rules that allow for all-too-easy objections. And, as might be expected, some lobbyists now specialize in filibuster consultation.
As a result, the number of filibusters has skyrocketed. As demonstrated by this graph (and, to see the raw numbers, this table) of Senate cloture motions—which serve as a proxy measurement of filibuster activity—their popularity really began growing in the 92rdCongress of 1971–72. Since then, they jumped again in the 103rd and then the 110thCongresses (plateauing after each spike as their level of usage became institutionalized). In all three of these cases, I humbly point out, Republicans were in the minority in the House and the Senate.
The result of this order-of-magnitude growth—from 7 Senate cloture motions in 1969–70 to 137 forty years later—has become abundantly clear. Thanks to increasing Republican intransigence, the Senate now mostly does one thing well—kill bills. The famed legislative ‘cooling saucer’ that George Washington spoke of has instead been turned into a cryogenic deep freeze from which almost no legislation can survive. But as Mimi Marziani, of the NYU Law School’s Brennan Center for Justice, noted in The Hill last week, “diminished productivity is only part of it:
[T]he filibuster also blunts accountability. Obstructionist tactics regularly keep legislation and nominees from reaching the Senate floor altogether, preventing public debate as well as any up-or-down vote. Senators thus avoid taking a public stand on policy or engaging in genuine decision-making. Constituents are left to guess how these elected officials would have voted on the underlying policy matter, rather than being able to weigh the choices their representatives actually made.
Indeed, this shirking corrodes more than just the functioning of the Article I and Article II branches. Because the Senate’s judicial appointment process has also slowed to a trickle, our nation’s federal benches are riddled with so many vacancies that at times, it struggles to handle the workload. As a result, retired jurists, like former Justice Sandra Day O’Connor—yes, that Sandra Day O’Connor—have repeatedly been called out of retirement to fill in as substitute judges. Just how low has the Senate sunk in filibustering judges? Consider this—a D.C. appellate court replacement for John Roberts, who was elevated to Chief Justice of the Supreme Court seven years ago, has yet to be approved. And not to put too fine a point on it, but Senate Republicans are now so used to gumming up the Senate that they’re even willing to exploit the filibuster against GOP-backed judicial nominations.
It should come as no surprise, perhaps, that Senate Republicans were singing a different tune when they held the majority. Nor will it shock even a casual observer of conservatives that a Tea Party allegedly obsessed with originalism—to the point of ditching several Constitutional amendments—is conveniently silent about the a procedural move that appears nowhere in our nation’s founding texts yet helps block a Democratic agenda from advancing.
Not helping the public understand the sea change that has taken place in Senate’s functioning the past few years—the media. To read story after story about the aborted demise of some piece of legislation in the Senate since the Democrats came to power in 2007 is to increasingly feel like the press’s relationship with the word filibuster is that it is “a move that dare not speak its name,” to borrow a phrase from Walt Whitman.
Instead, what the press has done is inculcate the filibuster as the de facto Constitution law of the Senate. Over time, a myopic conventional wisdom has emerged. From it, you get uninformative articles like this and this and this
Maddeningly, this blind spot extends beyond simple process stories. Take this Washington Post editorial, which specifically decries the Senate’s ineffectiveness without every using the word filibuster. Or there’s Ryan Lizza’s recent magnum opus in the New Yorker, about the potential issues and challenges that Obama would confront upon reelection, where the word ‘filibuster’ is completely absent. As if an openly brazen, entrenched campaign of unprecedented Senate obstructionism hadn’t been throwing buckets of sand in our nation’s legislative gears the past few years.
To be fair, Republicans and the press aren’t the only ones at fault here. Small-minded Senate Democrats have continually fallen for the trap of preserving the filibuster rule as a kind of hedge against day the opposition returns to power. There is hope, however. After dabbling with real filibuster reform at the start of the last Congress in early 2011, only to reconsiderreconsider and then regret it later, Senate Majority Leader Harry Reid seems to have finally grasped the long-term damage being done to the Senate. (Reid is on the record advocating for filibuster reform even if the Senate flips in November.) President Obama has come out in favor of reform as well.
