Well-chosen words on music, movies and politics, with the occasional special guest.
Bill de Blasio and his family protest the shutdown of the Long Island College Hospital and Interfaith Hospital (Bill de Blasio/Flickr)
My new Think Again is called “Bill de Blasio, ‘Sandalista’.” Its opening line is “Did Bill de Blasio force his friends to say “Neek-a-ro-wha” once upon a time?”
And the paywall--that’s right a paywall on a press column so the press won’t read it--on my last week’s --um, what was that Elvis line again? Oh yeah. “Yesterday’s news is tomorrow’s fish and chip papers.”--column, is here Frank Bruni, the Plutocrats’ Pundit
One thing: I’ve felt a little guilty for having my corporate bank account at HSBC for the past year because, as you may know, they were the favored bank of terrorists and drug launderers; they enjoyed this status knowing just what they were doing, and got away with it, because the courts decided they were too big to be forced to follow the law. I also hated the fact that their machines sucked and I could not ever deposit a check unless the bank was open.
Well, they finally got new machines, but guess what? Yesterday, after 14 years as a customer, I got a letter telling me that they were firing me as a customer. Got that? Drug runners, murderers, terrorists, and of course money launderers are totally cool with HSBC USA but writers, well, forget it. They didn’t even give me a reason. I know that this is what people call a “white person’s problem,” but it is also an example of why we should have sent these SOBs to jail.
One last thing: I was sick on Monday and I think I experienced my best day of TV ever.
1) Foyle’s War
2) The second to last Breaking Bad. (Meanwhile watch this.)
3) Ray Donovan from the night before: a much under-rated show with a terrific cast, but I guess James Woods won’t be coming back. (Funny, this show has two great right-wing jerks playing great roles: Woods and of course, the politically horrible, Jon Voight.)
4) A “Boardwalk Empire.”
5) One episode of silly “Web Therapy”--the one with “Fiona, Don’t Hit Me in the Face”, fun, silly show.
6) The final two episodes of “Prisoners of War.” Do you guys know about POW? It’s the Israeli show that inspired “Homeland.” And it’s way better. It’s one of the best things ever. You can only watch it on Hulu Plus, of which I got a month for free. Maybe you can too. I see it also has the entire Criterion Collection there too. Makes it worth it, once you start paying.
So I guess what people are saying about TV being the richest art form of our times, well, I hate myself, but it’s true.
Alter-reviews:
I listened to a couple of books I want to recommend this week. One was the new Jonathan Lethem--who, together with Franzen--is I think the best thing we have going, right now. It’s called Dissident Gardens and you can see a video conversation with Lethem about its reviews here and you can read reviews of the audio, read by Mark Bramhall, here. Warning: I hated the ending. Also, there’s too much about bowel movements (but anything at all is too much).
It’s not on the same level, but still insightful and enjoyable is the short story collection by Tom Perrotta--bard of the suburbs--called “Nine Inches.” It’s not that nine inches you pervert. Then again, it’s not that far away from it, either. It’s a great audio book because with short stories, you’re never in the middle of anything and forgetting where you were. It’s on Macmillan Audio and read by William Dufris.
So I don’t know what being 83 is all about, but if I can do anything if and when I’m ever that age, I will want to do something as well as the great Ahmad Jamal writes and most especially plays. His new album, “Saturday Morning” is a follow-up to last year’s great “Blue Moon,” and lucky yours truly, I got to see his fine band-- Reginald Veal on bass, Herlin Riley on drums and Manolo Badrena on percussion-- play most of it at Rose Hall last weekend for the show’s first set. For the second set, the band was joined by the Wynton and the rest of the rest of the Jazz@LC orchestra for new arrangements of Ahmad classics. Highlights included “Baalbek,” arranged by alto saxophonist Sherman Irby, and “Manhattan Reflections” arranged by trumpeter Marcus Printup, and finally saxophonist Ted Nash’s version of “Kaleidoscope.” you can check out the rest of the season here, and find Mr. Jamal’s beautiful last two albums anywhere fine music is sold.
I am also enjoying the nice new package from the Dead. Apparently, on August 27, 1972, just back from “Europe, ’72, they did a show with the newish line-up which included Keith and Donna, but not Mickey Hart, who was busy being bummed out about his dad stealing all the band’s money and of course, Three cds and a DVD, “Sunshine Daydream” has a great set, and a lot of naked people dancing and complaining from the band stand about the heat. It was a trip for the Merry Pranksters and benefit for the Kesey family’s Springfield Creamery--which implies, at least to me, a lot of acid being consumed, and has historically been considered the most-requested live show in Grateful Dead history.
Setlist includes: "Sugaree, " "Deal, " "Black-Throated Wind, " "Greatest Story Ever Told, " "Bird Song" and a "Dark Star" that runs a wonderful 30 minutes. 3 CD/1 DVD Concert film with all-new stereo and 5.1 audio mixes mixed and mastered to HDCD from the original 16-track tapes. It’s called “Sunshine Daydream”
Speaking of acid trips, Real Gone Music has released a show I went to but did not take acid at--I never actually have taken acid, for those of you keeping score at home, of the Jefferson Starship: Live in Central Park NYC May 12,1975 (2 CD Set). 100,000 in Central Park, many of them in trees. It was broadcast by unless you were a tree, not much (a constant theme of the concert is WNEW-FM, which had to pay for the repairs to the park. It preceded the release of Red Octopus, and so the material is as much “Airplane” as “Starship,” and the sound quality is high-level bootleg, ie radio rebroadcast. The line-up is Paul Kantner, Grace Slick, Marty Balin, David Freiberg, Craig Chaquico, Pete Sears, John Barbata and Papa John Creach. I’m also enjoying Real Gone’s release of “Fire On The Mountain: Reggae Celebrates The Grateful Dead Vols. 1 & 2.” Both versions have been out of print for a while and it’s perhaps not surprising but certainly gratifying how much sense it appears to make when you listen. Performers include "Toots" Hibbert, Culture, Joe Higgs, Steel Pulse, Mighty Diamonds, Judy Mowatt, Dennis Brown, Michael Rose, Ras Michael, Gregory Isaacs and many, many others dong the Dead.
Finally, I’m excited about the fact that I’ll be going to the first annual fundraiser event on October 6 at En Japanese Brasserie in Manhattan to support Carlos Santana and The Friends of the Coltrane Home for a benefit that they are doing to pay for the pressing restoration needs of the historic home in Dix Hills, Long Island, of jazz legend John Coltrane and his wife, Alice Coltrane. Coltrane composed A Love Supreme there and 2014 is its 50th anniversary. The event will include my close personal friend Brother Cornel and also Ashley Kahn, who wrote the book, "A Love Supreme" ably edited by the estimable Rick Kot. Ravi Coltrane and his quartet will play and I’m guessing so will a lot of other great players. Tickets are $200 and are fully tax-deductible at http://coltranehome.eventbrite.com.
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The mail:
Louis Anthes
Reed,
I really liked the article ["How the Media's Process Obsession Stifles Liberalism and Undermines our Democracy"], both in terms of style—persuasive, critical, analytical—but also the meat of it about "process."
There is an old debate in law school, which I attended, about procedural due process and substantive due process—you likely know about it. Your article reminded me of that distinction, and the something struck me.
The political system's process has become so dysfunctional that the smallest of processes are themselves of high strategic value. Sen. Ted Cruz can threaten to shut down the government just by talking. Of course, that Cruz procedure can only be effective in a network of coincidental prior procedures that have been already executed to aligning the public calendar with the private agendas of various factions of government. In other words, the GOP House has put Cruz in that position to use his filibuster to achieve collateral political goals.
Journalism, in this context, can't help but focus on proceduralism—hell, the number of emails daily I receive asking me for $3 to defeat Cucinelli or $3 to stop the defunding of Obamacare, you'd think telecommunications and banking and politics are all destined to merge into one seamless code of efficient virtual political gestures.
It is not as if grand themes about freedom and the common welfare and domestic tranquility will substitute for substantive journalism, whatever that could mean in this day and age.
It may very well be the case that politics can only be disrupted in a context where economics merges political communication into a limited, narrow domain of cultural practice. It may become the case that political disruption—especially in our journalism (I'm thinking of Hunter S. Thompson)—serves to identify what the future calls "progressivism", and their future views on history, or today's progressivism, will make talk about the Constitution itself, procedures and platitudes, all seem a little quaint and more likely just plain irrelevant.
Editor's note: To contact Eric Alterman, use this form.
Chris Hayes takes on the debt ceiling debate.

Frank Bruni. (AP Photo)
Think Again: Austerity Kills, and So Will the Sequester
My Nation column is called “Frank Bruni, the Plutocrats’ Pundit.” But happily for Mr. Bruni, and unhappily for everyone else who might like to read it but is not a subscriber to The Nation, under a new and in my view, deeply misguided new Nation policy, it is presently behind a paywall. Personally, while I am philosophically pro-paywall, I do not understand the logic of having a press column hidden from the rest of the press—along with everyone else save subscribers—but of course such decisions are made well above my paygrade.
I had a lot of music and theater to review this week, but I’m in a bad mood about the above, so here’s Reed:
Well, no, not quite yet. I do want to give props to the Playwrights Horizons Theater Company, together with the Wooly Mamouth in Washington, together with author Anne Washburn, composer Michael Friedman and director Steve Cosson, for their insanely audacious “Mr. Burns: A Post Electric Play,” which manages to combine The Simpsons, Cape Fear (both versions), the apocalypse, Gilbert and Sullivan and Grease into one unholy mess. Well, it’s a lot more than a mess. Much of it is brilliant. All of it is over the top. The Times’s rave is here. Mr. Brantley is apparently a lot smarter than I am, or a much bigger fan of Messrs. G and S, and so enjoyed the third act far more than I did. But the first two were brilliant.
How the Media’s Process Obsession Stifles Liberalism and Undermines our Democracy
by Reed Richardson
In our democracy, where we depend upon a free exchange of ideas and information, definitions matter. They act as an invaluable cognitive tool to help frame the polity’s thinking about issues in a broader context. When done right, they can also enable a better understanding of a complex problem confronting our country and help guide public debate toward a range of practical solutions. Settle for an imprecise or lazy description, however, and an important issue can be quickly hijacked by demagogues or bogged down in mindless minutiae. And since journalism remains our primary mechanism for dialogue between the governing and the governed, it’s incumbent upon those who practice it to think closely about how they define the issues and the context that follows.
Unfortunately, many journalists seem incapable of this nuance, even when it concerns thinking about their own profession. In a media environment increasingly unmoored from the clear-cut organizational cues of the past century, too many still cling to a clubby mindset that attaches journalistic authority to the actor, not the action. Not surprisingly, Congress has absorbed this same rigid viewpoint into its debate over a (flawed) federal media shield law. But fixating on who is a journalist, rather than what journalism is, is to miss the point. Even more importantly, the policy outcome of this narrow-mindedness could actually end up harming the robust, independent journalism that Congress ostensibly seeks to protect. Here again, definitions matter.
Still, as much as it is anathema to the First Amendment to have the government in the position of certifying who is or isn’t a journalist, we’re in pretty rarefied air here. The public, no doubt, couldn’t care less. And to be fair, they’re probably right, particularly when there’s a much larger problem plaguing journalism, one that has much more direct impact on the quality of the public’s day-to-day lives. And at the core of this problem lies another incorrect definition.
Media critics, whether professional or unpaid (or, like me, both), have long used short-hand terms like “mainstream media,” or “establishment media,” or “Beltway media” when translating individual critiques across a broader group. I’ve never really liked any of these terms and neither, it seems, do conservatives, who have their own vernacular, from the worn-out trope of the “lib-rul media” to the wet spaghetti-like wit of Sarah Palin’s “lamestream media” to Rush Limbaugh’s bombastic “drive-by media.” But except for Limbaugh’s not-so-subtly racially loaded term, all of the others fall into the same logical trap as the media shield law—they focus on the who, not the what. Mis-defining the phenomenon in this way, in effect, marginalizes and masks the critique, as it doesn’t encourage a deeper look into the faulty behavior at issue. If you think about the what of journalism first, though, you’ll find a universal thread woven throughout the credulous and irrelevant reporting and piss-poor punditry one encounters these days—it’s all about process.
In other words, it’s not the mainstream media doing a disservice to our democracy; it’s the process media. To be clear, when I refer to the process media, I’m not talking about “process journalism,” the iterative, publish-first-edit-later online news approach advocated by new media folks like Jeff Jarvis. Theirs is more of a technical, inward-looking term that refers to journalism as process. Mine is a more intellectual, outward-looking term of journalism about process. While distinct, these two phenomena are not unrelated. Process journalism’s ethos of constantly pushing content, often across multiple online channels and social media platforms, has created an almost infinite marketplace for news. While this has had the salutary effect of democratizing the news in our democracy, it has also had the unfortunate side effect of inflating what constitutes news. Thus, no campaign trail tidbit or catty Senate cloakroom comment is now too insignificant or irrelevant to publish.
Thus, process media stands as a definition better suited to the egalitarian realities of today’s press coverage. No doubt, the reporters and the editors and—Lord knows—the pundits at the New York Times routinely suffer from an obsession with the political process. But to lump everything everyone does for the Times into the same critical bin is unfair to the substantive, world-class reporting and writing it produces everyday. By the same token, the listicle-loving, Twitter-mad website BuzzFeed might ordinarily escape the scrutiny of press watchdogs, but that too constitutes an injustice. There is perhaps no beat more process infested than a presidential campaign, and as the feckless press coverage of 2012 demonstrated, a tidal wave of process Tweets from BuzzFeed can now drown out real policy discussion just as easily as a muddle-headed Times columnist’s op-ed.
That modern journalism—and political journalism, in particular—has gravitated toward a process-first, meta-news model is perhaps not surprising. After all, journalism itself is a never-ending activity in striving toward an always elusive goal, as it says right in the first tenet of the Pew Project for Excellence in Journalism’s Principles of Journalism: “‘[J]ournalistic truth’ is a process that begins with the professional discipline of assembling and verifying facts.” [italics mine]. As a result, the Washington press corps might naturally come to judge granular snapshots of Capitol Hill ephemera and presidential credibility as more worthy than long-gestating stories about the real-world impact of Congressional obstruction or foreign policy negotiations.
