Abstract

Drama

Krutch, Joseph Wood | April 4, 1934 issue

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Gertrude Stein's published text is far from encouraging. Even if one does not go as far to say that her words contribute nothing to the pleasure of the production and that its success is due wholly to the music of Virgil Thompson, admirably sung by the all-African American cast. Nevertheless, much of the credit for the libretto must go to whoever broke up the continuous text into dialogue, assigned it to various characters, and conceived the engagingly appropriate non sequiturs of the action. "Four Saints in Three Acts" is a success because all its elements—the dialogue, the music, the pantomime, and the sparkling cellophane decor—go so well with one another while remaining totally irrelevant to life, logic, or common sense.

See Also:

FOUR Saints in Three Acts (Theatrical production); STEIN, Gertrude, 1874-1946; THOMPSON, Virgil; AFRICAN American actors; LIBRETTO; DRAMA
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