Promising reform ideas from Democratic Senators Tom Udall, Jeff Merkley, and Tom Harkin would all be welcome steps forward in terms of restoring majority rule to the Senate and restarting its ability to govern effectively, while making filibusters the rare, special cases they were previously. (As evidence this is no plot by evil liberals, Harkin’s reform plan for a cloture vote level of diminishing returns—from 60 to 57 to 54 to 51 votes—was first suggested in 2005 by those not-so-progressive legislators Bill Frist and Zell Miller.)
A narrow Obama reelection next month would likely accompany a more closely divided House and a Senate where Democrats still cling to slight majority but the body is more ideologically divided than ever. In a parliamentary system this would be no big deal when it comes to governing. But under the current rules of our democracy, such a knife-edge balance is simply a recipe for even more legislative gridlock (as hard as that is to imagine) and “grand bargains” that are anything but. Heck, even when the Democrats could count on 59 Senate votes back in 2010, legislation like the DREAM Act, which passed in the House, was killed by filibustering Senate Republicans. So, any hope of Obama actually passing likely second-term agenda items such as immigration reform or climate change legislation or infrastructure investments rest on fixing the system first.
It’s understandable if some liberals are wary of making such a change. Memories of a lonely Democratic Senate minority filibustering some of the worst excesses of the Bush Administration are still fresh in many minds. But this shortsighted mindset only redounds to the Republican’s benefit. It entrenches the right-wing talking point that the federal government is incapable of handling its appointed duties and is undeserving of the people’s trust. Boiled down to its essence, conservatism is all about doing less or nothing, so by continuing to embrace filibusters, liberals are essentially ceding a powerful structural argument to their ideological opponents from the get go. Yes, it will take courage to rid ourselves (or severely curtail) filibusters, but we’ve all seen what years of trading present-day progress for future obstruction gets us. I say, “f” that.
Contact me directly at reedfrichardson (at) gmail dot com.
The Mail:
Asher Fried
New York, NY
Reed: As inept a job as JL did, he teed up the questions and let the contestants take their swings. One guy came in on the juice; the other guy stayed home. Obama blew many opportunities to make many important points and refute most of Romney’s lies. That’s not Lehrer’s fault.
Reed replies: First off, I agree with your critique of Obama, which is why I clearly stated in last week’s column that, whatever Lehrer’s failures, the president must still own his subpar performance. But my larger point was that Lehrer’s ineptitude was not merely confined to managing the flow of the debate, it was also characterized by the intellectually negligent way he “teed up” the questions to the candidates.
As a result, last Wednesday’s debate was a real missed opportunity for the press because, beyond Obama’s inexplicably subdued demeanor, real news was also being made by Mitt Romney. Time and again, Romney ducked criticism by essentially playing the antagonist in a whack-a-mole game; wildly and willfully misrepresenting or changing the positions he’d taken while campaigning as a “severe conservative” during the past 18 months. Yet, Lehrer was too busy being objective and “staying out of the way” to react in real time to Romney’s sudden, wholesale abandonment of intellectual consistency.
If this kind of feeble execution and incurious detachment on the part of the moderator was really the goal, I have to ask why is it a prerequisite that only a few prominent journalists be trusted with this job? It’s certainly not for their thick skin, as former moderator Gwen Ifill demonstrated this week. (And for what it’s worth, Gwen, your suspicion that a hotel housekeeper might have been part of a conspiracy to uncover your debate questions is probably something you should only divulge to a trained therapist with access to prescription medication.) My point being that such a structural mismatch between unnecessary overqualification and intentional underperformance only serves to weaken and commodify journalism in the long run. On what was perhaps the biggest public stage, the supposed cream of the crop allowed journalism to be dumbed down to a series of relatively unimaginative and repetitive tasks, few of which added any context. Tell me millions of Americans weren’t watching Lehrer and thinking, “Hell, I could do better than this guy”—and they would have been right.
My new Think Again column is called: How Conservatives Treat Media Bias (Hint: Confusingly)
My Nation column is called “Shut Up About the Jews Already...” I don’t exactly plan to do that myself, since I’m writing a book about these very same Jews, but in the narrow sense that I mean it, I do mean it.