The allure of the process-media mindset is undoubtedly strong, as it handily reinforces a kind of unthinking objectivity on the coverage. For instance, if I’m just content to report dueling talking points between House Republicans and Obama on a topic like funding the government, without any adding any broader context about how a shutdown might harm the country and cost thousands of people their jobs, I can avoid being criticized as favoring a specific policy outcome or of being biased toward the president. (Or I might also say debunking Republican myths about Obamacare isn’t my job either.) Of course, a free-thinking, reality-based press corps should be courageous enough to say economic hara-kiri isn’t in our democracy’s best interests, but this calculus doesn’t add up within the process media world.
In fact, rather than offering a safe harbor of objectivity, this process-media mindset actually brings with it a number of deeply-rooted biases. The first of these is an inherent passivity and predisposition for the status quo. Forgive my pedantry, but process media coverage—as opposed to enterprise or advocacy journalism—needs, well, a process to cover. It’s simply not in the process media’s DNA to champion an unpopular or overlooked issue on its own. Instead, it prefers topics already endorsed by the DC conventional wisdom.
As a result, process-obsessed media pundits on Sunday morning news shows freely agitate for unnecessary austerity measures like deficit reduction and entitlement reform—long-time talking points for Republicans in Washington. And yet they mostly ignore legitimate crises like climate change and gun violence—both of which, sad to say, have mostly been abandoned by both parties. (If you want proof of the short and selective attention span of the process media, check out this chart of gun control coverage over the past year.) A press corps that is always reacting, however, will have a much harder time holding accountable those politicians that it relies upon to make news.
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But while the process media is itself reactive, its most elemental prejudice in those it covers is toward action—confrontation over compromise. Doing something—anything!—boldly, draws more attention and praise from the process media, no matter how foolhardy or counter-productive the end result. Thus, it literally took years before the process media felt comfortable offering up even the mildest critiques of President George W. Bush’s disastrous war in Iraq. But when Obama wisely backtracked from his original, horribly ill-conceived plan for unilateral military airstrikes in Syria, the process-media poobahs wasted no time in pouring their derision over him. As this Washington Post op-ed ably demonstrates, however, their anger wasn’t directed at the substance of his policy decision—of which, Greg Sargent notes, there was almost no discussion—just the circuitous process by which he made it. Likewise, after the mass shooting at the Washington Navy Yard earlier this week, one could find another Post pundit bravely wallowing in the process without ever taking a stand on the actual issue of gun control.
Over time, this misguided fascination with the micro- and the meta- of news has a pernicious cumulative effect on both politicians and the public. Thanks to this process bias, the ostensibly objective press slowly but surely signals its subjective preference for one set of policy choices, as defined through the positive or negative feedback loop of its coverage. Thus, shock-and-awe military strikes routinely draw more favorable press treatment than slow-motion diplomacy. Obstruction enjoys the press’s tacit approval, though it claims to favor negotiation. Grandstanding pays off more than legislating. Insiders matter more than outsiders. Powerful over the powerless.
It is worth pointing out that all of these biases tend to tilt against policy solutions favored by liberals. In fact, when viewed through this process media frame, one can easily see how a press corps mostly populated by individuals with socially liberal views could nonetheless be co-opted into facilitating a broad-based conservative policy agenda for the past thirty years. But just as it isn’t in our nation’s long-term interests for one of its two main political parties to willfully abandon its role in governance to embrace spiteful self-destruction, neither is it healthy when our press corps abdicates its constitutional duty to enrich the discourse by obsessing over trivial palace intrigue.
To be sure, our republic will always be a work in progress, as the Framers acknowledged in the very first line of our government’s founding blueprint. But recall that immediately following the humble talk of forming “a more perfect Union,” the Constitution lifts its gaze beyond the day-to-day machinations of government to clearly articulate broad principles—Justice, domestic Tranquility, common defense, general Welfare, and the Blessings of Liberty—that still define success for our country and its citizens 226 years later. It’s long past time our press corps relearn why these definitions still matter.
Contact me directly at reedfrichardson (at) gmail dot com. I’m on Twitter here—(at)reedfrich.
Editor's note: To contact Eric Alterman, use this form.

House Speaker John Boehner. (AP Photo/J. Scott Applewhite)
My new Think Again: Rupert Makes the News—Literally. It’s about Murdoch and the Australian elections, Tony Blair and Iraq, and what a bad idea it would be to allow him to take over The LA Times and the Chicago Tribune, etc.
A few things:
1) I ran into Marshall Berman with my kid at the Metro Diner on 100th and Broadway on Tuesday night and we talked optimistically about de Blasio. Metro was our place, apparently. I learned that the following day, also at the Metro Diner, Marshall had a fatal heart attack. Todd Gitlin has a nice piece about him here.
Classy John Podhoretz, in a tweet, compared this brilliant Jewish/humanist scholar to a Nazi, the day after his death. Which is funny because his brother in law, Elliot Abrams, enabled actual genocide in Guatemala and proceeded to slander the people who tried to stop it as Communist sympathizers. You can read about that here. His sister Rachel wanted to see genocide committed against Palestinians who supported Hamas. Don’t believe it? Here’s what she wrote. They were:
“the slaughtering, death-worshiping, innocent-butchering, child-sacrificing savages who dip their hands in blood and use women—those who aren’t strapping bombs to their own devils’ spawn and sending them out to meet their seventy-two virgins by taking the lives of the school-bus-riding, heart-drawing, Transformer-doodling, homework-losing children of Others—and their offspring—those who haven’t already been pimped out by their mothers to the murder god—as shields, hiding behind their burkas and cradles like the unmanned animals they are, and throw them not into your prisons, where they can bide until they’re traded by the thousands for another child of Israel, but into the sea, to float there, food for sharks, stargazers, and whatever other oceanic carnivores God has put there for the purpose.”
(And I haven’t even mentioned Norman or Midge. Sheesh, what a family: The Madoffs of political punditry and policy. As if the Jewish people have not suffered enough...) And of course Berman's wonderful "All That's Solid Melts Into Air" is a more significant contribution to culture than that of all Poddies added together.... Still comparing a gentle Jewish writer to a Nazi a day after his death would get any editor fired—especially an editor of a Jewish magazine—if only daddy had not gotten him the job.... lucky “John P. Normson” can begin atoning tonight.
2) The terrific British World War II detective series, Foyle’s War starts its seventh three-episode season on PBS this weekend. You can find the recently released on bluray and dvd with more than two hours of bonus features which I haven’t had a chance to watch yet. British television specialist Acorn is streaming them the day after broadcast at www.Acorn.TV and offers all previous 22 episodes. You’ll be grateful to me if you’ve not yet indulged. Also out on bluray from Acorn, Prime Suspect: The Complete Collection. I’ve reviewed them here before when on DVD and I do recommend it, though not as strongly as Foyle.
3) How did you know? From the Times New York Today file: The former good-guy pro wrestler Bruno Sammartino (your childhood hero, perhaps) donates a replica of his championship belt to the Italian American Museum and speaks out against bullying.
The Real Credibility Crisis in Washington: Congressional Republicans
by Reed Richardson
There’s one word that, like a bad penny, keeps re-appearing among pundits and politicians these past few weeks: credibility. It has become the overly simplistic prism through which the Beltway crowd now views every one of President Obama’s decisions regarding the civil war in Syria. Sad to say, the president himself isn’t above invoking this nebulous idea of “credibility” to justify his plans for military strikes against the Assad regime. (A use of force that I oppose.) In the world of our nation’s capital, conventional wisdom has once again turned the focus of a complicated policy issue with broad, life-and-death consequences into an insular, petty, process story.
This isn’t a new phenomenon, certainly. Still, it’s no less striking to see how the Capitol Hill crowd’s obsession with phony credibility mirrors horserace political coverage that is thoroughly uninterested in policy outcomes or facts on the ground. For example, when Obama belatedly decided to seek Congressional approval—an abrupt, last-minute move, but a wise one nonetheless—hyperventilating pundits only howled even louder about the long-term danger of his indecisiveness. Of course, this exercise of democracy wouldn’t degrade our military’s capability to strike Syria one bit. It was, however, a major transgression against the Beltway’s fascination with “decisive” “resolute” “leadership.” Or as one pundit put it, with seemingly little interest in having the head of our executive branch abide by the Constitution, Obama wasn’t following “presidential best practices.”
Likewise, when an 11th hour bid from Russia again changed the policy landscape on Syria—offering the Obama administration a potential modus vivendi it smartly pursued—many of the same DC insiders previously outraged at the president’s rush to war immediately began deriding the plodding pace of diplomacy. No doubt, Russia’s President Putin is a disingenuous partner, at best, but that doesn’t change the fact that a brokered, diplomatic solution offers the only real chance for the US to effectively achieve its broader policy goal—securing and destroying all of Assad’s chemical weapons stores—without having to invade another Middle East country. It is a low bar for sure, but after eight years of the Bush administration, I’ll take any foreign policy—ad hoc or not—that ends up eliminating actual WMDs without causing tens of thousands of deaths.
American credibility isn’t actually at risk from the president’s pursuit of a peaceful solution to Syria’s WMDs. Instead, the real credibility crisis in Washington is that the Republican Party is simply no longer capable of or interested in the responsible governance of our nation. Though this crisis has been brewing for years and now threatens the very functioning of our democracy, it doesn’t generate anywhere near the same amount of concerted pundit outrage or frantic media attention.
Since the GOP gained a majority in the House in 2010, Congress has effectively ceased normal legislative work. Undermined by a nihilistic Tea Party rump that reflexively opposes anything the president supports, the House Republican caucus now routinely fails at passing even its own conservative legislation (and boasts of job approval ratings nearing the single digits). Speaker Boehner, in a flailing attempt at remaining relevant, has tried to co-opt the hardcore, repeal-everything message, but to no avail. Instead, he’s grown increasingly irrelevant and ineffectual.
Consider that nearly two years ago—before recent GOP voting debacles on the fiscal cliff, Sandy aid, health care legislation, and the farm bill—the DC insider publication Politico ran a story with the headline: “Has John Boehner lost control?” This week, when asked about the latest uproar from his caucus’s right flank—over a bill deemed controversial because it would dare to pass a continuing resolution without defunding the Affordable Care Act—the Speaker sounded like a man both beset and bemused by the surreal state of his party’s direction.
“A reporter asked [Boehner] whether he has a new idea to resolve the government funding fight. He laughed and said, ‘No.’
‘Do you have an idea?’ he asked the reporters. ‘They’ll just shoot it down anyway.’”
This kind of alarming acknowledgement should be front-page news. It should be a nightly topic of cable news talk shows. It should be an ongoing point of discussion in op-ed pages across the country. But, again, the media’s process-obsessed mindset won’t let it step back to see the broader outcome for such obstruction. Hence, elected Republican officials in Washington pay no price for proudly spouting rhetorical doubletalk that would no doubt make George Orwell’s head spin:
“Rep. Jack Kingston, R-Ga., said this is a fight conservatives are ready to have, despite the political stakes for the GOP being seen as forcing a fight over shutting down the government.
“‘I think that's a risk you have to take,’ he said, ‘Any path forward, there's a political downside to it. We didn't come here to get re-elected and have safe political careers. We came here to get things done.’”
That’s right, in Kingston’s mind, getting things done can be defined as hijacking the federal government in pursuit of a quixotic political crusade (one that a strong majority of the public opposes). And keep in mind that Kingston is one of three House conservatives—along with Paul Broun and Phil Gingrey—running for the open Georgia Senate seat next year and he is considered the most moderate of the three. Only in an era where the modern Republican Party has fully gone off the rails and abandoned any pretense of legislative credibility could someone like Kingston be characterized in the press as “not known for being a hard liner.”
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Exacerbating this breakdown in the GOP is an ongoing internecine battle between House and Senate Republicans that is mostly ignored by the pundits. A cadre of hard-right conservative GOP Senators, led by Ted Cruz, have effectively gone rogue, disregarding their party’s leaders who (rightly) fear the GOP will be blamed for a government shutdown later this fall. Nevertheless, Cruz has taken to criss-crossing the country like a snake oil salesman, captivating the Republican base with chimerical tales of how they can overturn Obama’s signature health care achievement if they just hate the government hard enough.
Sadly, this abdication of any credible interest in governance on the part of Republicans is all too often unfairly balanced against trifling Democratic moves by the media. Or the GOP’s behavior is inexplicably blamed on Obama as his fault for not “leading.” Either way, what’s left unsaid is the critically important challenge facing American credibility right now. And it isn’t that our president might be willing to change his mind occasionally in an attempt to avoid unnecessary war. It’s that the Republican Party has decided it is unwilling to change its mind about conducting an unnecessary war against government.
Contact me directly at reedfrichardson (at) gmail dot com.
I’m on Twitter here—(at)reedfrich.
Editor's note: To contact Eric Alterman, use this form.

Former Republican presidential candidate Mitt Romney. (AP Photo/Mary Altaffer)
My new Think Again column is called “Labor for a Day, Capital for the Rest of the Year” and is about the lack of MSM coverage of labor issues.
My Nation column is called “Bill de Blasio and the Rebirth of Economic Liberalism” and it’s about the New York mayor’s race (obviously).
Two quick things:
First this (lifted entirely from Thursday’s NYT City Room blog, which is quite well-written, by the way):
Updated 6:35 a.m. | Surveys are a dime a dozen – except, perhaps, for this one.
A new study of more than 18,000 people in 24 countries by the British market-research giant Ipsos Mori found New York the most popular city on the planet. And yes, better than London and Paris.
The Internet survey ranked New York the most popular city to do business in, second in where they “most like to visit” (behind Paris) and the fifth most desired place to live (Zurich was No. 1).
The survey revealed some interesting global preferences. Belgians would much rather visit New York City than live here, while Poles said the opposite (they’d like to see Mumbai and Madrid).
The pollsters tried to spin the results for their hometown. “The citizens of the world have spoken and given a massive vote of confidence in London and the U.K.,” Ipsos Mori’s boss told The Telegraph.
But even Britons put London second.
Americans, on the other hand, placed New York at No. 1.
