John Nichols, a pioneering political blogger, has written the Beat since 1999. His posts have been circulated internationally, quoted in numerous books and mentioned in debates on the floor of Congress.
Nichols writes about politics for The Nation magazine as its National Affairs Correspondent. He is a contributing writer for The Progressive and In These Times and the associate editor of the Capital Times, the daily newspaper in Madison, Wisconsin. His articles have appeared in the New York Times, Chicago Tribune and dozens of other newspapers.
Nichols is a frequent guest on radio and television programs as a commentator on politics and media issues. He was featured in Robert Greenwald’s documentary, “Outfoxed,” and in the documentaries Joan Sekler’s “Unprecedented,” Matt Kohn’s “Call It Democracy” and Robert Pappas’s “Orwell Rolls in his Grave.” The keynote speaker at the 2004 Congress of the International Federation of Journalists in Athens, Nichols has been a featured presenter at conventions, conferences and public forums on media issues sponsored by the Federal Communications Commission, the Congressional Progressive Caucus, Consumers International, the Future of Music Coalition, the AFL-CIO, the Rainbow/PUSH Coalition, the Newspaper Guild [CWA] and dozens of other organizations.
Nichols is the author of The Genius of Impeachment (The New Press); a critically acclaimed analysis of the Florida recount fight of 2000, Jews for Buchanan (The New Press); and a best-selling biography of Vice President Dick Cheney, Dick: The Man Who is President (The New Press), which has recently been published in French and Arabic. He edited Against the Beast: A Documentary History of American Opposition to Empire (Nation Books), of which historian Howard Zinn said: “At exactly the time when we need it most, John Nichols gives us a special gift–a collection of writings, speeches, poems, and songs from throughout American history–that reminds us that our revulsion to war and empire has a long and noble tradition in this country.”
With Robert W. McChesney, Nichols has co-authored the books It’s the Media, Stupid! (Seven Stories), Our Media, Not Theirs (Seven Stories), Tragedy and Farce: How the American Media Sell Wars, Spin Elections, and Destroy Democracy (The New Press), The Death and Life of American Journalism (Nation Books) and, most recently, Uprising: How Wisconsin Renewed the Politics of Protest, from Madison to Wall Street (Nation Books). McChesney and Nichols are the co-founders of Free Press, the nation’s media-reform network, which organized the 2003 and 2005 National Conferences on Media Reform.
Of Nichols, author Gore Vidal says: “Of all the giant slayers now afoot in the great American desert, John Nichols’s sword is the sharpest.” (Photo by Robin Holland / Bill Moyers Journal)
NEW YORK -- When US Senator John McCain took a shot at film maker Michael Moore in his speech to the Republican National Convention Monday night, he had no reason to know that the man who made the controversial documentary "Fahrenheit 9-11" was just a few hundred feet away from him.
But Moore was in Madison Square Garden with McCain and thousands of Republicans who, it would be fair to say, do not rank "Fahrenheit 9-11" high on their list of favorite films.
That was made obvious by the response of the delegates to McCain's unprecedented targeting of Moore in his prime-time address to the convention.
Forty years ago, when Republicans suffered their worst presidential election defeat of the post-World War II era, roughly 800,000 New Yorkers voted for the party's nominee, Arizona Senator Barry Goldwater.
Four years ago, when Republicans secured the White House in one of the closest presidential elections in the nation's history, roughly 300,000 New Yorkers voted for the party's nominee, Texas Governor George W. Bush.
Like most urban areas, New York City has become dramatically more Democratic in recent decades. Yet, unlike Chicago, Detroit, Atlanta, Boston and so many other American cities, New York still elects Republicans to serve as mayor. Of the last six mayors of New York City, three have been elected as Republicans: John Lindsay, Rudy Giuliani and the current occupant of City Hall, Mike Bloomberg. And it should be remembered that the man many believe to have been the city's greatest mayor, Fiorello La Guardia, was also affiliated with the Grand Old Party.
The principle that people of good faith might disagree on issues such as abortion, family planning and gay and lesbian rights lost by a 4-1 margin when members of the Republican party's platform committee debated the notion this week. According to most media, that was the "news" from the Grand Old Party's platform deliberations -- just as the failure of moderate Republicans to move the party toward the center on social issues has been the "news" of every Republican National Convention since 1976.
