Abstract

European Moderns
Faison Jr., S. Lane | August 21, 1954 issue

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This article presents information on the book "Modern Painting," translated by Stuart Gilbert. Since the reproductions are printed directly on the page and not hand-tipped on coarser stock as before, the color has been intensified to a dangerous degree in order to compete successfully with the glare of the surrounding white paper. The fear of many of the originals will seem an anti-climax to the viewer who first saw them jazzed up into super-posters, but these are conventions of the post black-and-white age to which the public will have to become adjusted by education and experience.

See Also:

MODERN Painting (Book); GILBERT, Stuart; COLORS; PAINTING, Modern; PAPER; BOOKS
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