A time out for Music and Good Causes:
On October 16, Steve Van Zandt will be honored with the “Big Man of The Year Award,” given annually to honor the legacy of the late, great Clarence Clemons at the Little Kids Rock’s 10th anniversary Right to Rock Celebration, sponsored by the House of Marley and 1Love. They say they are expecting Elvis Costello, Dion, Tom Morello, Darlene Love, Southside Johnny, Kris Allen, Rubén Blades, Gary US Bonds, Michael Des Barres, Michael Johns, Jesse Malin, Jake Clemons, NYC Hit Squad (and who knows who else, ahem), to show up and play. The funds help Little Kids Rock bring the gift of music education to disadvantaged youth across the US. The event will be held on Tuesday, October 16 at the Manhattan Center’s Grand Ballroom and will run from 6:30pm until the music stops. For more information, go to littlekidsrock.org/tickets or call 973-746-8248.
Last week, I mentioned the Stand Up for Heroes benefit, for the Bob Woodruff Foundation raising funds for injured service members, veterans and their families, I forgot to mention that the event is being sponsored by the New York Comedy Festival, which has a whole list of other, funny-but-Bruceless events here. It’s on Nov. 8 at the Beacon and Jon Stewart, Max Weinberg, Ricki Gervais, etc. and last year’s show was terrific.
Finally, once again, if you were as disappointed as everyone else was with that pathetic performance of the presidnent’s the other night, I think I can guarantee that for “Jazz for Obama” at Symphony Space on October 9 (read all about it, here) will leave you in a much better mood. These guys don’t disappoint.
Alter-reviews
I’ve long admired the liberal, democratic political philosopher Alan Ryan as a kind of model public-minded scholar. I was on the money in my admiration, but wrong on the model part. Ryan is apparently beyond human and hence, not a model for the rest of us mere mortals.
I say this because I recently received On Politics: A History of Political Thought: From Herodotus to the Present in two volumes from Princeton University Press. The book spans, I kid you not, three thousand years, from the origins of political philosophy to the ancient Greeks to Machiavelli in the first book and from Hobbes to the present in the second. All together it’s 1152 pages and I really do intend to read every one of them, though I can’t tell you exactly when.
Ryan’s articles over the past forty years on the likes of Locke, Tocqueville, Mill, Dewey, Russell, Popper, Berlin and Rawls, have also been collected in another scary/impressive tome under the title, The Making of Modern Liberalism, also from Princeton, it’s a mere one volume and only 736 pages but if you’re interested in what Ryan’s interested in, you’ve surely read much of it already.
Also on the list of books to read when you’ve really got a great deal of time on your hands to think big thoughts is the collected four volumes by Anthony Kenny, under the title A New History of Western Philosophy, published by Oxford. It’s made up of four previous volumes of Kenny's History of Western Philosophy and tells the story of philosophy—the same one Ryan’s telling, as it happens, chronologically, focusing on knowledge and understanding; science; metaphysics; mind and soul; the nature and content of morality; political philosophy; and God. It cuts off, however, in 1975, so you may have to pick up the Ryan as well, even if you prefer Kenny’s approach.
There’s been some bad news about the Beach Boys in the past week. Various outlets have reported that Mike Love fired Brian Wilson, Al Jardine and David Marks from the current 50th reunion tour. That’s not exactly true. Love owns the Beach Boy trademark and he booked a follow-up tour for his own (insipid, lame, rip-off) version of the band during the reunion tour. So yes, he’s a bad guy, but not bad enough to “fire” Brian, et al.
If you want to relive the actual genius that made all this worth caring about then you’ve got plenty of opportunities. The easiest one is a new two-cd collection of 50 hits and songs that might have been hits, which is about as many songs as Brian and the band played at their great (second) show at the Beacon. It’s called (funnily enough) “Greatest Hits: 50 Big Ones” and goes all the way to to the excellent “That’s Why God Made The Radio” and a new single version of “Isn’t It Time.” The box also has an expanded booklet with liner notes by the renowned former Cornell Daily Sun arts editor and Don Rickles homey, David Wild, along with a few postcards.
More exciting to those of us who have been buying these various collections over the years are the twelve newly remastered studio albums, featuring mono and stereo mixes. They are: Surfin’ U.S.A.; Surfer Girl; Little Deuce Coupe;Shut Down, Volume 2; All Summer Long; The Beach Boys Today!; Summer Days (And Summer Nights!!); BeachBoys Party!; Pet Sounds; Smiley Smile; Sunflower (stereo mix only); and Surf’s Up (stereo mix only).
