Abstract

Modernist Agonistes

Miyoshi, Masao | May 15, 1995 issue

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American reader Kenzaburo Oe refers back to his own earlier works, from which events and characters reappear and re-exit as if they belonged to every reader's family saga. His vocabulary and syntax, sometimes dismissed by Japanese critics as "the translation style," are in fact uncompromising attempts to defamiliarize and renew the Japanese language. Despite his cosmopolitan knowledge, he is a "marginalist" whose literary imagination has remained deeply rooted in his remote home village. This most recent Nobel laureate, whose life's work has been so shaped by his determination to fight against war and the atomic bomb, might as well remain untranslated.

See Also:

OE, Kenzaburo, 1935-; JAPANESE; LITERATURE; LANGUAGE arts; VOCABULARY; ARTS
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