John Nichols, a pioneering political blogger, has written the Beat since 1999. His posts have been circulated internationally, quoted in numerous books and mentioned in debates on the floor of Congress.
Nichols writes about politics for The Nation magazine as its Washington correspondent. He is a contributing writer for The Progressive and In These Times and the associate editor of the Capital Times, the daily newspaper in Madison, Wisconsin. His articles have appeared in the New York Times, Chicago Tribune and dozens of other newspapers.
Nichols is a frequent guest on radio and television programs as a commentator on politics and media issues. He was featured in Robert Greenwald’s documentary, “Outfoxed,” and in the documentaries Joan Sekler’s “Unprecedented,” Matt Kohn’s “Call It Democracy” and Robert Pappas’s “Orwell Rolls in his Grave.” The keynote speaker at the 2004 Congress of the International Federation of Journalists in Athens, Nichols has been a featured presenter at conventions, conferences and public forums on media issues sponsored by the Federal Communications Commission, the Congressional Progressive Caucus, Consumers International, the Future of Music Coalition, the AFL-CIO, the Rainbow/PUSH Coalition, the Newspaper Guild [CWA] and dozens of other organizations.
Nichols is the author of The Genius of Impeachment (The New Press); a critically acclaimed analysis of the Florida recount fight of 2000, Jews for Buchanan (The New Press); and a best-selling biography of Vice President Dick Cheney, Dick: The Man Who is President (The New Press), which has recently been published in French and Arabic. He edited Against the Beast: A Documentary History of American Opposition to Empire (Nation Books), of which historian Howard Zinn said: “At exactly the time when we need it most, John Nichols gives us a special gift–a collection of writings, speeches, poems, and songs from throughout American history–that reminds us that our revulsion to war and empire has a long and noble tradition in this country.”
With Robert W. McChesney, Nichols has co-authored the books It’s the Media, Stupid! (Seven Stories), Our Media, Not Theirs (Seven Stories), Tragedy and Farce: How the American Media Sell Wars, Spin Elections, and Destroy Democracy (The New Press), The Death and Life of American Journalism (Nation Books) and, most recently, Uprising: How Wisconsin Renewed the Politics of Protest, from Madison to Wall Street (Nation Books). McChesney and Nichols are the co-founders of Free Press, the nation’s media-reform network, which organized the 2003 and 2005 National Conferences on Media Reform.
Of Nichols, author Gore Vidal says: “Of all the giant slayers now afoot in the great American desert, John Nichols’s sword is the sharpest.” (Photo by Robin Holland / Bill Moyers Journal)
It will long be the fate of fans of Joe Strummer's brilliant music -- and his equally brilliant politics -- to experience a touch of melancholy as the Christmastide swells.
The heart and soul of The Clash, the pioneering punk group that became the greatest rock-and-roll band of the late 1970s and early 1980s, Strummer died from a heart attack last December 22 at age 50. Strummer's death came as a shock. But it was not just the shock of losing a radical artist who, as his last albums with his group the Mescaleros illustrated, still contained much creative juice. It was also the shock of recognition. Though Strummer always resisted the "voice of a generation" label, his death confirmed him as that voice.
When it was silenced, the sense of loss was dramatic. And it has not lessened much with the passing of a year. Indeed, as this Christmas approaches, Strummer's voice is coming at us from many new directions. And it sounds as good as ever.
When Ted Koppel steered one of the most critical debates of the Democratic presidential contest toward horserace questions about endorsements, poll positions and fund raising, the host of ABC-TV's Nightline inadvertently created an opening for a serious discussion about one of the most important issues in America today: media policy. And Congressional Progressive Caucus co-chair Dennis Kucinich has seized that opening with a vengeance.
Koppel, served as a moderator for last week's debate in New Hampshire between the nine Democrats seeking their party's nomination in 2004. The veteran newsman's decision to focus vast stretches of last week's debate on insider questions about endorsements and polling figures rankled Kucinich, who has for some time objected to the neglect of his candidacy by most media. But he also did something else. By badgering Kucinich, the Rev. Al Sharpton and former Illinois Senator Carol Moseley Braun with questions that suggested they should drop out of the race, Koppel exposed the dirty little secret of network television journalists who are covering the 2004 contest: They prefer easily described, sound bite-driven contests between a handful of well-known candidates, not wide open contests with lots of candidates and lots of interesting ideas.
Journalists know that covering democracy is costly, and inconvenient. Covering coronations, in contrast, is relatively cheap and undemanding.
San Francisco is a dot.com city, so it should come as no surprise that the two candidates in Tuesday's runoff for mayor of America's left-coast city are pretty much summed up by their websites.
The homepage of the website backing Democrat Gavin Newsom, the wealthy businessman who was groomed for the job by outgoing Mayor Willie Brown, features a great big picture of the candidate and former Vice President Al Gore seated in outrageously overstuffed easy chairs.