And this:
Call for Papers: The Biannual Online-Journal of Springsteen Studies (BOSS) is a new open-access academic journal that publishes peer-reviewed essays pertaining to Bruce Springsteen. Springsteen’s immense body of work and remarkable musical career has inspired a recent outpouring of scholarly analysis. BOSS will create a scholarly space for Springsteen Studies in the contemporary academy. We seek to publish articles that examine the political, economic, and socio-cultural factors that have influenced Springsteen's music and shaped its reception. The editors of BOSS welcome broad interdisciplinary and cross-disciplinary approaches to Springsteen’s songwriting, performance, and fan community, as well as studies that conform to specific disciplinary perspectives.
Please submit articles between 15 and 25 pages that conform to The Chicago Manual of Style to Springsteenstudies@gmail.com by January 1st, 2014. Authors will be notified of acceptance by March and the first issue of BOSS will be published in June, 2014, which marks the thirtieth anniversary of the release of Born in the U.S.A.
Contact: Please address all inquiries to Jonathan D. Cohen (Managing Editor) at Springsteenstudies@gmail.com
Tweet Nothings: How the Political Media’s Twitter Obsession Trivializes the News
by Reed Richardson
There is an intellectual dilemma that faces every reporter who spends significant time on any beat—how to be in it, but not of it. In other words, there’s a fine line between cultivating sources and being co-opted by them. Complaints that our nation’s political media routinely fails to maintain this professional detachment are, by now, cliché, but it doesn’t make the problem any less real. Journalists, after all, are human, so when they start to share an existence with their subjects for too long, their viewpoints—no matter how much they may protest to the contrary—will inevitably be altered. And if slowly falling victim to an insular Beltway mentality is the perennial monkey on Washington press corps’ back, being absorbed into a hermetically-sealed presidential campaign every four years is akin to the media carrying an 800-pound gorilla.
What's more, it’s really not worth the effort, concludes CNN political reporter and 2013 Harvard Shorenstein Center Fellow Peter Hamby in his insightful meta-analysis of the 2012 campaign coverage: “Did Twitter Kill the Boys on the Bus?” Hamby’s essay, which runs to 95 pages and involved interviewing more than 70 campaign reporters and political advisers, explores numerous elements of last year's election coverage. However, his focus is aimed at the awkward love-hate relationship that developed between the Romney campaign and the press, more specifically the young, off-air producers—known colloquially as “embeds”—that the TV networks assigned to relentlessly track his campaign.
It’s fitting that “embeds,” which first described the reporters attached to military units in the first Gulf War, became the term of choice here as well. For, the same potential for conflicts of interest and susceptibility to bias that confronts war reporters are evident in the press corps profiled by Hamby's essay. In it, we see Romney campaign reporters drawing overly broad conclusions from anecdotal events (misinterpreting his big crowds before Election Day as foreshadowing his victory), becoming emotionally attached to the candidate (a few admit to crying on Election Night), and lashing out in fits of pique when not given access to him (which was nearly all of the time).
As 2008 Stanford study on the impact of embedding media with the military found, the tight quarters they shared had a profound impact on the coverage too:
“The effect of embedded reporting on the American public is a distraction from and desensitization to war, as well as a perpetuation of American overconfidence in military ability. Moreover, as the sexual tension inherent in the word “embed” implies, the intimate nature of the media-military relationship is fundamentally incestuous, insofar as it is an illicit transgression of the principle of freedom of the press.”
A similar version of this phenomenon occurred among Romney campaign reporters, Hamby explains. Over time, their coverage became increasingly compromised by the campaign's logistical constraints and broadly desensitized to the impact of the election on real people. Part of this myopia was to be expected, since on the campaign trail, as in war, most of time nothing newsworthy is happening. But because embedding is an expensive, resource-intensive undertaking, a perverse transactional mindset took over in many newsrooms. We’re spending all this money covering the candidates, we have to get something—anything—for it. The need to feed an insatiable, non-stop newshole soon began to drive the coverage of Romney’s campaign rather than the other way around.
Invariably, the campaign embeds turned to Twitter to satisfy this constant drip-drip-drip of content. I say content because as Hamby and others in his essay make clear, almost everything gleaned from being inside the campaign press bubble didn’t rise to the level of real news. Still Hamby is careful to point out the salutary, democratizing impact the Internet and social media have had on journalism in general. And there’s little doubt the pre-blogging and social media days of yore were no golden age of journalism. For example, in one passage discussing the 2000 presidential campaign, Hamby’s recollection of the press’s relationship with George W. Bush is even more breathtakingly outrageous for its matter-of-fact tone: “If the Bush team had a story to push, or a leak they wanted to get out,” he writes, “it was as easy as summoning a hand-picked reporter like Ron Fournier of the AP or Frank Bruni of the [New York] Times up to the front of the plane.” When anyone starts using “easy” and “hand-picked” to describe, respectively, a news reporter's coverage of a political candidate, it’s safe to say the public’s needs aren’t coming first.
But for all the Internet’s inherent advantages for more, better reporting, Hamby concedes a breathless, 24/7 contest for breaking irrelevant pseudo-scoops and collecting worthless campaign ephemera played out online in 2012. And perhaps no embedded media organization excelled at this more than BuzzFeed, Hamby says:
“[BuzzFeed political reporter Ben] Smithj loved the run-and-gun pace. ‘Scoops are the just the coin of the realm in that world,’ he said of political reporting in the Twitter age.'
“It’s not that Twitter is where you’re discussing the news. So much of it is actually happening on Twitter. It was just the central stream of the conversation for everyone.”
This is a gross exaggeration, of course. As Hamby points out, a Pew study found only a “narrow sliver” of Americans—just 13%—were on Twitter last fall and a mere 3% “regularly or sometimes tweet or re-tweet news.” What’s more, Pew found reactions on Twitter were regularly at odds with public opinion. So when BuzzFeed’s Smith says "everyone" is engaged in the same—often snarky, far more negative—conversation, he’s perpetuating a frighteningly narrow, distorted view of the world. And if one’s individual coverage uses this assumption as its starting point, it can’t ever achieve escape velocity from the gravitational pull of what “everyone” else they know is tweeting too. Before long, the overall tone spirals inward into a single point of narrative convergence.
Nothing exemplifies this groupthink better than Romney’s mid-summer trip overseas, where a frustrated media horde latched onto the storyline of the candidate’s “gaffes” and wouldn’t let go. Hamby notes the Romney camp quickly grew exhausted with what it saw as a minutiae-obsessed press corps uninterested in reporting on foreign policy. To be fair, reporters along for the ride pointed out Romney’s disingenuous, semi-comical insistence on not talking about foreign policy during a trip to foreign countries. Put them together, and you have the perfect environment for dimly-lit journalism that doesn’t do much of anything to enlighten curious American voters. (And as the polls from last summer clearly demonstrate, any notion this “gaffe” coverage wounded Romney during that period is likewise a myth.)
This herd mentality cuts both ways, however. Romney adviser Eric Fehrnstrom frankly acknowledges that Twitter “made it easier to spin.” No need to bother with calling anyone up to the front of the campaing plane anymore, not when they’ll probably retweet your oppo leak or post-debate talking points without even having to be asked. As a result, the respective campaigns’ quickly adopted the press’s fascination with Twitter to the point where controlling the message there outweighed all other platforms, Hamby notes:
“Throughout the campaign, reporters on and off the bus began to notice something startling: Campaign operatives seemed to care more about their tweets than the stories they were actually writing or linking to.”
Meta-complaints about the meta-coverage might seem ridiculous, except it seemed to have worked to the candidates’ advantage. Last August, a Pew study found the Obama and Romney campaigns were nearly two times more effective at setting the media narrative than the media itself. While it’s tempting to gloat over the press’s self-marginalization and say, “I told you so,” there’s little to cheer about our media abdicating its democratic responsibilities of informing the people and holding accountable public officials.
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Hamby doesn’t just diagnose the many problems associated with embedded campaign coverage, however. Refreshingly, he also presents some trenchant, if not groundbreaking solutions, like more comprehensive training of embeds prior to deployment and their frequent rotation off of the trail to keep them from burning out. (Also, his suggestion that video, driven by innovations like Google Glass, will overtake tweets as the primary currency of the 2016 election seems especially spot on.) In addition, he makes a valiant—though likely hopeless—argument that any candidate who embraces a fully transparent, open-source campaign for 2016 would do a great service to both the public and him/herself. But his most worthwhile advice involves plotting out creative news coverage alternatives that forego the campaign bubble altogether and instead seek out new angles and fresh sources to find the truth.
This is a powerful lesson for the press that is of particular import at this moment. Earlier this week, New York magazine published a detailed breakdown of who members of Congress follow on Twitter. That it discovered Republicans tend to follow like-minded Congressional colleagues and Democrats do likewise isn’t very newsworthy (and members of Congress have many more levers for influencing each other than Twitter anyway). But what was striking was the bipartisan popularity of a small cluster of uber-insider media properties among MOCs. That sites like The Hill, Politico Playbook, and The Washington Post’s “The Fix” blog topped the list is simply more evidence that an embed-like emphasis on driving the conversation and arcane palace intrigue increasingly dominates the Beltway discourse, even outside of election years. But momentous national decisions should never be reduced down to a series of pithy, 140-character in-jokes. Last year, we deserved more from the media than an obsession with which presidential candidate got more favorites. And right now, we shouldn’t be satisfied with any debate that lets us merely re-tweet our way to war.
Michael Green, Las Vegas, NV
So much to discuss here:
1. The media's inattention or limited attention to climate change brings to mind Ben Bradlee's comment years ago that it's easier to hire a scientist and teach him or her to write than it is to train someone in the media to know something about science. But give the mainstream folks credit: they still want, in the immortal words of Allen Drury, to stand tall in Georgetown.
2. Dr. A's references to John Updike remind me that one of the first stories of his that I read was "A Sense of Shelter," and it's fascinating on many levels. But I also suspect that for many of us, the best writing Updike ever did will remain "Hub Fans Bid Kid Adieu."
3. Not to criticize Reed, who did a masterful job, but if we follow the links to the Dempsey articles, they go to The New York Times, McClatchy, Yahoo News, and Politico, which Charlie Pierce perfectly nicknamed Tiger Beat on the Potomac. That doesn't exactly make the stories about Dempsey unnoticed or outside the mainstream. But at times like these I always invoke Frederic Birchall, acting managing editor of The New York Times in the 1920s and early 1930s, who once told an editorial writer that if he controlled the headlines and the front page, he didn't care who controlled the editorials.
Contact me directly at reedfrichardson (at) gmail dot com.
I’m on Twitter here—(at)reedfrich.
Editor's note: To contact Eric Alterman, use this form.

Smoke rises after what activists said was shelling by forces loyal to Syria's President Bashar al-Assad in the village of Dourit, August 17, 2013. Picture taken August 17, 2013. (Reuters/Khattab Abdulaa)
My new Think Again column is called The Mainstream Media and the Slowly Boiling Frog and it’s about global warming.
Two things:
1) Here is a list among other things, of people who thought it would be cool to invade Iraq, with pro-genocide, Elliott Abrams.
2) In this article about a visit to the West Bank town of Hebron in the Times of Israel, Marc Goldberg writes, “in Hebron I feel like we’re winning the battle and losing it at the same time. I feel like God himself is playing a trick on us, saying that we can have our Holy Places and the land He promised us but that in payment we have to give up on our own moral code, the same one He instilled within us. He gave us a cruel choice to make and that the punishment for making the wrong choice is to lose the country entirely.”
Reading it reminded me of a fascinating recent discussion I attended after synagogue recently where a noted scholar gave a lecture on the philosophy of Emile Fackenheim, who among many other things, is the author of the philosophical concept of the 613th commandment, that advises that Hitler should not be given any posthumous victories. When I raised the issue of the difficulty of its application with regard to say, Israel’s policies toward the Palestinians, a man in the room stood up and screamed at me that I was equating Israel with Nazis and I “should be ashamed of myself.” Naturally, I was not ashamed of myself, as I had done no such thing. (He was the only person who brought up Nazis.) But the issue left me profoundly depressed about the ability of American Jews to hold any kind of intelligent discussion about Israel at all. I learned more about the fellow in question here and here and I suppose one should not draw too many conclusions based on this kind of individual whose wealth, I imagine, provides a useful shield from people explaining to him when he is acting like an idiot. But he received a great deal of assent for his ignorant grand-standing from the room and those who were aware of the foolishness of his point kept their own counsel. The political implication of this is that John Kerry is unlikely to receive much in the way of domestic support from American Jews for the peace process so long as Israel’s government remains intransigent with regard to its continued construction of illegal settlements. More and more Jews, especially younger Jews, may be alienated from Israel than ever before, but most of those who do remain engaged are largely stuck in a time-warp which, ironically, reinforces the arguments of those who would like to see Israel destroyed as a both a democratic and Jewish state—just as its professed enemies would also like.
Alter-reviews
John Updike: Library of America, Collected Stories.
The Jimi Hendrix Experience “Purple Box” re-release.
Sly and Family Stone Box: “Higher.”
Bob Dylan “Another Self-Portrait.”
The Rides, Live at The Iridium and some other stuff.
In the next week or so, my friends at the Library of America will release John Updike: The Collected Stories, which is about as important an announcement regarding LOA or Updike as one could imagine. Updike wrote beautiful stories, but they were unevenly collected. Second only to Cheever in this realm, in my not-so humble opinion, his first collection, The Same Door, was originally published in 1959 and his last, My Father’s Tears, in 2009. Add it all up and we get 186 stories, from 1953’s "Ace in the Hole," a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, and through "The Full Glass" (2008) in the lovely LOA format. According to the LOA, each story is presented in its final definitive form and in order of composition, established here for the first time. Each volume also contains a previously uncollected story: “A Game of Botticelli” (1954) and “Part of the Process” (1988). You can buy them separately or in a deluxe boxed set featuring Alex Katz’s 1982 portrait on it. I sure would.
