Greg Mitchell writes a daily blog for The Nation focusing on media, politics and culture. He is the former editor of Editor & Publisher and author of thirteen books. His latest book, on the 2012 Obama-Romney race, is Tricks, Lies, and Videotape. His other books include Atomic Cover-Up, The Campaign of the Century (winner of the Goldsmith Book Prize), two books related to WikiLeaks and a pair of books with Robert Jay Lifton on Hiroshima and the death penalty in America. His Twitter feed is @GregMitch and he can be reached at: email@example.com. His personal blog is Pressing Issues.
Sixty-five years after the atomic attacks on Hiroshima and Nagasaki, controversy continues to rage over the acts, sparked this time by President Obama's decision to send a US envoy to Hiroshima for the official ceremony today.
This Friday marks the 65th anniversary of the first use of the atomic bomb against a large city. Since that day, creative artists of every variety have made incisive, satiric or powerful statements about nuclear threat. What these artistic statements share, however, with rare exceptions, is an avoidance of the specific subject of Hiroshima.