Abstract

The Abstract Impressionist

Danto, Arthur C. | December 29, 2003 issue

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This article looks at the artistic form known as Abstract Impressionism. I was always amazed at the way it was able to transform a disparate group of painters, none of whom had shown any particular promise of artistic greatness, into figures of stunning originality. It was a convulsive moment in the history of art, and by the time it was finished, not only was there a new pantheon of artistic heroes but a reconfiguration of the entire complex of practices that defined painting. One of these paintings, Drawing for Conspirators, is in the Metropolitan show, and one can understand its presence there: It contributes to an image of a politically engaged artist, as does the scary painting of Richard Nixon with a swollen leg in a painting Guston did in 1975, San Clemente. Abstract Expressionism revolutionized painting, but what Guston and Warhol did revolutionized art.

See Also:

ABSTRACT impressionism; PAINTING, Abstract; ART; ART -- Exhibitions; ART museums; PAINTERS; WARHOL, Andy, 1928-1987; GUSTON, Philip, 1913-1980; NIXON, Richard M. (Richard Milhous), 1913-1994
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