John Nichols, a pioneering political blogger, has written the Beat since 1999. His posts have been circulated internationally, quoted in numerous books and mentioned in debates on the floor of Congress.
Nichols writes about politics for The Nation magazine as its National Affairs Correspondent. He is a contributing writer for The Progressive and In These Times and the associate editor of the Capital Times, the daily newspaper in Madison, Wisconsin. His articles have appeared in the New York Times, Chicago Tribune and dozens of other newspapers.
Nichols is a frequent guest on radio and television programs as a commentator on politics and media issues. He was featured in Robert Greenwald’s documentary, “Outfoxed,” and in the documentaries Joan Sekler’s “Unprecedented,” Matt Kohn’s “Call It Democracy” and Robert Pappas’s “Orwell Rolls in his Grave.” The keynote speaker at the 2004 Congress of the International Federation of Journalists in Athens, Nichols has been a featured presenter at conventions, conferences and public forums on media issues sponsored by the Federal Communications Commission, the Congressional Progressive Caucus, Consumers International, the Future of Music Coalition, the AFL-CIO, the Rainbow/PUSH Coalition, the Newspaper Guild [CWA] and dozens of other organizations.
Nichols is the author of The Genius of Impeachment (The New Press); a critically acclaimed analysis of the Florida recount fight of 2000, Jews for Buchanan (The New Press); and a best-selling biography of Vice President Dick Cheney, Dick: The Man Who is President (The New Press), which has recently been published in French and Arabic. He edited Against the Beast: A Documentary History of American Opposition to Empire (Nation Books), of which historian Howard Zinn said: “At exactly the time when we need it most, John Nichols gives us a special gift–a collection of writings, speeches, poems, and songs from throughout American history–that reminds us that our revulsion to war and empire has a long and noble tradition in this country.”
With Robert W. McChesney, Nichols has co-authored the books It’s the Media, Stupid! (Seven Stories), Our Media, Not Theirs (Seven Stories), Tragedy and Farce: How the American Media Sell Wars, Spin Elections, and Destroy Democracy (The New Press), The Death and Life of American Journalism (Nation Books) and, most recently, Uprising: How Wisconsin Renewed the Politics of Protest, from Madison to Wall Street (Nation Books). McChesney and Nichols are the co-founders of Free Press, the nation’s media-reform network, which organized the 2003 and 2005 National Conferences on Media Reform.
Of Nichols, author Gore Vidal says: “Of all the giant slayers now afoot in the great American desert, John Nichols’s sword is the sharpest.” (Photo by Robin Holland / Bill Moyers Journal)
Many of the most devout followers of the most famous of all victims of capital punishment, the Nazarene who was crucified on the Calvary cross, took a long time to recognize that state-sponsored execution is an affront to their history and their faith. For close to 1,500 years, the Catholic Church taught that the state had a right to punish criminals "by means of penalties commensurate with the gravity of the crime, not excluding, in cases of extreme gravity, the death penalty."
For centuries, that line in the Catechism of the Catholic Church was used by Catholic politicians--and others who sought a moral justification for their actions--to place a veneer of legitimacy on even the most cavalier executions of the young, the mentally handicapped and the innocent. Even as Pope John Paul II moved the church closer and closer to explicit opposition to the death penalty during his long tenure, the loophole in the Catechism remained.
Then, in 1997, Sister Helen Prejean, the American nun and death penalty abolitionist who authored the book Dead Man Walking, asked Pope John Paul II to close the loophole. Later that year, the Pope removed the reference to the death penalty from the Catechism and, when he visited the United States two years later, he denounced the death penalty as "cruel and unnecessary." Referencing moves by countries around the world to ban capital punishment, the Pope declared in St. Louis that, "A sign of hope is the increasing recognition that the dignity of human life must never be taken away, even in the case of someone who has done great evil."
Think of Ann Veneman as the Paul Wolfowitz of food policy.
Just as Wolfowitz used his position as the Bush administration's deputy secretary of defense to spin whacked-out neoconservative theories into the justification for an illegal and unnecessary war, so Veneman used her position as the administration's secretary of agriculture to spin equally whacked-out theories about the genetic modification of food and free trade into disastrous policies for farmers and consumers.
And, just as Wolfowitz is being rewarded for his missteps and misdeeds with a prominent new position as president of the World Bank, so Veneman is also moving onto the world stage, as the likely nominee to be the next executive director of the United Nations Children's Fund (UNICEF).
The speed with which the Congress leapt to intervene in the Florida right-to-die case of Terry Schiavo might create the impression that the US House of Representatives is a functioning legislative chamber. But nothing could be further from the truth. While House Majority Leader Tom DeLay, R-Texas, can get the wheels spinning to satisfy the demands of the social conservative voting blocs on which his party relies for support, this Congress has ceased to function as a serious legislative body.
This is not a complaint merely about Republicans in the House and Senate -- whose unwavering allegiance to even their president's maddest schemes mirrors that of Sancho Panza to Don Quixote. The Democrats are just about as bad, as was illustrated by their vote last week on the administration's demand for another $81.4 billion to maintain the US occupation of Iraq. The emergency appropriation vote provided a rare opportunity for the House to debate the wisdom of the war, the occupation and the president's approach to foreign affairs. But few members chose to seize that opportunity.