Also kinda interesting is a nicely packaged 25th anniversary issue of R.E.M’s Document, together with a1987 concert from the band’s “Work” tour. Excellent audio, excellent performance, nice box….Not a bad album, either, though not one of their absolute best.
Biggest Loser of the Debate? Journalism
by Reed Richardson
If what happened at the debate in Denver reflected the “gold standard” of debate moderation, then it’s clear our establishment media is in dire need of a Keynesian revolution. Even if Jim Lehrer’s services didn’t cost the Commission on Presidential Debates one red cent, they still didn’t get their money’s worth. For 90 minutes, I struggled to understand what role Lehrer was trying to play in the proceedings; his detached, ineffectual behavior all that more strange since, just the day before he had this to say about debate moderation to the Washington Post:
“The greatest fear of a moderator is that he or she will miss something,” [Lehrer] said Tuesday as final technical adjustments were being made before Wednesday’s event at the University of Denver. “If the candidate says it, and you let it go by, you have a hard time getting them back to clarify or explain. The fear of it is what makes me prepare as hard as I do.”
Now, compare that bold pre-game pronouncement to the almost pathologically passive, glorified timekeeper pose Lehrer struck—and still failed at mightily(!)—at the debate, perhaps best exemplified by this toothless exchange with Romney:
LEHRER: All right.
ROMNEY: Jim, let me just come back on that -- on that point, which is these...
LEHRER: Just for the -- just for record...
(CROSSTALK)
ROMNEY: ... the small businesses we’re talking about...
LEHRER: Excuse me. Excuse me. Just so everybody understands, we’re way over our first 15 minutes.
ROMNEY: It’s fun, isn’t it?
LEHRER: It’s OK, it’s great. No problem. Well, you all don’t have -- you don’t have a problem, I don’t have a problem, because we’re still on the economy. We’re going to come back to taxes. I want move on to the deficit and a lot of other things, too. OK, but go ahead, sir.
ROMNEY: You bet…
This certainly isn’t journalism, much less debate moderation; it’s more akin to a deferential talk show host trying to navigate into commercial break. And that verbal tic you see above—“all right”—was a phrase that Lehrer used no less than 17 times, often taking up a spot where an engaged journalist would actually try to, oh I don’t know, actually ask a follow-up question.
Lehrer, on the other hand, seemed content with simply cueing up broad topics or “pods”—in what is surely an awful term we can forever lay to rest—and then letting the candidates unspool long passages of well-rehearsed talking points back and forth. (Or in the case of Obama, sometimes not so well-rehearsed talking points.) As a result, the audience was left with little factual context to judge which arguments are grounded in truth and which are simply a well-woven tapestry of campaign trail concoctions.
But Lehrer not only failed in the basic task of managing the debate, he failed in the more important task of acting as the public’s proxy. By my count, Lehrer only asked three direct questions of the candidates in the first 35 minutes, and all of them were of the same stilted structure: “What’s the difference between you and your opponent on… jobs…taxes…the deficit?”
Simply put, Wednesday's debate was a microcosm of the failures of journalism’s objectivity model. By employing safe, but woefully weak ways of engaging discussion, Lehrer allowed both candidates safe passage into framing each topic any which they wanted. All night long, his journalistic cop outs all but assured the audience got a heavy dose of “he said, he said” rhetoric and plenty of dishonest answers like, “I want to take that $716 billion [the President] cut and put it back into Medicare.” This kind of neutered approach may have satisfied the press’s long-held obsession with maintaining political neutrality and avoiding claims of bias, but the fundamental lack of curiosity underpinning it failed to force candidates onto unfamiliar or challenging intellectual terrain.
Indeed, Lehrer’s goal at the debate seemed to be to highlight the idea that the two candidates for president have fundamental disagreements on policy, a point so blindingly obvious that it needs no explication. Yet, halfway through the debate, there was Lehrer, taking a detour from the discourse to deliberately spell out his theme: “Can we—can the two of you agree that the voters have a choice—a clear choice between the two...of you on Medicare?” Both candidates, of course, answered, “Absolutely.” But Lehrer never displayed any interest in doing the journalistic legwork necessary to push past these presentations of partisan plans to probe into the particulars. Pity.
Granted, a debate is just that. And any moderator, even if he or she is a truly engaged journalist, can only do so much in terms of calling out candidates for inaccuracy and holding up their worldviews for scrutiny. During those 90 minutes, the onus finally falls on the two main participants and so it’s the president who will ultimately bear the responsibility for whatever consequences arise from his unwillingness to directly counterpunch against the flurry of Romney’s inaccurate claims.
