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Our Books, Ourselves | The Nation

Our Books, Ourselves

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"Simone de Beauvoir said 'Books saved my life.' I think that's true for me," announced Gloria Whelan in accepting her National Book Award recently for Homeless Bird (which won for Young People's Literature). It was a refreshing zenith in the remarks that evening, and I suspect that what she said holds true for many of us--or that books save us from a certain type of life, anyway, one more arid and circumscribed than we'd prefer. They help us create who we are, in a kind of secular but still miraculous transubstantiation. And who we are--how we determine the nature of that--is a question you will find running like a highway stripe through the essays assembled here.

About the Author

Art Winslow
Art Winslow is a former literary editor of The Nation.

Also by the Author

As you are no doubt aware, First Lady Laura Bush is a former teacher and
has a master's degree in library science. This is all to the good.

I'm being vigilant these days, per Mr. Ashcroft, watching the neighbors. It hasn't done much to advance national security, I must admit. Would instead that books could float in the air and be inhaled as easily as a spore, infecting us with their ideas, their zeal, their humanity, their--vigilance. For writers are first and foremost close watchers, and we rely on them for that, whether it's David Halberstam studying the political context of George Bush Sr., Bill Clinton and the generals who surrounded them and marveled so at the efficacy of stand-off bombing (hence Halberstam's title, War in a Time of Peace); or Paula Fox (Borrowed Finery) refracting her painful childhood memories (her parents' arrangements, as near as she could work out, were "permanently temporary") across a distance of seven decades.

This books issue opens with John Leonard's examination of Isaac Babel's Complete Works. "No other writer of the Soviet era ever aroused as much American emotion as Babel," writes Leonard, who calls the book a "grand occasion of literature." Babel himself lamented that "I've got no imagination. All I've got is the longing for it." Of course, he wrote from a society under amorphous (but very real) threat of death, which included an encompassing assault on writers and intellectuals--a condition requiring true vigilance and courage on their part, simply to relate the truth. "We are the vanguard, but of what?" Babel asked.

That same question, in a different context, has been asked by those in the vanguard of postcolonial writing. The new novels of Salman Rushdie and V.S. Naipaul (recent winner of the Nobel Prize in Literature) are taken up by Amitava Kumar, who has some surprising things to say, given the well-known politics (and impolitics) of each writer. "Despite his railings against 'half-formed societies,' you discover in Naipaul repeated tributes to small beginnings and small triumphs," Kumar writes, an acknowledgment of "the daily, tragicomic routine of unacknowledged lives."

One very acknowledged life is that of the writer Naomi Wolf, taken up by Susan J. Douglas and Meredith Michaels, in a dispute over feminist--or antifeminist--approaches to motherhood. "Now who needs Pat Robertson, Dr. Laura or Operation Rescue when you can have Naomi Wolf? She blames female irresponsibility for unwanted pregnancies and suggests that most abortions are as frivolous as a haircut," they write. Social friction is also examined in Peter Schrag's look at drug-war "heresies" and Richard D. Kahlenberg's dissection of the school voucher debate. "Perhaps we should be thankful that the right has...shifted its strategy of putting a black face on crime and welfare, and instead is depicting African-Americans as striving for educational opportunity," he writes. Rounding out the issue, we have a report on Robert Bly's Sufi-inspired poetry, on business motivational books and on Jennifer Egan's new novel Look at Me, in which the characters lead double lives. So be vigilant.

Are we dispassionate scientists or self-interested exploiters of the less fortunate, whether on the individual or state level? Patrick Tierney's Darkness in El Dorado reaches one conclusion, reviewer Greg Grandin another, slightly askew from Tierney. Does divorce cause long-term damage to children? Andrew Cherlin, some of whose own research has been used by others to support the idea that it does, has a less ominous view in discussing Judith Wallerstein's conclusions. And what is the inescapable bias in reporting on each other, in any respect? Longtime Saul Bellow friend Richard Stern contemplates the question as spurred by James Atlas's new bio of the Nobelist. Peter Schrag offers a variation on the theme while assessing Richard Ben Cramer's life of American icon Joe DiMaggio. When told the hero worship "was always about us," Schrag retorts, "Of course it was always about us; what else could it be about?"

Michelle Jensen begins her overview of Third Wave feminism and the Manifesta of Jennifer Baumgardner and Amy Richards by putting a different twist on the question, noting that, so far, works representing the Third Wave have been personal accounts too much about "us," which leaves one thirsting for a theoretical grounding. And academic theory is invoked again, this time from the classics, Georgette Fleischer reports, in Judith Butler's revisitation of the story of Antigone; she uses the tale to refract out--or perhaps in--a perspective for sexual "outsiders." And through what sort of prism are we to filter a historian's self-history? Paul Buhle considers Arthur Schlesinger Jr.'s beginnings, innocent or otherwise.

Elsewhere in the issue, faith in the transformative prospects of the word may be most evident in Rimbaud's conviction that his poetry would change the world, or in Orwell's more blatantly political reporting, or in W.E.B. Du Bois's double-header life as both political and literary powerhouse. Margaret Atwood and Eduardo Galeano, of course, have spent a lifetime tracing our silhouettes through language--as has Jules Feiffer with his pen and wry sense of paradox.

Last but not least, we come to the issue of who we are in a literal sense, here at The Nation. We take this opportunity to welcome Hillary Frey, who has joined our staff as assistant literary editor. She was formerly managing editor of Lingua Franca. We hope you enjoy the issue.

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