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Marina Harss | The Nation

Marina Harss

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Marina Harss

Marina Harss is a freelance dance writer and translator in New York. Her dance writing has appeared in The New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe and Ballet Review. Recent translations include Irène Némirovsky's The Mirador, Dino Buzzati's Poem Strip and Pasolini's Stories from the City of God.

 

Articles

News and Features

A Form of Order: On Paul Taylor (Dance, Books and the Arts)

Paul Taylor Dance Company has sustained a signature style, and without having left modern dance behind.

Marina Harss
Life After Merce (Dance, Books and the Arts)

Can the work of Merce Cunningham survive his death and the closing of his dance company?

Marina Harss
The Dying Swan: On Jennifer Homans (Dance, Books and the Arts)

Jennifer Homans thinks ballet is dying, its masters dead and gone. But ballet, which exists in time and leaves no record, is always dying.

Marina Harss
Ratmansky Takes Manhattan (Dance)

A celebrated Russian choreographer is charting a stylish new course for American Ballet Theatre.

Marina Harss
Walk With Me: The Art of Jerome Robbins (Dance)

The genius of Jerome Robbins.

Marina Harss
Pointe Work (Biography, Dance, Non-fiction)

Nureyev: The Life brings new focus to an iconic figure of modern ballet.

Marina Harss
Let's Dance (Dance, Regions and Countries)

In Tango: The Art History of Love, Robert Thompson traces the dance's
roots in Afro-Argentine history. Tomas Eloy Martínez's The Tango
Singer appropriates its music to explore the recent past.

Marina Harss