But let it not go unnoted that Lehrer’s structural channeling of how the right-wing frames most economic discussions did Obama no favors. When a substantial portion of the debate centers on how and how much to cut the deficit—the one issue on which Romney has consistently led the president all year—while it completely ignores other vast, critical expanses of domestic policy, like income inequality, women’s reproductive rights, climate change, and immigration, then that makes it that much more difficult to engage voters who haven’t already bought into conservative dogma.
Fortunately, the political press corps has a chance to redeem itself. In the days following, the rest of the media can start to do what Lehrer abjectly failed to do in the moment—parse the substance of all of Wednesday's rhetoric and overlay it against the facts and reality. This analysis won’t change who “won” the performance element of the debate—that’s Romney’s trophy for good—but in the long run the public will still be better served knowing the truth, even if after the fact. And this experience might serve as a warning shot across the bow of the rest of this election’s debate moderators as well as the Washington press corps as a whole. That is, if you’ve been chosen for your auspicious position specifically because of your journalistic skills, you damned well ought to lose that job if you don’t conduct some journalism while you’re doing it.
Contact me directly at reedfrichardson (at) gmail dot com.
Editor’s Note: To contact Eric Alterman, use this form.
My new “Think Again” column is called “The Media and Climate Science: ADHD or Deliberate Deception?” It deals with the Murdoch empire, PBS in particular and you’ll find it here.
On the origns of Post-Truthism, continued
The term keeps getting more and more traction so here is the Chuck Colson example, and my adaptation of the term, from When Presidents Lie (Viking, 2004 Penguin, 2005):
Dishonesty has become so pervasive a part of our public discourse that in some cases, the very same people who pose as defenders of absolute truth feel no compunction about relying on deception to do so. Take the case of ex-Watergate felon Charles Colson, who, following a prison conversion, founded a national prison ministry, authored thirty-eight books—selling over five million copies—along with daily radio commentaries and a regular column in Christianity Today, the nation’s most important evangelical magazine. In the winter of 2002, Colson discussed the case of the popular historian Steven Ambrose, who had been accused of plagiarizing portions of his work. Colson’s column condemned what he termed America’s “post-truth society” in which “even the man on the street sees little wrong with lying.” How ironic, therefore, that although the column appeared beneath Colson’s byline and alongside his photo, the words he claimed as his own were actually the work of one Anne Morse, one of two full-time writers Colson employs,along with various “contract” writers, to churn out his column.
Colson’s own lack of self-awareness notwithstanding, he makes a valid point. When people talk about lies in American society today, they tend to do so—at least in public—with a degree of naiveté that becomes its own sort of dishonesty. As Louis Menand has observed, “The dissembler is always part of universe of dissemblers.” And though many of us may hide this awareness even from ourselves, “all adult interactions take for granted a certain degree of insincerity and indirection. There is always a literal meaning, which no one takes completely seriously, and an implied meaning, which is what we respon to even when we pretend to be responding to the literal meaning, [and] a great deal of literature (also a great deal of situation comedy) is built around imaginary cases in which one character misreads another character’s code, or in which someone suffers by insisting on making explicit what the rest of the world knows is better left concealed by euphemism or denial.”
CONCLUSION: GEORGE W. BUSH AND THE POST-TRUTH PRESIDENCY
The virtue of truth in the American presidency had, for all practical purposes, become entirely operational. Whether its citizens were aware of it or not, the presidency now operated in a “post-truth” political environment. American presidents could no longer depend on the press—its powers and responsibilities enshrined in the First Amendment—to keep them honest. And the resulting death, destruction and general chaos that seemed ready to explode on a daily basis in Iraq following the US invasion seemed to be just one price that “reality” was demanding in return.
I’ll be speaking, prodigally, about The Cause at the Scarsdale Library on October 2 at 8:00.
Alter-reviews: Three Nights of Rock
So, Bruce: I went to all three Bruce shows at the new MetLife stadium last week. Here are some notes:
Night one: This per usual regarding “A” shows, was a pretty orthodox show. The best parts, according to your correspondent were...
