A Riot of Personality
And if I were forced to sum up Anna Deavere Smith? I'd call her a clear-eyed, hard-working utopian. That's a tough combination to maintain; witness the recent closing of the Institute on the Arts and Civic Dialogue, which she'd been running at Harvard. Smith had hoped that the listening that goes into her work might be practiced by groups of people who would come together in the theater. Not having witnessed the events she mounted, I can only guess at why they didn't work; but I suppose that other people simply weren't as good as Smith at this kind of thing. But that doesn't mean the attempt was unworthy. As Twilight: Los Angeles so brilliantly demonstrates, listening (like art) is not just an ornament to society. It's the thing itself.
Screening Schedule: Nation readers who receive the Turner Classic Movies channel might want to know that Wednesdays and Thursdays in October will be devoted to a series called "Ideology and the Movies." Each Wednesday, TCM will show purportedly conservative films, selected and introduced by Spencer Warren, a writer for National Review and The American Spectator. On Thursdays are films of the left, selected and introduced by the film critic of The Nation. The leftist roster includes The Battleship Potemkin, Man with a Movie Camera, Grand Illusion, Citizen Kane, The Bicycle Thief and Dr. Strangelove--so obviously, we win.