Legacy Recordings and Experience Hendrix LLC have a re-release of an expanded edition of The Jimi Hendrix Experience, Purple Box, which originally came out in 2000. It’s hard to believe but Hendrix only put out three studio albums while he was alive. Only Elvis has seen his catalogue mined more energetically. Anyway, I’ve been buying live albums and outtakes here and there for the past few years trying to find the right mix and now I can get rid of them and keep this instead. It does the trick save for you Hendrix fanatics who don’t need my advice anyway. A four CD boxed set, it contains 60 previously unreleased or unavailable studio and concert recordings from a remarkable four-year period in musical history, 1966-1970, ending with the artist's final multi-track recording session at New York's Electric Lady Studios in August 1970. Among the highlights are alternate versions of classics like "Purple Haze," "Foxey Lady," “Bold As Love” and "Little Wing," as well Dylan’s “Like A Rolling Stone” from Hendrix’s October 1968 performances at Winterland in San Francisco. For obscurities, you get the original recording of “Peace In Mississippi” from the October 1968 sessions at TTG Studios, previously available only as the b-side of the 2010 “Valleys Of Neptune” and a rare, recently discovered 1967 performance of “Burning Of The Midnight Lamp." The original UK single mix of "The Stars That Play With Laughing Sam's Dice," is also new in the US. There’s an 80 page color booklet filled with rare photos, essays and annotation by Dave Marsh and John McDermott, detailed track notes and more, though the box is the old-fashioned fat cardboard kind, which might have been improved upon, methinks.
The new release of Bob Dylan's Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971) is really something new and quite wonderful. The unreleased tracks from Self-Portraint—by unchallenged consensus Dylan’s worst album—is actually a really quite good (if profoundly relaxed) Dylan album. Containing 35 rarities and previously unreleased recordings, Another Self Portrait (1969-1971) is drawn from the 1970 studio recording sessions that resulted in Self Portrait and bled into New Morning along with a few songs with the Band from the Isle of Wight—at least on the two disc version. It’s hard to understand why Dylan chose to release the inferior material and hold back on the good stuff, though it did have the effect of making New Morning appear to be a massive comeback. Oh and David Bromberg plays some first rate guitar, I don’t recalling hearing him on any previous Dylan albums and it’s too bad because, together with Al Kooper and Mike Bloomfield, they really could have provided him with the challenge and support he lacked for so long. As for rarities, we get a previously unavailable version of "Only A Hobo" and the demo version of "When I Paint My Masterpiece," and a new painting by the Bobster for the cover. There are lots of versions, but the one I’m talking about is the two disc version that is the mass market one. There’s a trailer on youtube.
Need yet another new box set? How about Sly & The Family Stone’s new 4-CD box set, Higher!, from Epic/Legacy?, a division of Sony Music Entertainment. Released in celebration of Sly Stone's 70th birthday, Higher! is the first career-spanning anthology to celebrate the musician whose wedding I attended at Madison Square Garden with my French/Canadian au pair, Celine, when I was in sixth grade in 1971 or so. It’s one of those big book-style boxes with 104-page book, the 77 songs, 17 of them previously unreleased. The box fixes a previous problem with the last box, which had all of Sly’s studio albums but left out the songs that were issued either only as singles or on the massive selling Greatest Hits album. That includes amazingly “Everybody is a Star,” "Hot Fun In the Summertime," "Thank You (Falletinme Be Mice Elf Again)." (Neither box has the incandescent version of “Que Sera Sera,” which was the last worthwhile thing Sly did before slipping into drug-induced incoherence, and provided the first dance of my ill-fated wedding.) This box is pretty generous and beautifully mixed and annotated in addition to the rare and uncirculated photography, 45 rpm label and picture sleeve repros, eye-popping vintage concert posters and ticket stubs from Sly & The Family Stone shows, etc.
If you don’t know about Sly, well, as much as anyone he invented funk and the Family Stone, featuring “Sister Rose” personified racial harmony through getting down in the late sixties and early seventies before they pioneered drug-addled gangsterism and no-show-ism. He also wrote great hooks and wore ridiculous clothing when he did make it to the gigs. To be honest, I don’t exactly understand the choices made in this box, picking live versions of “Stand” and “Dance to the Music” which are fine, but not nearly as awesome as the studio versions. But the unreleased stuff, which includes the Loadstone Records single of "January 1967" by Sly & The Family Stone, cover of Otis Redding's "I Can't Turn You Loose," and the mono single master of "Higher" from May 1967. If you’ve got the previous box set, as I do, it’s going to be a tough call, given you still need those three great songs and the 17 or so you’ve never heard before. If you don’t, well, it ought to be easy.
Finally, a few weeks ago I mentioned a new documentary I loved called “Born in Chicago,” about the largely Jewish local boys who hooked up with Muddy, Wolf, Otis, etc and went on to obscurity. It featured Paul Butterfield and Michael Bloomfield, but the guiding spirit of the film was Barry Goldberg, who helped get the film made after disappearing for a long time on the west coast following quite a few fine Jewish blues albums. Well, Barry’s finally back and he’s got Stephen Stills and Kenny Wayne Shepherd for a band called The Rides. I saw them Wednesday night at The Iridium, which is as intimate a venue as you will ever see Mr. Stills and/or Mr. Wayne Shepherd. I have long argued that Stills does not get the credit he deserves for his guitar playing—there are not enough CSNY shows for him to show off, or to be challenged—and so it was a pleasure to see him play the blues opposite Mr. Wayne Shepherd, with whom I was unfamiliar, but who plays as good as he looks (or so the ladies tell me). The set was drawn from their debut album, Can't Get Enough (released the day before) which is an homage to 1968 album Super Session, which featured Stills on guitar on one side, and the Mike Bloomfield on the other. The material is hit and miss, but the band cooks on it. Of course, it’s easier to relate to material you know so my favorite songs of the evening at Iridium were Goldberg’s “I’ve Got to Use My Imagination,” with Shepherd on vocals, Stills’ “For What It’s Worth,” “Love the One You’re With,” (which he compared to a fart) and Neil Young’s “(Keep On) Rockin’ in the Free World.” But some of the classics cooked as well, particularly an expansive reading of Muddy Waters’ “Honey Bee.”
And finally, finally, if you never heard the Drive By Truckers live CD, Alabama Ass-Whupping, you might wish to, if only for its incredible version of “18 Wheels of Love.” It also has a more than decent version of “People Who Died” for which, believe it not, I once had the opportunity to place my headphones on the late Jim Carroll’s head and play for him. (We were members of the same book group, again, believe it or not.) He liked it. And so, I imagine, will you.
Oh, and finally, finally, finally, as I write this, I swear, I have on the bluray player, “One Night Only,” which features the Bee Gees performing at the MGM Grand in Las Vegas in November 1997. One of the few Bee Gees performances ever filmed, this Blu-ray, completed with bonus tracks from “An Audience with the Bee Gees," and a band interview, has been fully restored with remastered sound. It is really good in most places and really terrible in a few, but that’s ok, if you keep the remote close. And the sound is beautiful.
Camouflaged Debate: How our Democracy Ignores the Military Case Against Syria Intervention
by Reed Richardson
Each day’s news out of Washington makes it increasingly clear; the time for talk is over. A US military attack on Syria is no longer a matter of if, but when (probably this weekend). The administration has now fully coalesced around the big idea that, in response to Assad’s alleged chemical weapons use, something must be done. And whether through sympathetic op-ed columns or jingoistic cable-news “debates”, the Beltway conventional wisdom has once again shown itself more than happy to oblige.
The tragic déja vu quality of this media obeisance has been brilliantly captured by Conor Friedersdorf. But there’s another troubling aspect to what’s happening right now. For all the pundit bluster about the need to do something, there has been shamefully little scrutiny or public discussion of what can be done, despite a growing chorus of alarm from the folks who will do it. Even if Assad did brutally murder thousands of his own people using chemical munitions—something still not conclusively proven—the painful reality is that there is little our military can do right now to effectively punish him for any past atrocities or prevent future ones short of a massive expenditure of blood and treasure. And it is precisely this blinkered outlook that the nation’s military experts have been warning against.
Indeed, it speaks volumes about our broken national discourse that the most prominent skeptic of military intervention in Syria happens to be the top US general in the Pentagon. For months, Gen. Martin Dempsey, the chairman of the Joint Chiefs of Staff, has been patiently laying out one compelling reason after another for not engaging our armed forces in Syria’s still-chaotic civil war. But only if you were willing to dig past the establishment media op-ed pages and look outside the cable-news bubble would you find the many red flags Dempsey has raised about our country going to war:
“Dempsey Cautious on Syria” (April 30)
“Martin Dempsey: Syria Options Costly, Risky” (July 22)
“General Says Rebels Aren’t Ready to Take Power” (Aug. 21)
“Dempsey: Rebels Wouldn’t Back US Interests” (Aug. 21)
“Military Experts Cautious about Effectiveness of a U.S. Attack on Syria” (Aug. 29)
Beyond these unheralded press accounts there was the sobering, unclassified letter Dempsey sent to Sen. Carl Levin, chairman of the Armed Services Committee, on July 19. In it, Dempsey discusses a range of military options, from limited airstrikes to establishing buffer or no-fly zones to taking physical control of Syria’s chemical weapon stockpiles. For the latter options, which admittedly aren’t being openly considered—yet—Dempsey estimates thousands of US ground forces would be involved at a cost of a billion dollars a month. And though the White House has all but officially declared it will execute the first, least muscular option, that choice has little to commend it as well. Dempsey sums it up thusly:
Conduct Limited Stand-off Strikes. This option uses lethal force to strike targets that enable the regime to conduct military operations, proliferate advanced weapons, and defend itself. Potential targets include high-value regime air defense, air, ground, missile, and naval forces as well as the supporting military facilities and command nodes. Stand-off air and missile systems could be used to strike hundreds of targets at a tempo of our choosing.Force requirements would include hundreds of aircraft, ships, submarines, and other enablers. Depending on duration, the costs would be in the billions. Over time, the impact would be the significant degradation of regime capabilities and an increase in regime desertions. There is a risk that the regime could withstand limited strikes by dispersing its assets. Retaliatory attacks are also possible, and there is a probability for collateral damage impacting civilians and foreigners inside the country.
A couple of things. Note that the favorite pundit term “surgical strike” does not appear anywhere in Dempsey’s very frank assessment, but the phrase “probability for collateral damage impacting civilians” does. Also, it’s worth pointing out that even this scaled-back campaign would involve hundreds of military assets and cost billions of dollars. And then there’s the part where Dempsey explains how the very limited nature of such an air campaign translates into a higher likelihood that Assad’s regime will be able to withstand it. This, of course, merely opens the door for more pundits to call for more missiles and more sorties. The slope, in other words, gets very slippery from here on out.
Nevertheless, this kind of less than sanguine assessment doesn’t stand much of chance with those in the press willing to absorb whatever rosy scenarios anonymous pro-war sources feed them. And sometimes they don’t even bother with that. Over at The New Republic, in an otherwise good primer on the Syrian state of affairs, readers are nonetheless treated to a hypothetically-riven rebuttal to foregoing a military strike:
Retired Major General Paul Eaton, an advisor to the National Security Network, told me that ‘if Assad or rogue elements have decided to use chemical weapons in the face of very strong international condemnation, an attack is not going to be an deterrent.’ That may be true, but Assad may have also assumed that the United States, which had not responded strongly before, would once again back off. If that were Assad’s reasoning, serious retaliation could deter him, and could also send a signal to other rogue governments.
Those second and third sentences are riddled with conditionals to justify spending billions of US dollars and possibly killing untold Syrian civilians. Not exactly a slam dunk. Others in the press don’t muster up that much intellectual honesty, though. Consider the credulous, unattributed assertion that snuck into this news story in The Hill, a statement that would likely come as surprising news to Dempsey:
If successful, the U.S. strikes could cripple the Syrian military's ability to carry out attacks on rebel forces and bring the regime to its knees.
Really? A one, two, or three-day air campaign targeting a few dozen sites will bring to its knees a regime hardened by two-plus years of civil war? Recall that the NATO air campaign against Col. Moammar Gadhafi’s much weaker Libyan regime commenced on March 19, 2011 and continued on for 222 days. And as this 2012 Journal of Strategic Security article points out, Libya was a much better candidate for intervention than Syria for a number of reasons. One, the former had a geographically well-defined opposition with a credible military leadership based in Benghazi. Two, a United Nations Security Council Resolution authorizing military intervention was already in place. And three, there was broad support among Arab and neighboring nations for removing Gadhafi, Libya’s brutal dictator. But as Lance Kildron, of the Naval War College, concludes in his JSS analysis:
[B]efore engaging militarily in another humanitarian crisis, U.S. policymakers should take each of the criteria used in Libya and apply them to the situation in Syria. By applying these criteria to Syria, it is evident that limited military intervention similar to the Libya campaign model does not fit in Syria.
Perhaps not surprisingly, this kind of inconvenient candor from within the ranks about the lousy military options we face in Syria doesn’t sit well with some, in particular, a certain Senator from Arizona. As was noted almost as an aside in this front-page story of The New York Times: “Mr. McCain has said that doubts about military action expressed by the chairman of the Joint Chiefs of Staff, Gen. Martin E. Dempsey, have emboldened the Syrian government to use chemical weapons…” Now, McCain’s shamelessly fickle relationship with the Pentagon’s point of view is well-documented. But still, accusing a high-ranking four-star general of tacitly encouraging the enemy just by doing his due diligence, that should merit a front-page story on its own and give pause to everyone beating the drums of war. After all, it wasn’t that long ago when our nation learned the painful, costly lessons of not heeding the expert advice of those who have seen war close up. Just ask Gen. Eric Shinseki.
Oh no, the president assures us, Syria won’t be like Iraq. And I believe him—to the extent that I don’t think he’s stupid or reckless enough to launch a full-scale ground invasion of a Middle Eastern nation based on lies and misinformation. But to paraphrase the old adage about prostitution, launching an airstrike on Syria will still be pre-emptive war, Obama’s just haggling over the price.
In fact, the administration’s feckless talking points make it seem like downright cheap when it comes to such a supposedly important undertaking. Calling the proposed airstrikes “just muscular enough not to get mocked” or “just enough to be more than symbolic” is an outrageously cavalier attitude toward the unleashing of deadly force. So, too, is the White House’s half-hearted goal to merely “deter and degrade” Assad’s ability to launch chemical strikes.
In an interview with a local NPR station, former Army officer and Boston University professor of international relations Andrew Bacevich blasted the administration’s “weasel words” as emblematic of a similarly fuzzy, ineffectual military strategy:
Degrade? Deter? If indeed the crime here is the use of chemical weapons to inflict large-scale casualties, how will this presumably very limited attack prevent any recurrence of that event? This will be an act of war by the United States against the government of Syria. When we go to war, we should do it only for the most serious reason. We should have very specific political purposes to be served, and I don’t see that in this particular case.