The entrance to Frank singing “Summerwind”
The ’78 version of “Prove It All Night” that followed the (incredibly lame) opener, “Shackled and Drawn,” followed by a relatively rare “Ties that Bind.”
The return of “Mad Dog” Vini Lopez, looking like Professor Irwin Corey, on the too-rare “E Street Shuffle.”
“Mansion on the Hill” into a breathtaking “Racing…”
Night two: This one was a show for the ages; the best setlist I’ve seen since “The River” show and if that doesn’t count, since maybe his 40th birthday show in Philly. Also, the weather was beautiful. In any case…
Opening with the rarely-if -ever before heard, “Living on the Edge of the World” with Bruce reading from a lyric sheet so he could do it from within the crowd.
An “only three-times-since-1980” Incident-into-Rosie to end the pre-encore set.
A really great Ramrod in the encore set.
A mini-set that began with:
Lost in the Flood
Does This Bus Stop at 82nd Street?
Jole Blon (with Gary U.S. Bonds)
This Little Girl (with Gary U.S. Bonds)
From Small Things (Big Things One Day Come)
Talk to Me
This Depression (a much more powerful song live than you’d guess from the CD).
Night 3.
This was a really weird night. Sitting in the “E Street Lounge,” where a filet mignon sandwhich cost $21.50 (though it was pretty great), I felt terrible for the people for the people who showed up to get great spots in the pit at 1:30 but were cleared out, together with everyone else, while the band waited for the electrical storm to pass. Everybody had to hang out in the cement hallways, where it appeared that much alcohol was consumed, until they decided to go on with the show at 10:30, making it, I’m guessing, Bruce’s latest show, and also, at midnight, his 63rd birthday. Highlights:
Cynthia
Who’ll Stop the Rain? (Did I mention it continued to rain for most of the show?) into Cover Me into Downbound Train.
Midnight Hour after Happy Birthday “C into D; C into D!”
Pay Me My Money Down into Janey Don’t You Lose Heart
Meeting into Jungleland to end the pre-encore set
Seven Nights of Rock in the encore set
The return of Adele Springsteen with a Fender birthday cake during Twist and Shout, just before two am, though, to be honest, I was on the bus back to the Port Authority by this time, having seen this line one too many times.
The whole thing was an incredible tribute to the dedication of Bruce’s fans, who were almost all there right up to the encores. And yes, of course, the band’s still got it. Next (and last) stop for your correspondent, Kansas City, gonna make my way back there, yeah, yeah.
Oh and if you’re in the market for a little more Kol Nidre, try this
I have to say, the music for this election has been disappointing. Playing “We Take Care of Our Own” after speeches does not make up for all the great shows we had in 2008 in support of um, hope and change. Partially making up for this, however, is the fact that the best one so far will be four blocks from my apartment. Check out the line up for “Jazz for Obama” at Symphony Space on October 9 here Maybe I’ll see you there.
Oh and hey, speaking of good nights of music for good causes The Stand Up for Heroes benefit has been an annual event for Bruce Springsteen, raising funds for injured service members, veterans, and their families. On November 8, 2012, in between shows in Louisville and St. Paul, Bruce will be back at the Beacon for the Bob Woodruff Foundation. The Max Weinberg Big Band will be there too as well as Jon Stewart and some ofther funny guys. Visit remind.org for more information and tickets.
Are Conservatives Turning Into a Doomsday Cult?
by Reed Richardson
Someone much smarter than me once made the profound observation: “Conservatism can never fail. It can only be failed.” In other words, any flaws one might think they find in, say, a US economy ruined from eight years of Bush administration policies promoting unregulated, fraudulent financial speculation, profligate tax breaks for the rich and two extravagantly wasteful wars, are merely distractions masking the real unseen hand that spoiled the free market sauce. In the case of the Great Recession, for instance, the “smart money” has decided that the real cause was the federal government trying to help poor people buy houses.
The past four years with a Democrat in the White House have only served to further prove this axiom. Despite any minor schisms that may have occurred among the various denominations of conservatism—paleo, neo, social, crunchy, etc.—they have all fervently gathered around one unifying creed for 2012—that the Obama administration has been an pestilence on the country and must be vanquished.