Rather, they voted by a lopsided 388-43 margin in favor of giving the administration another blank check. Predictably, the Republicans split 226-3 in favor of the proposal. The short list of GOP dissenters included two longtime critics of the war, Texan Ron Paul and Tennesseean John Duncan, as well as North Carolinian Howard Coble, a close ally of the White House, who surprised more than a few of his colleagues by announcing that he is "fed up with picking up the newspaper and reading that we've lost another five or 10 of our young men and women in Iraq."
The music of St. Patrick's Day, if it is political at all, tends to pick at old wounds and recall even older fights. That doesn't make it bad â€“ a good many of the old rebel songs are brilliant -- but it can make the tunes a tad redundant.
There is nothing redundant about Damien Dempsey, however. The 28-year-old Dublin songwriter, whose first U.S. album, Seize the Day (Attack) was quietly released last fall, explores the harsh realities of contemporary Ireland with an eye and an ear that owes as much to Bob Marley as it does to the Clancy Brothers.Dempsey's music is Irish to the core â€“ as Shane Mac Gowan of the Pogues says of his Celtic comrade, "He sees the beauty that is Ireland and that is Ireland's past and that can be Ireland's future." Yet, just as Marley made the Jamaican experience universal, so Dempsey sings a global song.
Seize the Day is packed with remarkable tunes, but the standout is "Celtic Tiger," an unblinking examination of the growing gap between rich and poor in Ireland that takes its name from the label attached to that country's "new economy." But it could have been written about any developed country where the promise of globalization is turning out to be a nightmare for those who did not begin their journey on the upper rungs of the economic ladder.
LONDON -- George Bush's favorite European is having a hard time emulating the American president's strategy of exploiting the war on terror for political gain.
British Prime Minister Tony Blair, whose willingness to go along even with the most illegitimate and dangerous of Bush's mad schemes has made him a hero to American conservatives, is paying a high price for being what his countrymen refer to as "Bush's lapdog."
Blair's attempt to enact a British version of the Patriot Act created a political crisis last week. Day after day, Blair battled with dissidents from his own Labour Party in the British House of Commons and House of Lords, as well as the country's opposition parties, over basic civil liberties issues. While Blair eked out a victory in the Parliament, he repeatedly failed to win the approval of the House of Lords, where his own mentor, Lord Irvine of Lairg, one of the country's leading legal minds, sided with the foes.
George Bush seems to want to be the president not of the United States but of the world.
Indeed, since his reelection in November, Bush has made foreign policy â€“ a subject about which he displayed scant interest prior to September 11, 2001 â€“ his primary focus. But, as with anyone who is new to complex subject matter, he has not always been graceful in his embrace of it.
This can lead to embarrassing contradictions, as we saw this week.
President Bush is losing his fight to privatize Social Security.
Even his own allies, such as House Speaker Dennis Hastert, R-Ill., are warning the president that he cannot force the American people to accept the radical reworking of Social Security that Bush's allies in the financial services industry want.
In fact, the only hope the president has left is outright distortion of the facts - by the White House and by its amen corner in the media.
Congress may not be prepared to hold an honest debate on when and how the United States should exit the Iraq imbroglio, but the town meetings of rural Vermont are not so constrained. Declaring that "The War in Iraq is a Local Issue," citizens in communities across the state voted of Tuesday for resolutions urging President Bush and Congress to take steps to withdraw American troops from Iraq and calling on their state legislature to investigate the use and abuse of the Vermont National Guard in the conflcit.
Spearheaded by the Vermont Network on Iraq War Resolutions, Green Mountain Veterans for Peace and the Vermont Chapter of Military Families Speak Out, the campaign to get antiwar resolutions on town meeting agendas succeeded in more than 50 communities statewide. That meant that the issue was raised in more than one fifth of the 251 Vermont towns where the annual celebrations of grassroots democracy take place. Forty-nine towns voted for the resolutions. Only three voted "no," while one saw a tie vote. In the state's largest city, Burlington, the antiwar initiative received the support of 65 percent of electors.
"Many have wondered how a town meeting could direct something on a national scale," admitted Middlebury Town Manager Bill Finger. "But it does send a message that hopefully people are listening to."
What is the issue on which Congressional Democrats are least likely to take a bold--and appropriate--stand?
War and peace? No. More than 126 House Democrats voted against the use-of-force resolution that President Bush used as an excuse for the invasion of Iraq, as did 21 Senate Democrats. Some 118 House Democrats and 11 of their Senate colleagues had the courage to vote against the continued funding of the war--not because they do not "support the troops" but because they want to get the troops home alive.
The Patriot Act? No. While US Sen. Russ Feingold, D-Wisconsin, was the only Senate Democrat who opposed the Patriot Act, 62 House Democrats opposed that assault on the Constitution and the majority of House Democrats have since backed resolutions to address the law's worst excesses.
Norman Mailer had the best take on Hunter Thompson's passing.
"He had more to say about what was wrong with America than George W. Bush can ever tell us about what is right," mused Mailer upon learning of Thompson's suicide.
Anyone who read Thompson knew that the so-called "gonzo journalist" was about a lot more than sex, drugs and rock-and-roll -- although it is Thompson who gets credit for introducing all three of those precious commodities to the mainstream of American journalism. The gun-toting, mescaline-downing wildman that showed up in Doonesbury as "Uncle Duke" was merely the cartoon version of an often serious, and always important, political commentator who once said that his beat was the death of the American dream. Thompson was to the political class of the United States in the latter part of the 20th century what William Hazlitt was to the English poets of the early 19th century: a critic who was so astute, so engaged and so unyielding in his idealism that he ultimately added more to the historical canon than did many of his subjects.