I think what we have is a president who backed himself into a corner by foolishly saying the use of chemical weapons constituted a red line. Now the red line’s been crossed, and people in Washington are concerned about American credibility or the president’s prestige being compromised. I think we’re going to have a modest, ineffective military action undertaken to try to give the impression of restoring that credibility and prestige.
We’ve truly arrived at a through-the-looking-glass moment, one where even liberal bastions like The New York Times editorial page believe restoring our nation’s credibility abroad somehow requires launching a military campaign that likely won’t achieve anything except accidentally killing some of the people we claim to be trying to protect. That we’re rushing to undertake this potential misadventure without any public support or Congressional approval only compounds the injury.
To be sure, Gen. Dempsey is not a renowned Constitutional scholar, but one does not rise through the ranks and get to his position without learning to be both strategic and precise in every aspect of your professional life. So, the general’s language at the end of his July letter to Sen. Levin, much like Prof. Bacevich’s above, is worth noting for its strong Article I allusions:
I know that the decision to use force is not one that any of us takes lightly. It is no less than an act of war. [emphasis mine]
In other words, there's a debate to be had about this; but—unlike the UK—we aren't having it. Now, I’m a firm believer in civilian command of our armed forces. So, whatever Dempsey’s personal beliefs, when President Obama eventually gives his order on how to proceed with Syria, all of the military chain of command, Dempsey included, should execute with best possible speed. But it is precisely because dissent and debate are not roles given over to our military—and for good reason—that it falls to us as citizens to exercise those principles on their behalf. And yet, here we are once again—a chosen few in our nation’s capital stand ready to embark on a perilously ill-advised military campaign, all the while brushing aside real debate. Isn’t it long past time we try something different than heedlessly exporting violence abroad to encourage democracy, like practicing a little more of it here at home?
Contact me directly at reedfrichardson (at) gmail dot com. I’m on Twitter here—(at)reedfrich.
Editor's note: To contact Eric Alterman, use this form.

Jeff Bezos. (AP Photo/Reed Saxon)
My new “Think Again” column is called Neoconservatism on the Decline and takes issue with David Brooks on the nature of Ted Cruz and Rand Paul’s victory over his friends.
My new Nation column is called The Washington Post's Dubious Salvation and that ought to be self-explanatory.
One point I wish I had had the room to include in the Nation piece was the fact that on the Sunday following the purchase, the Post Outlook section ran a piece by Tricia Duryee called “Five Myths About Amazon” that read more like application for a job in Amazon’s public relations office by its author than an even remotely honest assessment of Amazon’s pros and cons. It began as follows:
Let’s separate fact from fiction about Bezos.
1. Jeff Bezos is destroying independent booksellers. But it’s hard to make the case that Amazon was solely responsible for destroying independent booksellers.”
Note the sleight of hand. She goes from “is destroying” to “solely responsible.” In fact, Amazon is destroying independent book sellers, it is just not entirely alone in doing so. Is that so hard to understand?
I did not read the piece that carefully when I saw I wasn’t going to have room to include it, but I also noticed this “myth.”
Amazon’s key advantage is that it doesn’t collect state sales taxes.… Still, there’s not overwhelming evidence that collecting taxes has negatively affected the retailer’s sales in those states.
Again, the sleight of hand. Did we say the evidence needed to be “overwhelming?” How about compelling? How about common sense? I sure don’t mind saving the sales tax on expensive purchases and I don’t imagine you do either, especially when you throw in free delivery and not having to get dressed. The fact that this piece was published at all was shameful.
Fortunately, the Post ran a pretty decent profile of Bezos as well, or the above would have humiliated the entire paper, yet again. And speaking of humiliating the entire paper, here is a nice surprise: Former Post Ombudsman Patrick Pexton on Jennifer Rubin:
Have Fred Hiatt, your editorial page editor—who I like, admire, and respect—fire opinion blogger Jennifer Rubin. Not because she’s conservative, but because she’s just plain bad. She doesn’t travel within a hundred miles of Post standards. She parrots and peddles every silly right-wing theory to come down the pike in transparent attempts to get Web hits. Her analysis of the conservative movement, which is a worthwhile and important beat that the Post should treat more seriously on its national pages, is shallow and predictable. Her columns, at best, are political pornography; they get a quick but sure rise out of the right, but you feel bad afterward.
And she is often wrong, and rarely acknowledges it. She was oh-so-wrong about Mitt Romney, week after week writing embarrassing flattery about his 2012 campaign, calling almost every move he made brilliant, and guaranteeing that he would trounce Barack Obama. When he lost, the next day she savaged him and his campaign with treachery, saying he was the worst candidate with the worst staff, ever. She was wrong about the Norway shootings being acts of al-Qaida. She was wrong about Chuck Hagel being an anti-Semite. And does she apologize? Nope.
Rubin was the No. 1 source of complaint mail about any single Post staffer while I was ombudsman, and I’m leaving out the organized email campaigns against her by leftie groups like Media Matters. Thinking conservatives didn’t like her, thinking moderates didn’t like her, government workers who knew her arguments to be unfair didn’t like her. Dump her like a dull tome on the Amazon Bargain Books page.
Here is Eric Alterman on Jennifer Rubin, from last year.
Way to go to Jack Germond on living to 85 while drinking a lot and eating lots of steak: also for quitting after the stupid 2000 election and retiring to West Virginia. Here's my favorite line of his, from Sound & Fury: When the McLaughlin Group discussed a Texas gubernatorial candidate's insistence that Mexican brothels were the only places a young man could "get serviced" in west Texas, Jack Germond noted that this comment was offensive to west Texan sheep population.
Alter-reviews: The great Loudon Wainwright III returned to the Stephen Talkhouse in Amagansett last week as he does every summer. It was, as it always is, a kind of homecoming since previous Loudon Wainwrights are buried nearby in East Hampton. Also as with every Loudon Talkhouse performance, the show was extremely intimate, with nobody talking but everybody laughing. Well more than half the material was new and as yet unrecorded, including a song LWIII wrote for “Justified” but did not make the cut—and another he wrote about the fact that hey, Rufus, formerly a “tit-man” is now 40, married to a guy, and has Leonard Cohen’s grandchild as a kid. (How awesome is that latter part, especially for Loudon, to be co-grandads with the greatest lyricist ever and coolest old man alive?) Anyway, that song was great and so were some of the others. The ones that weren’t were just good. It was a lovely show and left everyone in the room with a warm feeling once the young people showed up around ten to start hooking-up etc. I would go to David Bromberg at the Talkhouse but I have to pick up the kid at camp. (That’s my daughter in the water/She won every time I fought her.) You should though, if you’re around (and rich). Last year’s show was incredible.
Foreign, Not Domesticated, News: Why McClatchy Reporting Still Stands Apart from the Mainstream Media
by Reed Richardson
Bad reporting is usually easy to spot: its phrasing clichéd; its sources predictable (as is what they say); and its narrative tired and lazy. Great reporting, on the other hand, isn’t always so obvious. It can take time to recognize it, often only after a long accretion of comparisons to adequate or even good reporting does it stand out. But in today’s saturated media market, even great reporting can easily be shunted aside, overlooked, if not outright ignored. Sometimes this happens inadvertently, but sometimes it occurs precisely because its uncompromising narrative simply doesn’t fit what everyone else is saying.
All of this is to say that if the McClatchy newspapers’ indispensible foreign and Capitol Hill coverage isn’t a part of your regular news diet—and it probably isn’t—it really should be. Nowhere else can you find consistently uncompromised journalism that makes you stop and think, challenges the conventional wisdom elsewhere, and is rich with detail no one else has. As I Tweeted earlier this week, to read McClatchy’s recent coverage of our nation’s counterterrorism programs abroad and government surveillance here at home is to get a bracingly different perspective than anywhere else in the U.S. mainstream media.
Just this week, one could find a striking contrast between McClatchy’s reporting and the other major news organizations. For example, on Sunday, The New York Times ran a story entitled “Embassies Open, but Yemen Stays on Terror Watch.” With a Washington, D.C. dateline, the article was chock full of standard quotes from US officials about the lingering threats in that country. All in all, a fairly in-depth report. Until, that is, you read McClatchy’s dispatch: “U.S. embassies in Muslim world would reopen amid still-murky threats.” In it, you encounter a passage that is a head-snappingly frank back-and-forth about how the US foreign policy sausage gets made, culminating with a paragraph the likes of which is nowhere to be found in the Times piece or anywhere else for that matter:
A high-ranking Yemeni security official speaking on the condition of anonymity told McClatchy that the claims of a foiled plot had no basis in fact. That source bemusedly attributed media reports about imminent terror strikes to a single official’s comments, which he cast as a misguided attempt at shifting public opinion in the face of increasing and unpopular American drone strikes.
Yes, everyone knows the press gets spun, perhaps nowhere as often as when it relies heavily on military and administration sources to cover terror threats. But rare is the mainstream news organization that actually weaves this pre-packaged reality into its journalism and so clearly lifts the veil on how these talking points drive coverage and policy.
The same dynamic was at work last week, when a barrage of drone strikes in Yemen generated prime coverage from all the major media outlets. If you chose to read the Associated Press “Big Story,” though, you’d be treated to 14 paragraphs of the US government’s side of the story before any critical voices are quoted, and then it’s an American. Contrast that with McClatchy’s report from the same day, which, like the AP report, features a Sanaa, Yemen dateline, but also offers a much less sanguine, local reaction to the drone attacks. Right in its headline, McClatchy cites Yemenis calling the drone attacks an “overreaction” and, in the lede, the reporter notes the “widespread outrage” generated by the strikes. Side by side, it’s clear which story offers more context about the immediate efficacy and long-term impact of our drone policy.
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Back on the home front, this dichotomy appears as well. While the New York Times and CNN produced capable stories on President Obama’s proposed surveillance reforms last Friday, McClatchy’s Washington bureau developed the story for a few days. As a result, co-authors Anita Kumar and Jonathan Landay build a much more analytical and dubious take, one that goes beyond just throwing in one or two token opposition voices and calling it a day. Instead, every government claim gets balanced with a skeptical source, to create a meticulous examination of what constitutes real change and what is merely eyewash from the administration. That some of these insightful privacy experts never appear elsewhere in mainstream media coverage is perhaps more telling than what they actually have to say.
Of course, students of media coverage will recognize McClatchy’s storied history of mining overlooked and underappreciate sources to get at the truth. Eleven years ago—back when they were known as Knight Ridder— this same Washington news bureau was producing outstanding reporting that cast serious doubt on the Bush administration’s case for invading Iraq. As FAIR noted in its 2006 review of who in the mainstream media didn’t get it “Wrong on Iraq” (a very short list), Knight Ridder stood out for its clear-eyed, not-so-credulous approach:
Knight Ridder's skeptical reporting stood apart from the more credulous coverage regularly put forth by most other mainstream outlets. When the New York Times reported on the aluminum tubes story, ‘U.S. Says Hussein Intensified Quest for A-Bomb Parts’ (9/8/02), it emphasized the White House view that the tubes were hard evidence of an Iraqi nuclear program, and downplayed dissenting views. Knight Ridder published a very different piece, ‘CIA Report Reveals Analysts' Split Over Extent of Iraqi Nuclear Threat’ (10/4/02), recording strong dissent by prominent experts and portraying the tubes' purpose as anything but a settled issue. Indeed, in the end, the dissenters were right.
Indeed, this reporting was so discordant from the rest of the Beltway media’s drumbeat for war, that editors in affiliated newspapers buried the DC bureau’s stories and senior executives on the masthead chose not to submit KR’s coverage for a Pulitzer Prize that year. As former Knight Ridder Washington bureau editor Clark Hoyt explained in this Nieman Watchdog post, breaking news like this only arose suspicion internally: “How do we know you're right?’” Hoyt recalls being asked. “The New York Times and Washington Post weren't reporting this stuff.”
Hmm, where have we heard that line before?
It’s little wonder American Journalism Review titled its post-mortem of KR’s pre-Iraq War coverage simply: “Going It Alone.” The AJR story is illuminating for, in it, one learns from KR Washington reporter Warren Strobel the fairly banal yet counterintuitive-for-the-Beltway-media formula he and his reporting partner, Jonathan Landay followed to get at the truth. Partly driven by necessity, Strobel and Landay essentially had to flip the idea of access to sources on its head:
“[Their] conclusions came from a lot of extra digging and source-building they were forced to do without the red-carpet access to high-level officials that some of the nation's top media outlets enjoy.
“‘Knight Ridder is not, in some people's eyes, seen as playing in the same ball field as the New York Times and some major networks,’ Strobel says. ‘People at the Times were mainly talking to senior administration officials, who were mostly pushing the administration line. We were mostly talking to the lower-level people or dissidents, who didn't necessarily repeat the party line.’
“'Those sources,' [then] Knight Ridder Washington Editor Clark Hoyt adds, were ‘closest to the information.’
“‘I'm not saying we didn't have any top-level sources,’ Strobel says, ‘but we also made a conscious effort to talk to people more in the bowels of government who have a less political approach to things.’”
This different reporting strategy—more ground-up than top-down, more outside than inside—uncovered a strikingly different reality than the one being sold to rest of the press by the Bush White House. But, KR’s excellent reporting likely would have never even made it to the printing press had its Washington bureau not also embraced a vastly different philosophical approach to reporting about our government 11 years ago:
“‘Many other news organizations were willing to give the administration the benefit of the doubt, particularly in the post-9/11 environment,’” Strobel says. ‘We were not.’”
More than a decade later, McClatchy is using this same prescription to offer a dramatically divergent tale of our nation’s campaign against terror both at home and overseas. Case in point, earlier this month, when the Times and CNN withheld, per the government’s request, the names of two key Al Qaeda leaders from their reporting on a potential terror attack. McClatchy, whose reporting was the only one of the three to include a dispatch from Yemen, didn’t hold back and scooped the pair. Again, driving its decision to go it alone was its strong shoe-leather reporting and better sense of the truth beyond what Beltway sources were saying. As McClatchy Washington bureau chief James Asher later explained to Huffington Post’s Michael Calderone (who is really worth following for trenchant meta-media coverage on terror and spying issues):
“Our story was based on reporting in Yemen and we did not contact the administration to ask permission to use the information. In fact, our reporter tells me that the intercept was pretty much common knowledge in Yemen.”