Still, the very presence of a liberal (coughsocialistcough) like Obama in the White House presented something of an uncomfortable dilemma for the right-wing initially. After all, conservatives have spent decades pushing the idea that the US was a center-right nation. But never fear, they quickly alighted on an explanation for this. Obama’s election in 2008 was merely an aberration, you see, a gullible public’s misguided reaction to the spendthrift ways of President George W. Bush, who, you guessed it, betrayed conservatism! (Funny, though, how some of these same now-oh-so-pious conservatives, like the current GOP vice presidential nominee, eagerly aided Bush’s betrayal back when it was happening.)
Given this rationalization of Bush as not really one of us, conservatives allowed themselves to double down on their ideology after Obama’s election (starting on the very first day of Obama’s presidency). Their Tea Party-fueled success in the mid-term elections of 2010 only fueled their revanchist, extremist ambitions. Taking back the House they saw as incontrovertible testimony that Obama had been exposed as a false Messiah, someone who was—incongruously—both a egomaniacal, power-wielding radical and a feckless, ineffectual failure. Conservatism had trounced Obama and the Democrats in the marketplace of ideas, in other words, and the public looked ready for a full Republican restoration in Washington D.C., to “take our country back,” in their parlance. The election of 2012 couldn’t get here fast enough.
But a funny thing’s happened on the way to their expected electoral salvation on November 6th. As that fateful day draws ever closer, all their fevered predictions of Obama’s humiliating defeat appear less and less prophetic. Meanwhile, the Republican standard-bearer looks less and less capable of delivering a late-stage campaign revelation. Even more troubling, Romney’s lack of traction among voters can’t be attributed to his lack of obeisance to conservative dogma or a lack of antagonism toward Obama.
Indeed, the 2012 Republican primaries acted as something of a purification rite for Romney. He finally emerged the victor only after having consistently run to the right of a string of extremely conservative competitors. In the general election campaign, Romney’s likewise not been shy about gratuitously bashing the president or using racist and xenophobic dog whistles to preach to the choir of his party’s increasingly white base. Conservatives had longed for a true believer to run against the president this election—to fully showcase the supposed superiority of their ideology—and they got their wish. But with early voting well underway and Election Day less than six weeks away, the glorious landslide conservatives expected just a year ago now seems like a distant mirage. Even worse, polling in states where Obama and Romney were neck-and-neck all year are now starting to break in the former’s favor.
If I were a conservative, all of this would understandably be an unsettling turn of events. It might even prompt some soul-searching questions: Why would the American people be willing to choose Obama yet again, when we’ve spent four years documenting our daily outrage at him and his policies? Did we misinterpret or overplay the lessons of the 2010 midterm elections? Does the fact that no president has ever been re-elected with an unemployment rate this high no longer matter if our ideology’s economic message castigates half the nation as “parasites” and “moochers?” Are Americans judging this election as something other than a choice between our “pro-growth” conservative policies and Obama’s “redistributive” big-government platform? What, exactly, are we doing wrong?
Alas, this is not the kind of honest discourse one hears among prominent conservatives anymore. Indeed, these kind of self-reflective questions not only fail to elicit frank answers they fail to even get asked in the first place. (Those rare few who do get branded asapostates.) Instead, the right has come to instinctually think—nay, believe—that, in a fair fight, conservative ideas simply cannot lose against liberal ones. But if a preponderance of the evidence in the current presidential campaign indicates otherwise, then there must be some other sinister force at work, tipping the scales.
Over the past week, it’s become clear that conservatives have agreed upon the villain—the media. Indeed, a lap around conservative punditry right now finds just about everybody singing the same hymn (like her and him and her and
Notably, Hanson also cites Reagan’s much-overstated comeback win over Carter in the 1980 election (which has now become something of a favorite parable among conser
Still, it’s instructive to note that after having cast out fact-checkers earlier this summer as having a nakedly liberal agenda, conservatives have now moved on to claim that almost the entire industry of political pollsters is also bearing false witness against Romney and the Republicans. Indeed, I feel comfortable saying that, right now, “2008 turnout model” and“skewed polls” are rapidly becoming a mindless bromide as popular in right-wing circles as “apologizing for America,” “leading from behind,” and “you didn’t build that.” One such right-winger has even gone so far as to redress all this liberal bias by creating a new poll-tracking site, called somewhat unfortunately, “unskewed polls,” that performs a kind of conservative exegesis on every survey released by the mainstream media.
