My new “Think Again” column is called “Murdoch and Ailes were "Right from the Start" and it’s about new and not-so-new revelations from a new book about you know who.
Alter-reviews, special guitar gods edition:
Eric Clapton, Unplugged
Eric Clapton, Give Me Strength: the 1974-75 Recordings
Eric Clapton et al, Crossroads Festival Blu-ray and CD
The Allman Brothers Band, Brothers and Sisters (deluxe)
Grateful Dead, Dave’s Picks, Vol. 8
Garcia Live, Volume 3, December 14-15, 1974 Northwest Tour,
It’s been a rich autumn for old Eric Clapton releases. There’s a nice new two-CD/DVD version of “Unplugged,” from 1992, the album that launched the whole movement. Clapton’s willingness to go in new directions has always distinguishd him from other guitar gods and these peformances tend to justify themselves, though not always, and especially not in the case of “Layla,” which is a travesty. There are a few new versions on the cd including a cover of “Big Maceo” Merriweather’s “Worried Life Blues,” an alternate take of “Walkin’ Blues” and early versions of “Circus” and “My Father’s Eyes” and an hour of rehearsal footage on the DVD, which is pretty cool to watch once or twice. (It’s also surprisingly cheap.)
I first discovered Clapton around 1974 or so and he was my pre-Born to Run favorite musician for “Layla” and the first solo album. I was so excited when he returned to recording and touring and a little shocked and disappointed at how mellow it all sounded; next to no guitar solos at all. But the dude was a prophet and this was where music was going; it caught up in the early eighties, and the stuff has worn tremendously well. You can now pay a lot of money for “Eric Clapton–Give Me Strength: The 1974-75 Recordings,” which is five CDs and a Bluray–or so they tell me, I only got the download.
It’s got 461 Ocean Boulevard, There's One In Every Crowd and the live E.C. Was Here—standing as one of the most remarkable rebirths in rock's history plus live tracks from Long Beach Arena (including unreleased versions of Crossroads, I Shot The Sheriff, Layla and Little Wing), the Hammersmith Odeon, Nassau Coliseum and Providence Civic Center; The Freddie King Criteria Studio Sessions featuring the previously unreleased versions of “Boogie Funk” and the full unreleased 22 minute version of “Gambling Woman Blues”
I saw last year’s editions of Eric’s “Crossroads Festival” shows last year at the Garden. Among the highlights were the surprise pairing of John Mayer and Keith Urban for the Beatles' "Don't Let Me Down,” which turns out to be a much better song than I previously realized, Keith Richards and Eric doing “Key to the Highway.” Vince Gill performing "Tumbling Dice" with Keith Urban and Albert Lee and members of the Allman Brothers and by far, Eric and ABB doing my favorite song, of late, "Why Does Love Got to Be So Sad," and truth be told they could have played more together since they had a whole set worked out at the Beacon a few years ago, which made for two of the greatest shows I’ve ever seen. The hype for Gary Clark Jr. struck me as a washout however and Clapton did not have to open the shows (and this Bluray) with his sappiest and most McCartney-at-his-most-mawkish songs. So plan to do some fast-forwarding on this terrific sounding Bluray depending on your taste. Not all of it will be loved by everyone but with so many acts—I didn’t even mention Keith and Eric on “Key to the Highway” or Eric and Robbie R, Jeff Back or Buddy Guy or that 14 year old kid Quinn Sullivan, or the acoustic peformance by Warren, Derek and Gregg, especially on “The Needle and the Damage Done,” so it’s hard not to want to have this no matter what your taste in guitar gods. Eric closes well, too, with “Sunshine.” There’s a highlight two cd package as well. Both are pretty decently priced.