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1) Eve Alterman on Governors Ball, 2014
2) Eric on Jazz@Lincoln Center with Wynton Marsalis plays “Modern Ellington.”
3) Eric on the new nine cd Mosaic box set of the complete Louis Armstrong RCA/Columbia years live
4) A few words about Loudon Wainwright III
So if you were really old, like yours truly, and went to Governors Ball last weekend, unlike yours truly, you would have gone to see acts like the Strokes, Jack White, Vampire Weekend, and maybe Outkast and your review might have looked like that by Times critic, Jon Parales. But if you were a sixteen year old sophomore at Bronx Science and were not allowed to go on Friday because of a combination of debate team obligations, a paper due on the issues raised by the film, “The Lemon Tree,” and an incident a few weekends ago that required at least one night of grounding, (and that was generous) and also did not have what her really old father considered to be even remotely decent taste in music, then your review might look like the below.
Governors Ball, 2014, by Eve Alterman
Governors Ball 2014 was an experience filled with heat, pot, overpriced booze, and a diverse crowd full of ages from fourteen to mid forties. The music ranged from indie, to pop, to rock, to EDM, to rap. In past years, Governors Ball has been gated more towards indie and folk music, but as it’s audience has grown, it has become more mainstream — for the better. Having a larger variety of musical categories was not only strategic, but made Governors Ball enjoyable for almost anyone.
I could not attend Day 1, but the best performance out of Day 2 and Day 3 was definitely Axwell and Ingrosso. They were the last act of the night on Sunday, competing for headliner with Vampire Weekend. Not only was their lightshow phenomenal, but the energy of the crowd mixed with the drop of their new songs and hit singles made for an unforgettable experience. They kicked the night off with one of their new songs “This Time” which was fresh and got the crowd excited. About ten minutes in, they set off fire works and – like the fireworks – the crowd erupted. Each song was different from the next, and the energy never ceased. Everyone in the crowd forgot about the heat, their dehydration, and their aching limbs and just jumped and danced until they finished their set with their hit single “Don’t You Worry Child.”
The next highly enjoyable performance was Tyler the Creator with surprise appearances from Jasper and Taco. Tyler the Creator concerts are often looked upon with distaste because of the aggressiveness of the crowd, the nonstop mosh pits, and the over-all offensive language. However, all of that aside, Tyler the Creator, who performed with Earl Sweatshirt, Jasper Dolphin, and Taco — members of Odd Future. was one of the only artists of the entire weekend who actually engaged with the crowd and allowed his personality to come through in his performance, including his usage of the word “fuck” 37 times between songs, by this reporter’s count. He made comments about people he saw in the crowd, his thoughts on the festival, and even has some fun with a bra that was thrown at him mid-way through his act. For Tyler-lovers, this made his performance much more enjoyable, because it made the experience much more personal. His energy and the crowd’s energy stayed high and most everyone knew the words and knew what they were getting into when stepping in front of The Big Apple Stage.