Here, in this alternate reality, you’d see that Romney is enjoying a healthy, eight-percentage point lead over Obama nationally, rather than suffering a four-point deficit. Of course, these claims of biased, or skewed polling are both ridiculous and wrong, but foreswearing sagacity and veracity with ferocity and velocity is by now old hat for conservatives. But with this new polling-is-pseudo-science meme, we can add another constellation in the parallel universe that conservatives increasingly inhabit, one populated with other elaborately constructed myths about everything from climate change to evolutionary theory to tax cuts and economic growth to the female reproductive system.
With each passing year, it seems, the closing of the conservative mind continues apace. More and more, theirs is an existence predicated on faith-based, rather than reality-based, political thinking. And so, it becomes understandable that when confronted with facts or statistics that don’t fit their worldview, they try to contort the former to fit the latter instead of the other way around. But as we approach Election Day, this epistemic closure has been greatly amplified, to the point where any data point that doesn’t hew chapter-and-verse to their firmly-held belief that Mitt Romney will heroically bringing conservatives on board his shiny spaceship and deliver them from the Obama Armageddon has become nothing short of blasphemy.
In his 1956 landmark book When Prophecy Fails, psychologist Leon Festinger first popularized the term “cognitive dissonance” after he infiltrated a doomsday cult to study the reactions after their promised Rapture/Armageddon fails to arrive. His observed that when presented with incontrovertible evidence contrary to their foundational beliefs, the cultists did not, in fact, suffer widespread disillusionment or renounce their obviously false prophets, but rather the exact opposite. They both redoubled their faith and engaged in furious ex post facto excuses.
This Slate article from a year and a half ago goes on to make the obvious point, that this kind of hidebound groupthink isn’t confined to religious cults:
Festinger was not so wide of the mark when he suggested that we adapt to even the most unlikely of contradictions using nothing more than our methods of everyday rationalization. The faithful could just as easily be those who stubbornly stand by disgraced politicians, failed ideologies, dishonest friends, or cheating spouses, even when reality highlights the clearest of inconsistencies.
And it’s very true that, to read Festinger’s conclusions from 56 years ago, is to see eerie similarities to the detached behavior of conservatives in the run up to what looks to be an Obama victory. The steadfast denials, the furious spinning, the increasingly paranoid and conspiratorial theories, when viewed through the prism of this kind of intellectual hegemony, start to make more and more sense (pg. 28, from Festinger’s book):
But whatever explanation is made it is still by itself not sufficient. The dissonance is too important and though they may try to hide it, even from themselves, the believers still know that the prediction was false and all their preparations were in vain. The dissonance cannot be eliminated completely by denying or rationalizing the disconfirmation. But there is a way in which the remaining dissonance can be reduced. If more and more people can be persuaded that the system of belief is correct, then clearly it must, after all, be correct…It is for this reason that we observe the increase in proselytizing following disconfirmation. If the proselytizing proves successful, then by gathering more adherents and effectively surrounding himself with supporters, the believer reduces dissonance to the point where he can live with it.
In other words, there’s safety—and sanity—in numbers for these types of true believers. Yet, all their proselytizing between now and Election Day will probably have little affect on their chances of facing a momentous disconfirmation on the morning of November 7th. Tragically, I fear the conservative response to an Obama victory will resemble what many doomsday cults do after such a public humiliation—simply pick a new date and start all over again.
Contact me directly at reedfrichardson (at) gmail dot com.
The Mail
Frank Moraes
Santa Rosa
Hi Reed,
Good column today. I want you to know that I appreciate you missing Bruce last night. Jesus has never done much for me, so it is good to know someone is suffering for my benefit.
Dick Morris may have been largely wrong, but I think you've gone too far. For one thing, saying that Ryan as VP was a bad idea was probably right. And the ten point bounce? At least he got one of the digits right!
Reed replies: To your point on Ryan, Frank, touché.
John Kirsch
Mazatlan, Mexico
As a die-hard fan of The Godfather and The Godfather Part II, I couldn't let this pass. It was Lee Strasberg, as gangster Hyman Roth, who said "This is the business we've chosen" to Al Pacino, as Michael Corleone, in The Godfather Part II.
Eric replies: Damn. I’ve almost a week and I still don’t have a Godfatheresque reply for this. A little help, people?. (The hed, above, is just a placeholder.)
Editor’s Note: To contact Eric Alterman, use this form.