Christopher Barron, an activist with the Log Cabin Republicans, the party's largest gay and lesbian rights group, was correct when he complained that the platform -- with its militant anti-abortion rights plank and its endorsement of a Constitutional amendment designed to ban same-sex marriages -- makes a joke of the efforts of convention planners to present a moderate face by featuring convention speakers who happen to be pro-choice and sympathetic to gay rights. "You can't craft a vicious, mean-spirited platform and then put lipstick on the pig by putting Rudy Giuliani and Arnold Schwarzenegger on in prime time," explained Barron.
In truth, there was never any chance that Republican moderates would soften the party's official stances on hot-button issues such as abortion rights and gay rights. There was never even a chance that the platform committee, which met in New York on Tuesday and Wednesday, would endorse a "unity plank" acknowledging that issues involving reproductive freedom and the rights of gays and lesbians can be "complex" and that "Republicans of good faith may not agree with all the planks in this platform."
Two news stories, of vastly differing consequence, have over the past week raised the question of how issues of war and peace will play in this year's presidential contest:
1.) The summer-long controversy over claims and commercials produced by the so-called "Swift Boat Veterans for Truth" group continued, as a now widely-discredited circle of embittered Vietnam veterans used money from associates of President Bush and White House political czar Karl Rove to try and develop doubts about aspects of John Kerry's military service 35 years ago.
2.) US Rep. Doug Bereuter, R-Nebraska, the vice chairman of the House Select Committee on Intelligence and one of the senior Republican members of the House International Relations Committee, announced after a thorough review of the information available to him that he had come to the conclusion that the US invasion and occupation of Iraq was unjustified. "I've reached the conclusion, retrospectively, now that the inadequate intelligence and faulty conclusions are being revealed, that all things being considered, it was a mistake to launch that military action," explained Bereuter, who added that, "knowing what I know about the reliance on tenuous or insufficiently corroborted intelligence used to conclude that Saddam maintained a substantial WMD (Wepaons of mass destruction) arsenal, I believe that launching the pre-emptive military action was not justified."
John Kerry and George W. Bush, the Democrat and Republican who will compete this November for the presidency, both attended similar New England preparatory schools, both graduated from Yale, and both received advanced degrees from prestigious east coast colleges. But, somewhere along the way, they developed dramatically different reading habits.
Where Bush says he does not read newspapers, Kerry says he cannot get enough of them. And that distinction, Kerry suggested when he sat down with this reporter for a rare extended interview on media issues this week, sums up a radically different vision of how a president should gather and process information they must use to make fundamental decisions about the direction of the nation and the world.
"I read four or five papers a day if I can," said Kerry, when asked about his newspaper reading habits. "It depends obviously on where I am and what I'm doing. I always pick up a local paper in the hotel I'm staying at, or two depending on what the city is. And I try to get the Washington Post, New York Times, Wall Street Journal, USA Today, papers like that. I try to read as much as I can."
At a convention where the "No Bush Bashing" memo went out early and remained in circulation through three nights of frequently tepid speechifying, John Kerry ended things with an appropriately aggressive pummeling of the president.
Kerry did not engage in the empty bipartisanship that has too frequently been the dodge of Democratic politicians in the post-September 11th era. He delivered a speech that was as tough and partisan as it needed to be. And he did everything in his power to suggest that his would be a dramatically different administration from that of the White House's current occupant.
At times, Kerry was painfully blunt about the failings of the current and former Presidents Bush, and their corruptions of the public trust. "I want an America that relies on its own ingenuity and innovation -- not the Saudi royal family," he said, in pointed reference to the Bush family's dark and continual compromises of American security and values with the dictators of the Middle East.
BOSTON--Michael Moore was set to leave this Democratic National Convention city today on his way to Los Angeles, where the maker of the hit film "Fahrenheit 9-11" will appear on "The Tonight Show."
That's a good thing for John Kerry because, even in the town that is preparing to nominate the Massachusetts senator for president this evening, the film maker's star might well have eclipsed the candidate's.
There is not much doubt that Michael Moore was one of the hottest, perhaps the hottest, commodity in Boston during the first several days of the convention. Everywhere he went, the man who may now be the best-known film maker in the nation was mobbed -- by crowds, and by reporters.