That two highly respected news organizations would—again—accede to such a unnecessary request should set off alarm bells for anyone who cares about press's ability to keep the public truly informed. Fortunately, Asher is unequivocal about maintaining his journalists’ distance from invidious government interference (and is clearly in possession of some sharp elbows as well):
"On your larger question about the administration's request, I'm not surprised. It is not unusual for CNN or the New York Times to agree not to publish something because the White House asked them. And frankly, our democracy isn't well served when journalists agree to censor their work.
"As I've told our readers in the past: McClatchy journalists will report fairly and independently. We will not make deals with those in power, regardless of party or philosophy."
To be fair, the reporters, editors, and producers at every major US news organization would no doubt agree with the principles Asher articulates here. But the ongoing tragedy of American journalism is this: McClatchy continues to stand apart from the rest of the mainstream media because it so often seems to be the only one fully practicing what it preaches.
Contact me directly at reedfrichardson (at) gmail dot com.
I’m on Twitter here—(at)reedfrich.
Editor's note: To contact Eric Alterman, use this form.

Dan Thompson, 51, of Canton, Michigan speaks out against health care reform during a town hall meeting. (AP Photo/Detroit Free Press, Kimberly P. Mitchell)
My new Think Again column is “How to ‘Ignore’ and Obsess About a Story Simultaneously.” An alternate title is “The Wingnut Benghazi Fixation and What it Means about Media Bias.”
I wanted to give two quick shout-outs before turning over to Reed. One is to a film I saw at Lincoln Center recently, called “Born in Chicago,” about the largely Jewish local boys who hooked up with Muddy, Wolf, Otis, etc and went on to obscurity. Everybody knows about the British/Chess connection, but since the deaths of Paul Butterfield and the enormously charismatic Michael Bloomfield, these guys have been largely forgotten. The screening I saw had a panel hosted by my buddy Bob Merlis, and featured Marshall Chess and Barry Goldberg, who after disappearing for a long time, has recently resurfaced musically with Stephen Stills and Kenny Wayne Shepherd for a band called The Ride. Golberg was also instrumental in getting this wonderful documentary made and I hope it screens far and wide. It really is a lost history. There was a nice Times write up here. And you can read more about Bloomfield and Goldberg in Ben Sidran’s terrific and tragically obscure, There Was A Fire: Jews, Music and the American Dream.
Also, there’s a comic book about John Lewis, the Congressman/civil rights leader, not the MJQ guy. It’s kind of a crazy idea. Well, ok, call it a “graphic novel.” It’s called “March: Book One,” and it’s published by the very cute Top Shelf Productions, and you can read about it here.
The Gums of August: How Angry Town Halls Mesmerize the Media and Distort Debate
by Reed Richardson
Welcome to the yelling season.
Every year, Congress goes into recess in late summer and members trundle back home to their districts and states for a break from their not-so-grueling three-day work weeks in Washington. Lately, however, even these notional vacations have proven to be anything but. Thanks to a small, vocal minority, the longstanding Congressional tradition of holding informative, respectful town halls during August has morphed into a much coarser ritual, one where US Representatives and Senators are routinely targeted for bilious rants and incoherent ramblings. The underlying intent of all this bumping of gums and gnashing of teeth isn’t engaged discourse; it’s disruptive grandstanding.
Don’t get me wrong, I’m not here to trot out a defense of elitist thought masquerading as yet another Beltway centrist call for more civility. And I readily admit that members of Congress increasingly exist in a comfortably cloistered bubble, disconnected from the hard reality of their constituents. This is partly due to the incessant time demands of campaigning and fundraising, but partly it’s the result of simple arithmetic. On average, each member of the House represents roughly 650,000 people today, an increase of nearly 58 percent from 1960, when the median Congressional district population was around 412,000. So, any face-to-face time between members and the citizens they represent should be encouraged. But it is exactly because this democratic give-and-take is so precious that those who merely want to demagogue and dominate the process are such a problem. And, unfortunately, the media only makes it worse.
This enabling behavior by the press can be explained, if not excused. August has long been considered a notoriously slow period for political news (although, to be fair, the idea is probably oversold). So, any news peg that the media can find—no matter how tenuous—soon suffices for hanging an entire narrative upon. Thus, a press corps habitually trained to view every story through the crude lens of partisan confrontation can’t help but make rowdy town halls a staple of slow summer news coverage. For cable TV news—with its insatiable 24/7 content appetite—a steady stream of free, user-submitted videos featuring angry citizens berating their Congressman is practically a godsend. Left unchecked, however, a self-reinforcing loop of selection bias can take hold and distort the truth. Pretty soon, the town hall media coverage can makes it seem as if everyone in the country is mad at the government.
This was precisely the media strategy followed in August 2009 by Tea Party conservatives, some of whom were operating under direction of memos like this, which encouraged town hall attendees to “rock-the-boat” and “yell back [at members of Congress] and have someone else follow up with a shout out.” Often, their behavior didn’t stop at rhetorically blasting the president’s healthcare reform bill, aka Obamacare; at times, the opposition escalated to physically threats or assaults on some of its supporters. Since conservatives appear intent on repeating many of these tactics this summer—hence, the Atlantic Wire’s headline this week: “The Town Hall Outrage Over Obamacare Has Begun”—it’s worth revisiting, for reference, the media debacle from four years ago.
And what a debacle it was, as this Pew Research study from last year concluded. It found that nearly half—49%—of the overall news coverage of the healthcare reform debate in 2009–10 focused solely on the politics and process of reform. (Less than a quarter involved actual policy analysis.) This obsession with the theater surrounding the bill effectively set the conditions for a distorted alternate reality. Once the right wing began its angry town halls campaign, it all came to fruition.
In this parallel media universe, the only rational response to Obamacare was to vent one’s spleen at government officials, even though public opinion was evenly split in August 2009. For example, when the president encountered a respectful, reasoned town hall audience in New Hampshire in mid-August of that year, Fox News quickly cut away. The network's not-so-subtle suggestion: the lack of venom directed Obama's way could only be explained by some sort of propaganda effort by the White House. Then, in a moment of unrestrained id, Fox News anchor Trace Gallagher perfectly crystallized the broader media’s bias for fireworks: “Any contentious questions, anybody yelling, we will bring it to you here.”
Just how successfully were conservatives in getting the media to play along with their anger? A separate 2010 Pew Study that found the opponents of healthcare reform handily won the messaging war, and that a big driver of their larger success was forged in the town hall cauldrons of August:
One example of this resonant rhetoric was the emergence of the term ‘death panels’ in August 2009. That was the month when anger boiled over in the health care debate. The fiery town hall protests, featuring citizens yelling at politicians, proved irresistible to the press, and accounted for nearly one-quarter of all the health care coverage that month.
This is the other important point about the trap of the angry-town-hall news meme. Not only does it misrepresent public opinion, it often misinforms the public by airing and then repeating falsehoods ad nauseam. Indeed, to borrow a term from the national security debate right now, town halls became a popular vector for injecting lies about Obamacare into the political discourse. While some in the media did yeoman’s work trying to debunk town hall myths about “death panels,” to expect cable news anchors to follow-up with a correction after each and every replay of someone spouting baseless rumors or Republican talking points is unbounded optimism. When a US Senator like Chuck Grassley all but endorses the same “death panels” lie, well, that’s a bridge too far for almost anyone in the establishment media to cross. And lest you think this kind of lie, once loosed, has a finite shelf life, think again. Just this week, “death panels” returned, zombie-like, to haunt a headline in a story from The Hill.
That’s where we are this August, contemplating a right-wing-driven media blitz over “defunding Obamacare,” which is essentially the same bitter, misinformed debate we suffered through four years ago. Certainly, Sean Hannity sounds like he’s still stuck in 2009. This, despite the fact that a majority of Americans now disagree with his entrenched obstructionism and say Republicans should stop trying to block the law’s implementation.
There are some rays of hope, however. If there’s one thing the press can’t abide, it’s being bored and getting stuck covering the same old shtick. Increasingly, the establishment media seems to have figured out the right wing is mostly just offering up the political equivalent of reruns this summer. About the only new twist on this saga is that a fair share of August’s conservative anger looks like it will be directed inward, at Republicans who aren’t reflexively willing to sabotage the government and derail the economy just to spite the president.
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Nevertheless, right-wing PAC Heritage Action will be rolling out a nine-city, traveling twin-bill town hall focused on defunding Obamacare later this month. Featuring the latest winner of the conservative sinecure lottery, Heritage Foundation President Jim DeMint, alongside the reactionary heartthrob-du-jour, Senator Ted Cruz, this crackpot line-up is readymade for jokes about black satin tour jackets emblazoned with “DeMint-Ted” across the back. A more appropriate name for this tour, though, might be the “Death of Irony,” especially after reading this shameless shovelful of jus' folks manure from DeMint, which stops just short of calling for a boy’s band right here in River City:
I’m thrilled to be joining Heritage Action and to travel across the country to spend time with real Americans rather than Washington politicians. We want to hear directly from people in local communities who often suffer from Washington’s out-of-touch policies. Fortunately, Washington doesn’t have to win.
Left unsaid by DeMint: the awkward reality that his shiny, seven-figure income derives solely from being a former Washington politician who can whisper sweet nothings into the ear of current Washington politicians. Long after the shouting of this August’s right-wing faux populism has faded away, it will be his voice, and other insiders like him, that really matter in our democracy. And until the press figures that out, any talk of real change is just noise.
Don Cooper, Shamrock, Texas
Thoroughly enjoyed the piece about the corporate media's selective skepticism. Reed Richardson did good work on this. As a former editor-cartoonist-columnist, I was constantly astounded by the double-standard showed by the so-called objective press. For example, President Obama is nitpicked to death, while G.W. Bush's bullshit was taken at face value. Also, I am sick of seeing how networks still maintain a 4-1 margin of Republicans over Democrats on the Sunday talk shows. If, by some chance, a Democrat gets some air time, viewers can expect to see "balance" by bringing on a Republican or two. Doesn't happen in reverse—and, as far as I've been able to tell, Bernie Sanders is persona non grata on the Sunday talk shows.
Contact me directly at reedfrichardson (at) gmail dot com.
I’m on Twitter here—(at)reedfrich.
Editor's note: To contact Eric Alterman, use this form.

Glenn Greenwald. (AP Images)
My new “Think Again” column is called “The (Non-Existent) ‘Center’ Folds.” It’s about the now obsolete notion among Washington insiders that such a thing as “the Center” continues to exist and the damage this does in helping us to understand our world and the Republican desire to destroy almost everything of value in it.
One thing of value that was destroyed this week was Big Nick’s. When you accuse the New York Times of living in an Upper West Side liberal bubble, don’t forget to add “who don’t know the value of a decent burger.”
But one person who does continue to do his job terribly well, and by coincidence, has the best job on the planet—perhaps the best job in the history of the planet—is Bruce Springsteen. If you want the stats on his 2012/2013 tour, which still has three South American dates left and may return to the States in the Fall, or may not, here they are. The one I find most impressive: 223 songs played. The one I find most ridiculous: “Waitin’ On a Sunny Day” played 128 times.
Oh, and speaking of Bruce and burgers, everybody see this?
Now about Huma...just kidding. Here’s Reed:
A Terrible, Horrible, No Good, Very Bad Month for Freedom of the Press
by Reed Richardson
One need not look very hard these days to find evidence that climate change is very real, has already reached crisis level, and increasingly endangers our very existence on this planet. Similarly, events of this past month have offered up incontrovertible proof that the climate of our democracy is suffering through its own man-made crisis, one that is slowly submerging the fundamental rights of its citizens beneath the rising tide of an omniscient national security state. As one of the few lines of defense enumerated in our Constitution, the press plays a critical role in holding back this deluge. So it is particularly alarming to see the press’s ability to freely investigate the government increasingly under assault. And make no mistake, under assault, it is. Indeed, in adding it all up, July 2013 may rank as one of the worst months for the freedom of the press in our nation’s history.
As a sad but fitting preview to an awful July, on June 23 NBC News “Meet the Press” host David Gregory engages in a bout of media self-recrimination worthy of a Soviet show trial from the 1930s. Pointedly accusing Guardian reporter Glenn Greenwald of having “aided and abetted” leaker Edward Snowden, Gregory goes on to openly question whether or not Greenwald deserved to being “charged with a crime” for his reporting.
This response is doubly counterproductive since the chief antagonist of the press’s freedom is unquestionably an Obama administration intent on carrying out an “unprecedented war on whistleblowers,” as Guardian reporter Glenn Greenwald called it once again on July 2. And over the past few years, this targeting does have a different, more ominously aggressive tone about it. Whether it’s casting an egregiously wide and secret data net over an Associated Press reporter’s phone calls or asserting in a legal brief that Fox News reporter James Rosen was a “co-conspirator” in espionage, national security reporters increasingly find themselves in the government’s crosshairs. It’s a fitting analogy, then. For this “war,” like all others, has resulted in plenty of collateral damage, not the least of which is the freedom of the press.
Nevertheless Greenwald strikes such a sour chord with the establishment media that it often responds in a way that ultimately hurts its own cause. Also on July 2, The Washington Post produced an embarrassing editorial bemoaning the steady stream of reporting of Snowden leaks. Such was the Post’s distaste for this kind of journalism that the paper couldn’t even acknowledge that it too had published a major scoop based on a leak from Greenwald’s source, Snowden. And delegitimizing Greenwald, his source, and thus, his reporting, continues to be something of a Beltway parlor game. Just this past Monday, on July 29, MSNBC’s Morning Joe gave yet another Greenwald critic—former Obama aide Steve Rattner—a comfy platform to dismiss him as “an activist portraying himself as a journalist.”
To be clear, to question Greenwald’s reporting is fair game. And troubling questions about the accuracy of some elements of his stories have been raised. But arguing over the details of his reporting is far different than arguing that the author’s very transparent views on the Obama administration gives critics a free pass to ignore his reporting in toto. This circumscribed mindset, which obsesses over defining who is or isn’t a journalist, instead of what is or isn’t journalism, is self-defeating for both our press and our democracy. By attaching journalism’s standing to a person rather than a principle, the press runs the risk of government and the courts undermining the latter while being focused on the former.