The homepage of Green Matt Gonzalez, the veteran public defender who forced his way into the runoff with the help of a powerful grassroots insurgency, features an invitation to attend the pre-election Punks for Matt event featuring Me First and the Gimme Gimmes at a club called Slim's.
In the summer of 1951, Senator Joe McCarthy's burgeoning red scare had intimidated not just official Washington but the nation's media. Free speech was taking a hit everywhere, but especially in McCarthy's home state of Wisconsin, where the senator had been peddling his politics of fear for years. It was in this context that John Patrick Hunter, a new reporter for The Capital Times, a newspaper in Madison, Wisconsin that had frequently tangled with McCarthy, was assigned to write a Fourth of July feature story. Stuck for an idea, Hunter grabbed a copy of the Declaration of Independence from the office wall, and said to himself, "This is real revolutionary. I wonder if I could get people to sign it now."
Hunter typed the preamble of the Declaration, six amendments from the Constitution's Bill of Rights and the 15th amendment into the form of a petition. Then, he headed to a park where families were celebrating the Fourth. Of the 112 people he approached, 20 accused Hunter of being a communist. Many more said they approved of sentiments expressed in the petition but feared signing a document that might be used by McCarthy, who frequently charged that signers of petitions for civil rights, civil liberties or economic justice were either active Communists or fellow travelers. Only one man recognized the historic words and signed his name to the petition.
Hunter's petition drive became a national sensation. Time magazine, The Washington Post and, of course, The Nation cited it as evidence of the damage done by McCarthy and his 'ism to the discourse. President Harry Truman called The Capital Times to praise the paper and cited Hunter's article in a speech. Hunter and his colleagues on The Capital Times would battle McCarthy for the next six years, gathering evidence of wrongdoing and deception that would eventually embolden other journalists and help shift the political climate sufficiently to permit the Senate's censure of the red-baiting senator.
George W. Bush's Thanksgving Day campaign stop in Baghdad said everything that needed to be said about the success of the US occupation of Iraq. The president, who likes to refer to the invasion of Iraq as a mission of liberation, traveled in secret, arrived unannounced and with plane lights dimmed, remained closeted at the heavily guarded Baghdad International Airport for 150 minutes and then hightailed it out of the country before the Iraqi people knew their liberator was among them.
It was hardly a triumphal visit. Yet, the Bush political team could count on the cheerleading squads that have taken over the so-called "news departments" of the nation's television networks to hail the tarmac tap in Baghdad as "dramatic," "courageous" and "historic." "What the president did today was show he was willing to put himself in harm's way, like the troops," chirped CNN commentator Douglas Brinkley, whose enthusiasm was echoed on every Thanksgiving night news report. ABC's World New Tonight devoted the better part of 15 minutes to breathless reporting on the trek, closing off with an apparently serious recreation of the President's not-exactly-harrowing transit from his ranch in Crawford to the airport in Waco, Texas.
For realistic reporting on the President's tour of a completely secure airport hangar in Baghdad, Americans were again forced to turn to foreign news sources. Beyond the borders of the United States, practioners of a craft called journalism treated the trip with the respect it was due. While US commentators babbled on about how the President had erased the embarrassing image of himself bundled into a flightsuit for that "Mission Accomplished" photo op in May, international reporters sought out honest assessments, such as that of Mahmoud Othman, a member Iraq's governing council. "(Bush's) visit cannot be considered as a visit to Iraq," Othman told Britain's Guardian newspaper. "It was really a visit to an American military base in the country to boost the morale of the troops." Another member of the governing council told the Guardian that the "excessive secrecy" surrounding the presidential trip could end up strengthening the image not of the US but of the insurgents opposing the US occupation. "They will be able to boast that they forced the most powerful man in the world to come in through the back door," the governing council member explained.
"The truth is the truth. Not just the government's truth or the church's truth or the truth that won't upset the advertisers and stockholders but THE TRUTH and the TRUTH is that when the very institutions that we depend on to inform us and guide us omit any part of the truth for any reason whatsoever then that is called a lie." -- Steve Earle
Furious with the Bush Administration's deceptions, and even more furious with the failure of major media outlets to expose and challenge those deceits, thousands of Americans are chanting, "Tell us the truth!" Their cries are being met not with the stony silence of Washington but with a protest chorus that mixes rock, rap, folk, soul and alt-country into a call to arms.
The Tell Us the Truth Tour has set the sentiments of millions of angry Americans to music, and taken the show on the road. Traveling by bus across the eastern United States on a tour that began November 7 in Madison, Wisconsin and will finish November 24 in Washington, some of the most innovative artists in American music -- and a comrade from Britain -- are raising a ruckus about the Bush administration's push for greater media consolidation and for international economic policies that are devastating the economies of both the U.S. and its trading partners.