Gore Vidal. (AP Photo/file)
Victor Navasky tells one of the most revealing stories about Gore Vidal, who died July 31 in Los Angeles at age 86. In 1986, Gore wrote an essay for the magazine’s 120th anniversary issue. Shortly after it was published, Victor was invited to lunch by the publisher of Penthouse magazine, Bob Guccione, at his East Side townhouse, famous for its $200 million art collection. “We had barely consumed the amuse gueules when Bob asked me how much it cost to get Gore Vidal to write his essay,” Victor recalled. “When I told him we had paid each contributor to that issue $25 and Gore got the same $25 that everyone else got, he almost choked on his Chateau Margaux and told me he had offered Vidal $50,000 to write an article for Penthouse and Vidal declined.”
Gore, who had accepted Victor’s invitation to join the magazine in 1981 as a contributing editor, published forty-one articles in The Nation at those rates. Some of his most memorable quotes appeared in The Nation: “We are the United States of Amnesia,” he wrote in 2004. “We learn nothing because we remember nothing.” In that same essay he called the US a place where “the withered Bill of Rights, like a dead trumpet vine, clings to our pseudo-Roman columns.”
Gore was a great talker as well as a great writer, and I interviewed him many times—in front of live audiences, on the radio and for print—and in many places. The most memorable was at his legendary cliffside house in Ravello, on the Amalfi coast of Italy, where lots of people visited him. We arrived a few days after historian Eric Foner departed; he told me his daughter had played in Gore’s famous swimming pool with the children of Susan Sarandon and Tim Robbins. Gore sent my wife to sit by the pool with Howard Austen, his lifelong partner—she had a wonderful time with Howard—while Gore talked about his life and work in the deep shadows of his downstairs study.
In that interview, for the Radical History Review, Gore described his campaign to introduce the term “American empire” into the political discourse—and, later, the concept of “the national security state”—both of which were firmly rejected at the time by establishment thinkers. Indeed much of his writing for The Nation was devoted to elucidating those two ideas—and empire was also the theme with his six-volume series of historical novels “Narratives of Empire,” which included number-one bestsellers Burr (1973) and Lincoln (1984).
In that interview he also talked about his transformation from right to left, his path to The Nation. In the beginning he had opposed US entry into WWII. “My radicalization begins in 1948 with The City and the Pillar,” he said—one of the first American novels about a gay man—with the “rough” treatment it received in the New York Times. Next, he said, came the Hollywood blacklist—he was working in Hollywood, and although never a Party member, was “horrified” to see his friends banned from the industry. The third step came in 1968, when he published the wild sex farce Myra Breckinridge, debated Willliam F. Buckley Jr. on TV during the Democratic National Convention, and then helped found the anti-war New Party, and then the People’s Party, which he co-chaired with Benjamin Spock from ’68 to ’72. Then in 1980 Victor invited him to become a contributing editor, and he promptly accepted.