Abstract

Films

Klawans, Stuart | May 10, 1999 issue

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The article focuses on the film "EXistenZ." As EXistenZ begins, a market research group is preparing to test a new game by Allegra Geller, a game designer. The atmosphere feels disturbingly cultlike, even before the trial run begins, perhaps because the setting is a deconsecrated church, perhaps because the marketing people combine forced cheer with tight control. Allegra's software resides in a fleshlike, pulsating "pod," whose control buttons look like nipples. She downloads her game from pod to players through cables made in the form of umbilical cords, which plug directly into the base of the spine.

See Also:

EXISTENZ (Film); GELLER, Allegra; COMPUTER games; COMPUTER software; MARKETING; CABLES
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