Which is what happened on July 19 in the 4th Circuit Court of Appeals. It ruled that New York Times national security reporter James Risen must reveal the confidential source that leaked him classified information or risk jail time. Billed as a “victory” for the Obama administration, the majority in the 2–1 decision pointedly rejected Risen’s claim of “reporter’s privilege” under the First Amendment—and if a Times reporter of his stature can’t make such a claim, no one can. As a result, the court established a disturbing precedent that could severely hamper investigative journalism going forward. As dissenting judge, Roger Gregory, noted: “The majority exalts the interests of the government while unduly trampling those of the press, and in doing so, severely impinges on the press and the free flow of information in our society.”
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This decision was particularly galling since it came hard on the heels of new, supposed more press-friendly Justice Department policy guidance for dealing with the media. Drafted in response to the media outcry over the DOJ’s actions in the AP and Rosen cases, the recommendations, which Attorney General Eric Holder rolled out on July 12 seemed encouraging. However, a deeper dive paints a decidedly less rosy picture for the press. For instance, the DOJ memo calls for the creation of a “news media dialogue group,” which brings up the specter of once again relying upon a self-censoring, overly credulous, insider-heavy group of journalists being co-opted by the government. We’ve seen what his kind of too-close relationship has wrought before and it wasn’t pretty.
But the memo’s most troubling aspect involves the “heightened standards” for obtaining access to journalist’s work product under the Privacy Protection Act (PPA). Though the new language talks a great game, it actually offers little in the way of new protections for journalists. As this House Judiciary Committee report, released on July 31, ably explains, all the new “suspect exception” guidance does is prevent the DOJ from repeating the outrageous tactic it took in the Rosen case, which was already a willful breach of the original intent of the PPA.
In other words, the memo merely gives away statutory authority that the Justice Department shouldn’t have taken in the first place. That the administration felt empowered to take these liberties sends a much more telling signal about its attitude toward press freedom than any newfound commitment to try to not overreach in the future. (I say try, because, after all, this is only guidance.)
And overreach was certainly the watchword of the government’s case against PFC Bradley Manning, which reached its final verdict this past Tuesday, July 30. Having already pleaded guilty to numerous charges for illegally releasing hundreds of thousands of classified documents to Wikileaks, Manning still had to defend himself against the more incendiary charge of espionage and “aiding the enemy.” And although ultimately found not guilty of the latter charge by a military judge, the ferocity with which the administration pursued Manning’s case sends an undoubtedly chilling message to other potential whistleblowers as well as the reporters who might work with them.
But as much as these after-the-story-is-out cautionary tales drive doubt and hesitancy in the press, it also matters just as much that many of the investigative reporting tools the press uses prior to publication no longer enjoy an expectation of freedom from government monitoring. In something of a double whammy to individual and press privacy, the last day in July saw the first reports (by Greenwald) of XKeyscore, an even more comprehensive NSA digital spying program, along with a 5th Circuit Court of Appeals decision that upheld the government’s warrantless tracking via cellphone. Couple these events with previous revelations about government collection of email and telephone metadata and the dragnet to stanch leaks and ensnare reporters becomes a daunting obstacle. It is not without irony that, out of fear for their sources as well as themselves, savvy investigative reporters must now routinely adopt the same extreme, low-tech communications tricks and surveillance-avoiding tradecraft as the terrorists our enormous national security network was set up to catch.
Simply put, the intoxicating power of having an all-knowing spy agency that suffers little to no oversight is simply too great of a temptation. Sure, the Obama administration will justify its actions under a banner of national security, but over time its never-ending war on leaks and leakers has opened a dangerous new front, one fought on the ground of where they leak to. The Constitution is very clear, however; being an adversary of the government does not make the press an enemy of the state. But if we continue to turn a blind eye to what’s going on, we’re likely to wake up one day to find the freedom of the press has been washed away and, swamped by fear, our democracy is no longer worth living in.
Contact me directly at reedfrichardson (at) gmail dot com.
I’m on Twitter here—(at)reedfrich.
Editor's note: To contact Eric Alterman, use this form.

Scene from Woody Allen's "Manhattan." (Courtesy of Wikimedia Commons)
My new Think Again column is called “Indiana Is the Latest Skirmish in the Conservatives’ War on Knowledge” and it’s about Mitch Daniels’s energetic censorship efforts as Governor of Indiana, aimed primarily, but not exclusively, at Howard Zinn.
I noticed this ranking of all 50 of Woody Allen’s films. I’ve seen all of them except Blue Jasmine and first of all, #5 is really #1. But also, way underrated on this list in addition to “Manhattan” is: "Crimes and Misdemeanors," "Scoop," the first part of "Celebrity," and "Play it Again, Sam." I also love "Deconstructing Harry" but that's a personal thing. (It's a hate letter to Philip Roth, who ended up with Mia Farrow, so there...) Overrated on this list: "Radio Days," "Shadows and Fog," "New York Story," and "Broadway Danny Rose," which is great, but nowhere near as great as say, "Crimes and Misdemeanors," which I would put # 3, but only because Annie Hall was so original and wonderful in its moment. Otherwise I'd put it at #2; one of the few genuine masterpieces of contemporary cinema. And I'd also argue that Woody, having three of these, has more than any of his peers...
Alter-reviews: Williamstown Theater Festival and Mass MOCA
No music etc, this week, except to say I saw a wonderful production of Tom Stoppard’s Hapgood—a play that somehow eluded me before, even though I am an enormous fan of Stoppard as a playwright, though not so much as a writer of movie scripts—and it was just wonderful, as was especially, Kate Burton, in the starring role. Nobody alive writes as clever plots and sparkling dialogue as Stoppard does and when it’s done well, it’s near perfect theater. And it was done well by the Williamstown Theater Festival, which is sort of on the Williams College campus, and I don’t know if they are always so great, but if you need to be in the Berkshires, as I did, well, this turned out to be a great idea. And so, did, by the way, the family visit to Mass MOCA in North Adams. I am not a big fan usually of contemporary art but this place was brilliant. It’s a fantastic space and the exhibitions were both fun and thought-provoking. I totally think whoever is in charge of Mass MOCA should be offered the job of running LA MOCA since that seems to be open and I’m guessing, pays a ton more money.
Now here's Reed, who is in especially good form today...:
First, a point of personal privilege: Almost exactly three years ago, I did my first regular post for the Altercation blog. At the time, a huge exposé was laying bare our runaway national security state, Republicans were stubbornly vowing to repeal Obamacare, and the planet was suffering from record-breaking heat. OK, so not much has changed, but thanks again anyway to Eric for letting me stick around too.
All or Nothing: The Press and Its Out-of-Balance Skepticism
by Reed Richardson
The events of this past Wednesday laid bare one of the most infuriating problems with our establishment media—it’s knack for selectively applying skepticism at all the wrong times for all the wrong reasons. Indeed, to compare the press’s snide, cynical stance toward Obama’s “middle-out” economic speech with the all-too-credulous tone it took toward the status quo on the Amash-Conyers amendment vote was to witness an institution failing in its democratic duty twice.
Channeling their inner, easily distracted teenager, many in the Washington press corps couldn’t wait to proclaim Obama’s detail-heavy speech on middle-class economic issues and income inequality “BOHHH-RING!” before it even started. This pre-emptive backlash (forelash?) among the objective press was particularly visceral. What’s more, it was strikingly similar to the smug critiques emanating out of the right-wing media.
Leading things off Wednesday morning, Chuck Todd at NBC News snarkily spoke of feeling “deja pivot,” which elicited approving nudges and winks from the Breitbart hive. ABC News’ political insider blog, The Note, led off with the not-so-subtle headline “Obama Pivots to Economy…Again,” before listing nine previous pivots, a total that fell 10 pivots short of conservative columnist Salena Zito’s count. The National Journal’s Ron Fournier dismissed the speech in a Tweet as nothing of consequence (“Move along.”), which was very close to where the Republican Party’s oppo hit came out: “speeches don’t create jobs.”
But perhaps no one, in the objective or right-wing press, captured the Beltway antagonism toward Obama’s speech quite like The Washington Post’s Dana Milbank. His column characterized the president’s return to a consistent economic message—one the president himself pointed out in his speech—as a case of the White House being “fresh out of ideas” and going into “reruns.” In a neat trick, Milbank stuck Obama in a Catch-22, crediting his ideas as worthwhile, but then faulting him for not coming up with different ones to appease intransigent House Republicans.
“But while that message remains relevant, Obama is now facing a Republican opposition that, by House Speaker John Boehner’s own account, is measuring its success by how many laws it can undo. There’s no longer serious talk about a grand bargain that could reform entitlement programs and the tax code. Legislators and administration officials have little hope of doing more than short-term skirmishing over the debt ceiling and mindless spending cuts in the ‘sequester.’
“If he’s to break through the resistance, Obama will need some bold new proposals. That’s why his speech returning to the oldies would seem to confirm that the White House has given up on big achievements.”
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This kind of analysis is, sadly, not an ironic joke. On issue after issue—the sequester, the debt ceiling, the farm bill, Social Security benefits, immigration reform—the White House and Senate Democrats have offered up significant compromises (often far too significant) only to have their efforts thrown back in their faces by Congressional Republicans, while the political media shakes its collective head and blames “gridlock” on “both sides.” But where, pray tell, is this press’s broad scrutiny of the president’s opposition in Congress? What, if any, “bold new proposals” are the House Republicans passing that the President is ignoring?
Certainly not any from House Majority Leader Eric Cantor, who tried to pre-empt the president Wednesday by pushing out a memo entitled “Three Ways to Immediately Grow Jobs and Strengthen the Middle Class.” Cantor’s trifecta? His own set of golden oldies. First, approve the potentially calamitous Keystone XL pipeline, a project that the State Dept. estimates will create a mere 35 permanent jobs. Next, urge the Senate pass the House’s three-month-old SKILLS Act, which is little more than a sop to tech industries seeking to hire cheaper foreign workers. Finally, he reprised the old “drill, baby, drill” mantra of 2008, disingenuously conflating increased offshore oil exploration with lower gas prices, which, time and again, experts say is a myth.
What of the larger House Republican’s tireless dedication to passing jobs legislation?, a curious journalist might have asked—but notably didn’t. Well, he or she can view a list of 15 Republican “Jobs Bills Stalled in the Senate” on the caucus’s official website. Of course, a skeptical reporter might start to question the sincerity of the GOP’s outrage at the Senate when he or she notices this list was posted 638 days ago, and that every one of the links to the pollution-enabling and regulation-gutting legislation from the previous Congress is now dead.
To be fair, the House GOP’s website also has a whole button solely devoted to its jobs plan, which entices you to click it with a promise of “Get all the details here.” That’s true, if by “details” you mean one sentence each of talking points on 10 empty policy platitudes like “Fostering Innovation,” “Expanding Education Opportunity,” and the ever-popular “Reining in Red Tape.” At least the press won’t be bothered with having to sift through an hour-long speech, I guess. And need I really mention that the House GOP’s strategy for lowering health care starts off with: “Repealing ObamaCare…”
When the previous president stuck to his guns on an issue and orchestrated political events to build support for them, the press swooned and called it “leadership.” When Obama does it, the press resents his repetition and castigates the president for being “in campaign mode.” Make no mistake, the press should bring with it a healthy skepticism to all of its reporting, even more so when covering those in positions of power, most especially the President. But almost all of the acid poured on Obama’s economic message this week wasn’t about the substance inside his speech, but the spin outside of it. The viability of his policy solutions didn’t interest many pundits, the majority of which instead chose to take umbrage with the fact that he’s proposed many of these same ideas before. To be clear, there are substantive questions that even liberals should have about Obama, both with the overall scope of his jobs plan as well as his follow-through. But cynicism for cynicism’s sake was pretty much all the establishment media gave us this week on his jobs speech.
Though there was plenty to go around, far too little skepticism carried over to the press’s reporting on the House vote to roll back the NSA’s unprecedented spying authority. Though prompted by a rare bipartisan House coalition comprised of the flanks of both the left and right wing, the media seemed cool to this group’s embrace of radical anti-centrism.
The Washington Post, for example, tried to play it straight, but too easily fell into the arms of anonymous “U.S. officials” who carefully defended the NSA program. Even worse, the article then quotes an ominous warning from Director of National Intelligence James Clapper, who claims that the Amash-Conyers amendment “risks dismantling an important intelligence tool.” That would be the same DNI Clapper who previously lied to Congress about what our intelligence agencies were actually collecting, an incredibly salient point that goes to his trustworthiness as a source and a detail that the Post, inexplicably, failed to mention.
The New York Times analysis of the amendment, which was defeated 217-205, was likewise full of quotes and devoid of almost any of the paper’s previous, more skeptical reporting. Why, for example, didn’t the Times directly include or, at the very least, link to its extremely valuable story on the secret legal rulings used to justify the NSA’s expansive powers from earlier this month? Such context would have provided a much more appropriate counterweight to the government officials’ unsubstantiated claim this week that “Denying the N.S.A. such access to data will leave the nation at risk.”
But at least the Times avoided spouting the intelligence community’s now standard talking point about the NSA program having foiled “at least 50 terror plot across 20 countries,” as the Associated Press’s write-up did. This claim, routinely presented to—and by—the press sans evidence, has been called dubious by numerous sources, not the least of which are three U.S. Senators. But that detail somehow didn’t merit inclusion in the AP’s “Big Story” on the amendment vote.
These little omissions are symbolic of much broader problem, a perverse inversion of skepticism within the press. The basic facts of how much intelligence our government really collects about us—in our name—remains a mystery, whereas the cutthroat reality that our middle class faces is all too obvious. Yet our media shows little interest in asking the hard questions about the former, and all too eager to lazily critique the value of discussing the latter. But this selectively all-or-nothing coverage increasingly leaves the public, and our democracy, with nothing at all.
Contact me directly at reedfrichardson (at) gmail dot com.
I’m on Twitter here—(at)reedfrich.
Editor's note: To contact Eric Alterman, use this form.

