Abstract

Music
Haggin, B. H. | November 29, 1952 issue

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The article critically discusses the singer's clarity of words during operas and their implications on the listeners. NBC's televised performance of Benjamin Britten's "Billy Budd" presented an opera in which the word were not a mere scaffolding for beautiful and expressive melodic structures, but instead the recitative like vocal line carried and pointed up the words. In this case, therefore, they had to be understood and they promised to be worth understanding since the libretto was an adaptation of the Melville story made by no less a writer than K. M. Forster in collaboration with Eric Crozier.

See Also:

OPERA; MUSICIANS; LA Clemenza di Tito (Music); MELODY; COSTUME; PERFORMANCE
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