Mirror, Mirror On the Web | The Nation


Mirror, Mirror On the Web

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The broadcast media's voracious appetite for spectacle insured that notoriety and fame soon became subsumed by an all-encompassing notion of celebrity, where simply being on TV became the ultimate stamp of recognition. At the same time, advertisers sought to redefine fame in terms of buying rather than doing, fusing the American Dream of material success with the public's hunger for stars in programs such as Lifestyles of the Rich and Famous.

About the Author

Lakshmi Chaudhry
Lakshmi Chaudhry, a senior editor at Firstpost.com and a Nation contributing writer, is the author, with Robert...

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But the advent of cyber-fame is remarkable in that it is divorced from any significant achievement--farting to the tune of "Jingle Bells," for example, can get you on VH1. While a number of online celebrities are rightly known for doing something (a blogger like Markos Moulitsas, say), and still others have leveraged their virtual success to build lucrative careers (as with the punk-rock group Fall Out Boy), it is no longer necessary to do either in order to be "famous."

Fame is now reduced to its most basic ingredient: public attention. And the attention doesn't have to be positive either, as in the case of the man in Belfast who bit the head off a mouse for a YouTube video. "In our own time merely being looked at carries all the necessary ennoblement," Braudy wrote twenty years ago, words that ring truer than ever today.

Celebrity has become a commodity in itself, detached from and more valuable than wealth or achievement. Even rich New York socialites feel the need for their own blog, socialiterank.com, to get in on the action. The advice for aspiring celebutantes may be tongue-in-cheek--"To become a relevant socialite, you are virtually required to have your name in the press"--but no less true in this age of Paris Hilton wannabes.

Fame is no longer a perk of success but a necessary ingredient, whether as a socialite, chef, scholar or skateboarder. "For a great many people it is no longer enough to be very good at what you do. One also has to be a public figure, noticed and celebrated, and preferably televised," writes Hal Niedzviecki in his book Hello, I'm Special. When it is more important to be seen than to be talented, it is hardly surprising that the less gifted among us are willing to fart our way into the spotlight.

The fantasy of fame is not new, but what is unprecedented is the primacy of the desire, especially among young people. "I wanna be famous because I would love it more than anything.... Sometimes I'll cry at night wishing and praying for a better life to be famous... To be like the others someday too! Because i know that I can do it!" declares Britney Jo, writing on iWannaBeFamous.com.

She is hardly unusual. A 2000 Interprise poll revealed that 50 percent of kids under 12 believe that becoming famous is part of the American Dream. It's a dream increasingly shared by the rest of the world, as revealed in a recent survey of British children between 5 and 10, who most frequently picked being famous as the "very best thing in the world." The views of these young children are no different from American college freshmen, who, according to a 2004 survey, most want to be an "actor or entertainer."

Our preoccupation with fame is at least partly explained by our immersion in a media-saturated world that constantly tells us, as Braudy described it, "we should [be famous] if we possibly can, because it is the best, perhaps the only, way to be." Less obvious, however, is how our celebrity culture has fueled, and been fueled by, a significant generational shift in levels of narcissism in the United States.

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