Washington, DC. (Reuters/Molly Riley)
My new Think Again column is called “Mainstream Media Refuses to Recognize the Elephant in the Room”
My new Nation column is called “The MSM and the Snowden Affair: Where True Loyalty Lies”
Had I not gone on so long on the Think Again column, I would have noted the passing of Leonard Garment whom I got to know in the late 1980s for a long profile I wrote, and whose company I thoroughly enjoyed. A proud graduate of Brooklyn College, Len, like his fellow Thundering Herd member, Alan Greenspan, should have stuck to jazz. (I got the chance to suggest this to Greenspan once, but that’s another story.) Anyway, Garment was, as Safire described him the “resident liberal conscience” in the Nixon White House. There has not been any such position in the Republican Party for a very long time, and it will be a long time before there is. Len’s long life was marked by tragedy, but when I knew him, he was quite the happy warrior, though, by that time, I think he would have a hard saying exactly for what. Anyway, he passes into history with an era that is gone as well, for better in some respects, but mostly for worse.
Alter-reviews, Joan Osborne live:
I have always had a thing for Joan Osborne. I saw her for five bucks in a bar in DC when her first album came out—the one that everybody has—and I’ve always been impressed by the various directions into which her music has grown, including her country album, her soul album, her original paean to my city, her work with an early post-Jerry version of the Dead, and most everything in between. Whenever she comes on the Ipod, I’m always taken aback, again, by how well her voice and interpretation works with a particular song.
Last night at the Stephen Talkhouse in Amagansett, my appreciation for her was redoubled if not retripled. While I appreciated her voice and interpretive skills, in the past, I was actually taken aback by just what a terrific singer she is: a powerful voice almost perfectly controlled with chancy interpretations that swung and hypnotized in equal measure. Part of the pleasure came from the intimacy of the club—and the ability of Joan to keep it rapt—as well as her brilliant piano player whose name I don’t know, but without whom the show would not have been half as great as it was. (Also, I have to say, Joan is a weirdly good tambourine player. I’ve never noticed anyone who made so much of the instrument before.) Anyway, the show was a combination of hits from the first cd, songs she just likes, and a few from her recent blues-oriented Bring it On Home. She’s pretty sexy too, especially when she gets into that tambourine trance. She’s playing a show of all Dead tunes next week on the net. It’s here, but I don’t quite understand how it works.
Now here’s Reed though I want to say I rather strongly disagree with him about This Town. I think it has flaws, mostly relating to what’s left out (substance, for instance especially as it relates to Republican nuttiness, which, in that respect, mirrors what is so wrong with most MSM journalism and inspired my Think Again column above, where I do I mention the book, and also how easy it goes on Sally Quinn and how transparently this is a nod to Ben Bradlee, which is how Quinn’s ridiculousness has been allowed to go on all these years without getting its due) but aside from all that, I think it’s a fine and useful and also quite fun book.
I Had to Read the Book, Having Had a Look…
By Reed Richardson
"Washington is not Hollywood (or 'Showbiz for Ugly People' as the dumb cliche goes). The stakes are real and higher."
So says Mark Leibovich in This Town (Blue Rider Press, $28), but you'd never know it from reading his book.
In fact, Leibovich’s breathlessly awaited DC potboiler, four years in the making, exists in a rarefied world almost wholly detached from the rest of America. Any perspective on the broader consequences of what Washington does (or doesn’t) isn’t the only thing lacking from the book, though. Substance, sincerity, structure, outrage, and wit are too. But the first thing missing, you'll learn, even before you open it up, is an index. Inspired by famed political journalist Richard Ben Cramer's refusal to include one in his books on Washington (to prevent Capitol Hill luminaries from merely skipping ahead to mentions of themselves), Leibovich does the same here. But in an ominous foreshadowing of the clumsy, overwrought fate about to befall his readers, Leibovich isn't content to follow Cramer's example, he has to go one better. So he boasts of this omission in a big, red, faux warning label on the back cover of his book jacket. Don’t you see? This book is dangerous.
Still, I can forgive an author foregoing an index to make a point, but skipping a table of contents too? This starts to suggest what would ordinarily fall in between the former and the latter is not held together by much. The same goes for the arbitrarily titled Prologue and Epilogue, which don't clearly sit outside the book's narrative arc, probably because the book doesn't really have one. No narrative engine drives This Town forward, instead it mostly just spreads, contagion-like from one glad-handing Washingtonian to the next in a semi-arch, stream-of-unctuousness style that is long on the little details and short on the big picture. Leibovich, who's spent 16 years reporting from Washington, first for the Post and now for The New York Times, openly admits to membership in “The Club,” as he calls it. But he never quite figures out at any one moment if he's trying to make us righteously angry or fully amused by the selfish and craven power-hungry culture that has wholly subsumed our nation's capital.
Early on, though, Leibovich is careful to distinguish this well-heeled world from the struggling city that serves as its backdrop. Still, the crass tone he inhabits to (presumably) mimic the cloistered viewpoint of DC’s chosen few fits just a little too comfortably for my taste:
Yes, [Tim] Russert was the mayor of This Town. To be sure, the 'real' city of Washington has an actual elected mayor: black guy, deals with our city problems. But that's just the D.C. where people live, some of them (18.7 percent) even below the poverty line, who drag down the per capita incometo a mere $71,011—still higher than any American state but much less than what most anyone at the Russert funeral is pulling down. Yes, Washington is a 'real city,' but This Town is a state of belonging, a status and a commodity.
There’s lots more of this personality profile-cum-political analysis from Leibovich, but it was striking how derivative it feels most of the time. Over and over again, his insights on the Washington culture seem rather small-bore and banal when standing alongside the more trenchant observations of others he quotes, many of whom, like Joan Didion, plowed this ground long before he did.
Part of the book is drawn from a 2010 New York Times profile Leibovich wrote on infamous Politico press tout and DC gadfly Mike Allen. The debt the book owes to this section is magnified, however, because Allen, and, more broadly, Politico, serve as the book’s ne plus ultra of the new Washington media culture This Town is intent on unveiling.
“Mikey” as everyone calls him, including Leibovich, who counts Allen as a friend, exemplifies the type of access-addicted, hive-minded, “drive the conversation” journalism that overwhelms the DC discourse more often than not. Viewed from another dimension—one not swayed by running into Allen at this swanky party or that well-catered fundraiser—Allen would have nicely fit the role of the book’s antagonist, someone who both compulsively seeks and dispenses approval to members of The Club. Instead, the book falls into the same amoral trap that plagues the shameless self-promoters it highlights. Just as everyone in the book seems only to respect success and power, no matter how ill-gotten it was gained, so too does their profile. Thus, the book repeatedly gives Allen’s boss, Politico executive editor Jim VandeHei, a platform to effuse over how Mikey has “authentic power,” is “the real deal,” and “has built the most successful brand in journalism.” If you’re struggling to recall even one big news story that this “brand” unearthed that improved ordinary people’s lives or that shook the levers of power, then you’re not alone (and don’t count on Leibovich for examples either). But then again, you’re also not likely to merit a birthday shoutout in Allen’s daily “Playbook” email, so who, really, gives a damn what you think.
The only real dramatic tension in the book comes when Leibovich briefly juxtaposes Allen’s oeuvre with that of recently deceased Rolling Stone reporter Michael Hastings. Known for an award-winning 2010 expose outing General Stanley McChrystal’s insubordinate comments toward the White House, Hastings, inexplicably, endured a lot of criticism after the story from Washington’s media culture for actually reporting on what McChrystal said. Leibovich documents the establishment media backlash, where Howard Kurtz, David Brooks, and Lara Logan all came forward to express their disappointment in Hastings’ professional conduct. Allen’s verdict in the matter, however, was so laughably in the tank that it serves as possibly the greatest indictment of his servile reporting one could think up: “A quick search would have showed McChrystal that caution was warranted around the irreverent reporter.” Your secrets are safe with ol’ Mikey, dontcha know.
Leibovich tries to play this conflict straight, and mostly succeeds in not taking sides, although that alone should be cause for concern. But he tips his hand when he describes fellow RS reporter Matt Taibbi, who rose to Hastings’ defense, a “wicked screed artist.” And there’s more than a whiff of insider tut-tutting when he says Taibbi is “one of the few legitimate heirs to Hunter S. Thompson in a blog-inspired generation of gonzo wannabes.”
Thompson’s legacy hangs heavy over This Town. On the surface, the book seems like it would be just the kind of scathing, damn-the-torpedoes takedown of Beltway hypocrisy and self-aggrandizement that Thompson would have hilariously dashed off, despite the frantic protests of his publisher’s lawyers. Coincidentally, in the pseudo-Prologue, Leibovich tries to gin up some of that same ol’ Hunter edginess by talking vaguely of trying not to “scare the vetters.” In reality, This Town is a far cry from something like Fear and Loathing on the Campaign Trail ’72, not the least of which because it tries too hard (and fails) at being funny. I laughed out loud exactly three times and each time was at something someone other than the author had said (in order, Christopher Hitchens, Obama, and Hillary Clinton.) Leibovich’s humor is less rapier-like wit and more Borscht Belt comic—“he had me at sleazeball,” or “an online photo of [Paul] Ryan in a bathing suit made his the most-discussed abs in the history of running mates, other than possibly Joe Lieberman’.” Thank you DC, be sure to tip your waiters and waitresses!
The truth is, when Leibovich isn’t telegraphing his punches in This Town, he is pulling them. Each faintly damning profile gets a helping of praise as well. Three paragraphs into documenting the myriad ways some DC operator takes advantage of his friends or ruthlessly flaunts her power, Leibovich can’t help but add a few drops of antidote, seemingly with a knowing wink toward the offended, that renders all the poison harmless. Even Terry McAuliffe, who comes off as badly as anyone in the book, gets his share of begrudging tough love and respect. “You can be the most detestable person in the world—and the Macker is not, for the record—but you would still be assured of having thousands of elegant friends by being a good fund-raiser.” These little gestures may have been intended to humanize his subjects, but when they’re dropped in like this, with no added context, it effectively excuses their behavior.
Leibovich undermines the book in other small ways. Time and again, he cues up a chapter or segues to a new topic with a throwaway line about the pain felt in “real America.” These dispatches are so transparently disingenuous, however, that they approach self-parody. When you wrap up the year-long battle over the passage of the Affordable Care Act in one independent clause, for instance, all you’re really doing is reminding the reader that, in the calculus of This Town, actual policy and the people it impacts are of little consequence. “Notwithstanding the economy being in the sewer and Tim [Russert] being in the ground,” Liebovich writes, “Barack Obama provided a shot of adrenaline and ignited the hottest local media swoon since Camelot.” If this is supposed be read as ironic, as merely another affectation of The Club’s mentality and not Leibovich’s, it is buried too deep to be detected.
That’s too bad, because there is a core of a good book in here. Leibovich, perhaps better than anyone else before him, limns the hopelessly intertwined and incestuous nature of DC’s political, philanthropic, and social worlds. Here, someone is always leaving government to start and/or join a lobbyist/communication/strategy/public relations firm. That they often join forces with their ideological rivals just reinforces that the fix is in. Leibovich points out that, while the Great Recession waylaid the rest of the country in 2009, lobbyists had a banner year. But writing a great book about the pernicious influence of lobbying clearly wasn’t what Leibovich had in mind, since that would at some point actually involve talking about policy. (Robert Kaiser’s So Damn Much Money beat him to it, anyway.) What’s more, This Town, for all the problems with the Washington culture it documents, shows no appetite for coming up with solutions.
This lack of focus becomes pronounced as the book nears its end. Unmoored from the only visible thread in the book—Washington—Leibovich gets really tangled up when he moves the action out to 2012 presidential campaign trail. Having already been done a million times elsewhere, his election coverage increasingly feels like an afterthought. By the time his book gets past Obama’s re-election, it’s like he just started opening up his notebook and dumping everything out. On page 340, for example, Leibovich begins with the Simpson-Bowles deficit reduction proposal, moves on to Dick Armey’s $8-million golden parachute from the Tea Party, jumps to Jim DeMint’s six-figure salary with the Heritage Foundation, then is on to Chris Dodd’s MPAA lobbying take, follow that with a generic Thanksgiving tweet from journalist Howard Fineman, and then the page ends talking about the quadrennial post-election debrief at Harvard’s Institute of Politics. In this town full of great editors, Leibovich really couldn’t find one for This Town?
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The final set piece for Liebovich’s book is yet another big soiree, one at the palatial home of DC fixtures Ben Bradlee and Sally Quinn. Politicians, journalists, lawyers—People Worth Knowing, in DC parlance—are all in attendance and Leibovich isn’t above basking in the afterglow of his former boss, Bradlee, the longtime legendary Washington Post executive editor. “Whatever the occasion, it’s always a thrill to score the invite to Ben and Sally’s,” Leibovich writes, all but giving the game away. Still, the mood he portrays here is one of an aging generation of big, bold-face names bemoaning a Washington that is changing before their eyes—the hosts have dubbed it “The Last Party.” But the tragedy of This Town is that the political/media/social culture currently suffocating Washington is far from close to ending and the schmoozing one percenters who populate it are far too insulated from the rest of the country to care. In that way, Leibovich’s book perfectly captures this phenomenon—since no one outside of Washington should ever want to read it. And that’s probably just fine with the people in That Town.
Contact me directly: reedfrichardson (at) gmail (dot) com.
Or on Twitter: (at)reedfrich
The mail:
Michael Green, Las Vegas, NV
First, to Dr. A., your commentary on economic liberalism (how I hate the term "progressive") reminds me that we should just declare Elizabeth Warren a national treasure and get it over with.
Reed Richardson inspired me this week because I would like to think I am inspiring people to think as he does. On Facebook, for a couple of years now, I have been regularly posting that Republicans are guilty of treason under Article III, Section 3 of the U.S. Constitution. What gives more aid and comfort to the enemy than intentionally weakening the government of the United States? That is what they are doing, and they are doing it because of, as I refer to him with appropriate irony, the Uppity One in the White Man's House. I also make a concession to political correctness in not using another word that I will guarantee you regularly is heard in the privacy of leading Republicans' offices, including the speaker of the House and the Senate minority leader.
Apropos of whom, I can now tell you definitely that Harry Reid is the greatest majority leader in the Senate's history, and he had been my choice for second behind LBJ. But now we know he is first. Why? Because the Treasonous Turtle from Kentucky pronounced that he would be the worst leader in Senate history. If that doesn't prove it, what does?
Editor's note: To contact Eric Alterman, use this form.



